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마지막 업데이트: 7월 15, 2026
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The origins of Montreuil, whose name derives from the Latin 'monasteriolum' (small monastery), are closely linked to its religious history. The abbey church of Saint-Saulve in Montreuil-sur-Mer was built in the 12th century and is located on the site of an older monastery dedicated to Saint Walloy, founded in the 10th century. In 926, the monks of Landévennec (Finistère) fled the Norman invasions and found refuge in Montreuil, where they founded the abbey of Saint-Walloy (local deformation of the name Saint Guénolé). In 1111, this abbey changed its name when the remains of Saint-Saulve were brought there. In its original design, the building had a layout typical of pilgrimage churches with an ambulatory and radiating chapels. In the Middle Ages, the numerous relics attracted pilgrims to Montreuil and gave the town a character of holiness. It was then nicknamed 'The Necropolis of Ponthieu'. The reconstruction after the earthquake of 1467 caused the collapse of at least six religious buildings, including the Hôtel-Dieu and the Saint-Saulve church, which was completely rebuilt at the beginning of the 16th century.
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Here, there is a series of artworks and sculptures, including “BLACK MAN” by Bruno Catalano. Take a stroll and let yourself be transported by these artistic manifestations.
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Montreuil is a royal citadel built in the 16th century on the foundations of an ancient castle. You can explore the citadel and its fortifications, admire the architecture and views of the Canche valley, and discover the history of the site. You can also visit the museum located inside the citadel, which features exhibits on the military and natural heritage of the region.
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Jean Pierre Rives, from Toulouse, well known for his qualities as a rugby player and as former captain of the French team, is also an artist recognized in the world of sculpture. It was in Etaples that he agreed with the Mayor to make a short stopover and drop off three of his monumental works which now stand on the port and opposite the municipal tourist office.
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The abbey church is 11th century; the northeastern side of the tower, which serves as a portal, is still original. The church was rebuilt in the 13th and 16th centuries. The new vaults were lower, which is why it is so dark. Inside, view the capital friezes to the right of the nave, and two 18th century paintings: above the high altar "The Vision of St Dominic" by Jouvenet; left in the chapelle Notre-dame, "The entry into the monastery of St-Austreberthe" by Restout.
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Here "the art lies at the side of the road". Especially flair in this place.
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