12의 라보스가지 명소 & 주요 장소

In the 11th century, a chapel was built by the prior of Bézu-le-Long, dependent on the abbey of Croix Saint-Leufroy, consisting of a nave of 5 bays lit by narrow lancets. A stone choir was added in the 12th century. Around 1335, the chapel became a parish church. Around 1780, it was enlarged by two bays and its direction was reversed. The entrance is now through the choir, itself installed in the western part. Large bays were opened at this time. The new choir is adorned with an altarpiece executed in 1760 by Jacques Carbonnier (from Gisors). The painting of the baptism of Christ is by Charles Jean Baptiste Duchêne, painter in Gisors

We know of Saints Gervais and Protais that they were Christian martyrs in the 2nd century in Milan. At the time, the Roman Empire forced all its subjects to worship the emperor, which was unacceptable to Christians. If they refused, they were crucified or sent to the arena to be devoured by lions between gladiatorial fights. Thus, Saint Ambrose, bishop of Milan, found them, in 386, buried side by side. This great bishop affirmed that they had been martyrs by fidelity to their baptism. He even added "They are of a prodigious size, such as one was in ancient times." Their cult reached Gaul where a large number of churches were dedicated to them.

The parish church of Saint-Gervais Saint-Protais was consecrated in 1119 by Pope Calixtus 11. This Romanesque church saw its nave ravaged by fire in 1123. It was rebuilt in 1160. Thanks to funding from Queen Blanche of Castile, the people of Gisors built a Gothic choir, consecrated in 1249. It was built according to the Chartres model, common at the time in Ile-de-France, with a three-level elevation: large arcades, triforium and high windows pierced with oculi. Thanks to funding from charitable brotherhoods and trade corporations, the church underwent multiple transformations from the end of the 15th century with the addition of radiating chapels and an ambulatory at choir level. Entrusted to the Grappins, a family of architects from Vexin, the work continued in the 15th century with the reconstruction of the nave and the chapels of the side aisles in flamboyant Gothic style, then of the façade decorated with Renaissance motifs.

The Trois Pierres dolmen is an ancient megalithic monument dating from the late Neolithic period (3400-2000 BC). It served as a collective burial ground for the inhabitants of the Seine-Oise-Marne culture. It consists of a short vestibule and a narrow room, separated by a vertical slab pierced by a circular hole, called the "soul hole," through which the bodies passed. The dolmen is surrounded by a peaceful and bucolic landscape, where you can also admire the menhir of the Bois de la Garenne, another prehistoric stone, located about 200 meters away.

The Dolmen of the Three Stones is an ancient megalithic monument dating from the end of the Neolithic period (3400-2000 BC). It served as a collective burial place for the inhabitants of the Seine-Oise-Marne culture. It consists of a short vestibule and a narrow room, separated by a vertical slab pierced with a circular hole, called the "soul hole", through which the bodies were passed. The dolmen is surrounded by a peaceful and bucolic landscape, where you can also admire the Menhir du Bois de la Garenne, another prehistoric stone, located about 200 meters away.

You will see here what remains of the Abbey of Marcheroux which you can approach by the path along the pond. Of this abbey of the Premonstratensian order founded in 1122, all that remains now is the abbey church, the remains of the conventual dwelling and an entrance gate dating from the 18th century. For several years, an association has been organizing the "Rock & beer" festival in these places (Is it necessary to explain the concept? ...) part of the profits of which should help finance the renovation of the building. 'Abbey.

The Church of Saint-Jean-Baptiste is the Catholic parish church of the commune of Chaumont en Vexin. Standing on the eastern slope of the hill of the old castle, it is only accessible from the town center via an alleyway ending in stairs or from the road via a discreet sloping lane. One of the most imposing religious buildings in the French Vexin region, it dates entirely from the 16th century. Its great homogeneity of style is due to its rapid construction, as it was completed in a single phase from 1530 to 1554. The square is a peaceful spot for a break overlooking the town's rooftops.

A transient lies in the Church beside which is the text: 'Whoever you are you will be struck down by death. Stay there, take care, cry. I am what you will be, a pile of ashes. I was what you are. You will be what I am, now do what you wish you had done when you die. Beg, pray for me. '