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かつての星形狩猟場の中心には、いくつかのベンチと、この場所の歴史と星形狩猟の進行状況に関する情報パネルがあります。

A Schwetzingen Landmark The most famous sculptures in the Schwetzingen Palace Gardens are the water-spouting stags in the central parterre. The Flemish sculptor Peter Anton von Verschaffelt (1710–1793) created them between 1766 and 1769. They depict stags being brought down by hounds, thus addressing the hunting theme, which was significant for a summer residence. Source: https://www.schloss-schwetzingen.de/erlebnis-schloss-garten/garten/anlage/skulpturenprogramm

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Schwetzingen is simply great

Exceptionally well-preserved and now extensively restored, the bathhouse is now one of the many unique features of the magnificent Schwetzingen Palace Gardens. Here in the bathhouse, you should take a closer look at the wall consoles. They represent eight different characters. Ask the man inside. He's sure to have a wonderful story about them.

The entire castle complex is beautiful, whether you pay the entrance fee and visit the entire park or simply walk along the paths around the castle.

Guido Messer (*1941) The Claque Bronze, galvanized steel tables, 1988 "Razor-sharp" is as fitting as it is significant in relation to Guido Messer's art. "Razor-sharp" describes a precise and profound power of observation. Messer distills the species from the mass of individual occurrences and characterizes them by their binding properties. By essentially sharing his knowledge of such properties, we make them speak to us through the expression Messer has found for them in his works. The encounter with Messer's sculptures therefore has something of a déjà vu about it, or they are immediately perceived as archetypes whose identifiability is known to be very high and very widespread." (Prof. Dr. Helge Bathelt at an exhibition opening in Herrenberg, 2008) The sculpture group "The Claque" consists of four bronze figures, which Guido Messer commissioned for a sculpture exhibition at the Filderhalle in 1988. The bronze casting process allows a mold to be reused multiple times, and thus "The Claque" can also be found in Backnang, Pforzheim, and Schwetzingen. The claque was a group of people who were paid for their applause, especially in the 18th and 19th centuries. Accordingly, Guido Messer depicts four men who clap, but without any sign of emotion on their faces. Their posture, gestures, and expressions are stereotypical; each one resembles the next. Placed as torsos on a table, they appear like functioning machines with human features. Positioned in front of the Filderhalle, they greet everyone who has come to attend an exhibition, a play, or a concert. The artist humorously illustrates what a visitor should not be: an emotionless and uninvolved claqueur. Source: https://www.leinfelden-echterdingen.de/Startseite/Kultur/Die+Claque.html