ヴィゴダルツェレのおすすめウォーキング＆ハイキングルート

Certosa di Vigodarzere：歴史的な場所ですが、内部の見学はできません。注：Certosaの隣を通る道（禁止されておらず、サイクリングルートの一部です）で、Certosaから出てきて、その土地は自分のものだ、通ることはできない、禁止されている、そして彼が標識を設置したと言い始める男性に遭遇する可能性があります... その言葉には耳を貸さないでください。敬意を払い、静かに通り過ぎてください。

Basilica of Saint Anthony of Padua / Basilica of Saint Anthony, Padua The Basilica of Saint Anthony, known as "the Saint," is the city's most important religious center and attracts thousands of pilgrims every year, especially on June 13, the saint's feast day. The basilica was built in 1232 to protect the tomb of the Franciscan friar Anthony, who died in Padua in 1231. The large building presents a complex structure with a fusion of styles: Romanesque elements in the façade, Gothic elements in the ambulatory, Byzantine elements in the eight domes covered with lead, and Moorish elements in two tiers. The Church of Saint Anthony holds numerous reminders of the Carrara Signoria. In 1350, Cardinal Guido de Boulogne came to the cathedral to acknowledge the saint's miracle and was greeted by Jacopo II da Carrara and Bishop Hildebrand. Members of the Carraresi family, such as the Lupi di Soragna and the Conti, chose the basilica as the site for their own mausoleums. The Chapel of the Black Madonna now stands on the site of the earlier church, dedicated to Santa Maria, Mother of the Lord. The polychrome Madonna is by Rinaldino di Francia and dates from 1396. Rinaldino is also likely the artist of the shield bearing the portrait of Stefano da Carrara, now in the city museums. A funerary monument to Raffaele Fulgioso, a renowned jurist from the University of Padua, is located to the left of the chapel. The Chapel of Blessed Luca reveals even closer ties to the Carraresi family: it was built between 1380 and 1382 by Naimerio and Manfredino Conti, executing the will of Fina Buzzaccarini. They commissioned Giusto de'Menabuoi, a painter from the Carraresi court, to create the frescoes. The stories of Saints Philip and James, arranged on the chapel walls, reveal a surprising new sense of spaciousness. In the center, within the lunette, are portraits of the patrons: Saint Anthony, Blessed Luke, Saint Francis, and Saint Louis of Toulouse, as they are presented to the Virgin. Text / Source: Turismo Padova https://www.padua.info/de/padua/was-zu-sehen-ist/details/basilica-di-santantonio

Prato della Valle, Padua The Prato della Valle, one of Padua's landmarks, is a large, monumental space distinguished by a central green island, Isola Memmia, named in honor of the city's governor who commissioned its creation. This island is surrounded by a canal adorned with a double pedestal featuring numbered statues of famous figures from the past. Since antiquity, this public space has served both economic and recreational functions. In Roman times, a large theater, the Zairo, stood here; remains of the theater's foundations have been found in the canal surrounding Isola Memmia, along with a circular racecourse for chariots. During the Middle Ages, fairs, tournaments, festivals, and competitions were held here; it was the site of large gatherings of "all the free men of Padua," and as early as 1077, it was a marketplace. Until 1767, it belonged to the Abbey of Santa Giustina. Then, the Senate of Veneto declared it municipal land and, together with Andrea Memmo, Provveditore della Serenissima (Governor of the Venetian Republic), implemented a radical redevelopment project. The aim was to create a new urban commercial center, a space suitable for fairs and events. Later, pavilions were erected on Isola Memmia to establish a market. Subsequently, trees were planted, giving the square a distinctly English feel, while the surrounding buildings made it unique, original, and memorable. The design is inspired by the great Venetian tradition of the patrician garden, which here, for the first time, is taken out of private use and proposed according to neoclassical concepts as an urban planning solution and ecological enhancement. Text / Source: Turismo Padova https://www.turismopadova.it/de/orte/prato-della-valle/

Loggia Amulea, Padua The Loggia Amulea on Prato della Valle is a Neo-Gothic building constructed in 1859. It is distinguished by its richly ornamented red facade, surrounded by elegant arcades. The facade is very photogenic and offers a unique view of the city. From 1906 to 1989, the Loggia Amulea housed the Padua Fire Department and today contains several municipal offices. Weddings are sometimes held in the room adjacent to the large balcony. The Loggia Amulea is a Neo-Gothic building in Prato della Valle. The palace served as the Padua Fire Department from 1906 to 1989. Currently, it houses several municipal offices. The building's facade features an elegant loggia. Civil weddings are sometimes held in the room adjacent to the large balcony. Text / Source: Padua Info https://www.padua.info/en/padua/what-to-see-is/details/loggia-amulea

Basilica of Santa Giustina, Padua The Basilica of Santa Giustina, which housed one of the most important and influential religious communities in Padua during the Middle Ages, has its origins long before the arrival of the monks: The first basilica was built in the 6th century on the site of the former cemetery of Prato della Valle, where the young martyr Giustina, a victim of Maximian's persecutions of Christians, was buried in 304 AD. The arrival of the Benedictines in Padua dates back to the 10th century. After their settlement, the remains of saints, hidden during the barbarian invasions, gradually came to light, including those of Saint Giustina and Saint Luke the Evangelist, author of the Third Gospel and chronicler of the Acts of the Apostles. His relics were brought from Thebes (Greece) to Constantinople and then from Constantinople to Padua. The present basilica dates from the 16th century and is 122 meters long, with three naves in the form of a Latin cross. The apse contains the remarkable carvings of the 15th-century wooden choir and the altarpiece by Paolo Veronese from 1575, depicting the Martyrdom of Saint Giustina. The transept houses the tomb of Saint Luke the Evangelist on the left and the tomb of Saint Matthias the Apostle on the right. From there, the impressive Martyrs' Corridor leads to the chapel in the form of a Greek cross, built at the end of the 6th century on the tomb of Saint Prosdocimus, the first Bishop of Padua. The monastery was dissolved by Napoleon in 1810 and served as a barracks until 1919, when the Benedictines returned to Sant'Giustina. Only with an authorized guide is it possible to visit the 14th-century Chapel of St. Luke, where Elena Lucrezia Cornaro Piscopia, the world's first female academic (1678), is buried, as well as the old 15th-century choir and the vestibule leading to the sacristy. Text / Source: Prato della Valle - Sagrato di Santa Giustina, Padova (PD) http://www.abbaziasantagiustina.org https://www.turismopadova.it/de/orte/benediktinerabtei-der-heiligen-giustina/

05/18/2025 today a gentleman came out saying that the whole area is private and you can't pass. Don't worry, with respect you can pass and not even the police can fine you. It is a poorly preserved historical relic, the access road connects the embankment with the main road that connects Vigodarzere to Saletto di vigodarzere.

Can be ridden all year round. Best time is spring. Any type of bike except road racing.

Oratory of San Giorgio