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While traveling along the Via Francigena, on the stretch from Arnad to Bard, you cross this characteristic three-arched pedestrian bridge. On the left orogr. area with a bench for rest.

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The Ponte di Echallod is a picturesque pedestrian bridge in the Valle d'Aosta region. This stone bridge, which has been restored several times over the centuries, connects the upper and lower parts of Echallod village with other villages in Arnad municipality. The Ponte di Echallod is a classic example of 18th-century architecture. It is built with stone and mortar. The bridge has three arches with counterforts and has a symmetrical shape. It is located along the path of the ancient Via Francigena, which comes from Verrès and heads towards Bard and Donnas.

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The Castello di Issogne is one of the most famous castles in the Aosta Valley and is known for its Renaissance style that contrasts with the nearby, more austere Castello di Verrès. The castle has a remarkable courtyard with a fountain in the shape of a pomegranate tree and a colorful portico, a rare example of medieval Alpine painting, with frescoes depicting scenes from everyday life in the late Middle Ages. The castle's history dates back to a papal bull in 1151, and it has a rich history that includes its transformation from an episcopal fortress into an elegant princely residence. The castle is open to visitors and offers a unique look at the culture and architecture of the region.

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The Castello di Verrès is an impressive medieval castle in the Aosta Valley, built in the 14th century by Yblet de Challant. The castle is known for its unique monolithic structure, which resembles a solid cube and differs from most other castles of the time which consisted of multiple buildings within a walled enclosure. Dominating the town of Verrès and the entrance to the Val d'Ayas, the castle has a military character that merges with elegant stone details that adorn the windows, doors and monumental mantelpieces. The castle has no corner towers nor a keep.

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The castle of Issogne stands a short distance from the Dora Baltea: a Roman villa, a robust stronghold owned by the bishop, a medieval manor, a refined stately home that testifies to the power and wealth of the Challant family, and a dream castle for Vittorio Avondo. The external appearance, severe and modest, hides centuries of history and magnificent masterpieces inside. From the courtyard with the coats of arms to the lunettes of the atrium, from the lush garden to the pomegranate fountain, it represents a triumph of late Gothic art, in the transition period between the end of the Middle Ages and the beginning of the Renaissance. Here every detail tells the story of Prior George of Challant, refined promoter of the architectural modifications and decorations that give the castle a uniqueness in the medieval figurative culture of the Alpine regions.

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In Turin in the medieval castle there is a copy of the pomegranate from the Issogne castle.

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The Echallod bridge is a stone pedestrian bridge, among the most picturesque in the Aosta Valley. Restored several times over the centuries, it connects the hamlets of upper and lower Echallod to the other villages of the municipality of Arnad, located on the orographic left of the Dora Baltea river. The symmetrical humpback structure rests on three arches supported by sturdy buttresses. On the right shoulder there is a shrine to protect travellers. You cross it on foot following the Cammino Balteo hiking itinerary (stage 22) which here overlaps with the route of the Via Francigena.

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History Initially the domain of the bishops of Aosta, the property subsequently passed into the hands of the Challant family. Over time the existing buildings were enlarged and united, until the radical transformation which took place between around 1490 and 1510 by Giorgio di Challant, prior of Sant'Orso, who made it a sumptuous residence for his cousin Margherita de La Chambre and his son Filiberto. It was then that the castle took on its current appearance, becoming a single horseshoe-shaped palace, overlooking a large courtyard and an Italian garden, on whose high surrounding wall important people and heroes were painted; the portico on the ground floor was adorned with a series of frescoed lunettes with scenes of daily life and representations of shops, while in the center of the courtyard stood the famous wrought iron fountain known as the Pomegranate fountain, a symbol of prosperity. Also in that period, many internal rooms were decorated with frescoes, both in the representative areas, such as the Hall of Justice or the Chapel, and in the more private rooms, including the oratories of Margherita de La Chambre or Giorgio di Challant. After the glories of the sixteenth century, the residence began to gradually decline and in 1872 it was sold at public auction: purchased by the Turin painter Vittorio Avondo, it became the subject of a careful restoration campaign that restored its ancient splendor. Donated to the State in 1907, today the castle belongs to the Autonomous Region of Valle d'Aosta and features some elements of the original furniture and other furnishings redone at the end of the nineteenth century, which together with numerous domestic objects recreate the setting late fifteenth century commissioned by Avondo. Visit Upon entering the palace you find yourself in the courtyard, surrounded by buildings on whose walls the coats of arms of the Challant family and the families related to it are portrayed. After passing the pomegranate fountain, we continue towards the entrance hall: the frescoes in the lunettes of the portico represent the daily life of the village with remarkable realism, depicting the guardhouse, the butcher's and baker's shop, the fruit and vegetable market, the tailor, apothecary and grocer. Afterwards, we proceed to visit the interior of the castle: on the ground floor, the dining room, the kitchen, and the baronial room, where you can admire a beautiful stone fireplace bearing the Challant coat of arms on the hood flanked by a lion and a griffin, paintings on the wooden beams of the ceiling and the walls frescoed with landscapes, hunting scenes and the Judgment of Paris; on the first floor, the chapel, with finely decorated ogive vaults, with frescoes on the walls and with the Gothic altar in carved and gilded wood adorned with a Flemish triptych and the Countess' room, with the oratory decorated with paintings; on the second floor, the room called "of the King of France", with a coffered ceiling decorated with lilies and a fireplace which bears the shield of the French Valois dynasty on the hood, and the one called "Knights of St. Maurice" with the beautiful coffered ceiling on which the cross of this order is painted. The ruins of the dovecote still stand a short distance from the castle. Avondo's apartment Since 2018, an emotional installation dedicated to Vittorio Avondo, illustrious owner of the Issogne manor, enhances and enriches the castle's offering by highlighting its late nineteenth-century events with a series of panels, multimedia solutions and elements of poetic suggestion. Born in Turin in 1836 and dedicated to painting from a young age, Avondo is considered one of the best representatives of 19th century Piedmontese landscape painting. After a period living in Rome, which he spent mainly painting naturalist-inspired landscapes of the Lazio countryside, he dedicated himself to the study of ancient art and in 1865 he oversaw the reorganization of the Bargello museum in Florence. He subsequently returned to Turin, where in 1891 he took on the role of director of the Civic Museum. The purchase and restoration, together with Alfredo D'Andrade, of the castle of Issogne, allowed him to expand his skills and collections of medieval art, which led him to collaborate with D'Andrade himself on the construction of the medieval village in Turin (1884).

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Beautiful bridge. Absolutely to pass

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The ancient three-arch Echallod bridge allows you to cross the Dora Baltea river... On the bridge we find a small oratory with frescoes almost erased by time.

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Beautiful roman bridge in echallond. Worth a stop.

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Built on a rocky peak overlooking the village below, the castle is mentioned for the first time in 1287 as the property of the De Verretio lords. It was Ibleto di Challant, exponent of one of the main noble families of the Aosta Valley, who in the last decade of the fourteenth century had the manor take on its current form, according to a completely innovative building typology. The castle, unlike the other Aosta Valley examples consisting of several buildings enclosed in a wall, looks like a compact block, about thirty meters on each side, with a purely military character. Its interior, on the other hand, appears less austere and rigid, thanks to the majesty and airiness of the staircase in the courtyard - set on flying buttresses - and the decoration of the windows, doors and shelves of the monumental fireplaces, due to excellent craftsmanship. From the mid-1500s, following the extinction of the family, the decline of the castle began, culminating in its abandonment for more than three centuries. At the end of the 19th century the fortress was restored, thanks to the action carried out by a group of Piedmontese intellectuals, among which Alfredo d'Andrade, Vittorio Avondo, Giuseppe Giacosa. Source: https://www.regione.vda.it/cultura/patrimonio/castelli/castello_verres/default_i.asp

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This ancient stone bridge now offers one of the most picturesque cycle and pedestrian passages in the Aosta Valley.

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Place of historical interest Location Château, 11029 Verrès AO http://www.regione.vda.it/cultura/patrimonio/castelli/castello_verres/default_i.asp

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