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スゼイ城は、14世紀にはリール渓谷の交通を完全に支配できる場所に位置する、険しい岩の露頭の上にそびえ立っています。この構造物は、巨大な四角い塔に支配され、植生に覆われた要塞化された村の遺跡に囲まれた、典型的な中世の囲郭式城郭の例です。この要塞は、中央権力からの好戦的な性格と独立性で知られるヴァレーゼ家の一派であるスゼイ領主たちの本拠地でした。家族の特権を守る決意に関する有名な逸話があり、スゼイ領主たちは通行税を非常に厳しく課し、商人や近隣のコミュニティとの激しい論争を引き起こし、城を武装した税関のようなものに変えたと言われています。また、地元の伝説によると、この城はペルロにあるヴァレーゼ家の他の財産と、岩盤に直接掘られた秘密の通路のネットワークを通じて接続されており、包囲中に不用意な目から兵士や財産を移動させるために使用されたと言われています。別の民話は、城の終焉を劇的な出来事として描写しています。敵の攻撃中に発生した壊滅的な火災が、この構造物の最終的な放棄を印したと言われています。

1733年に完成したリリアネスの石橋は、リ・デ・リリアネス渓谷にとって例外的な価値を持つ水利施設であり、この地域で唯一4つの円弧を持つ歴史的な橋です。頑丈な橋脚と水切りを備えたこの構造の選択は、激しい洪水に見舞われやすいリ・デ・リリアネス川の区間を渡る必要性から決定されました。地元の石で造られた「馬の背」のような特徴的な形状の路面の中央には、疫病から旅人を守るために歴史的に設置された、聖ロクスに捧げられた votive edicola があります。 この事業の資金調達に関する重要な逸話があります。地元コミュニティは、中央からの補助金だけに頼らないために、「taglioni」という、土地所有に基づく強制的な貢献制度を通じて、重い自己税を選択しました。この村の家族は、栗の商業と牧草地に関連する経済にとって橋が不可欠であると考えられていたため、お金だけでなく、労働力と資材も提供して貢献したと言われています。もう一つの興味深い詳細は、その驚異的な耐久性です。過去の洪水で、他の木造や軽量の構造物が流された一方で、リリアネス橋は無傷で残り、破壊不可能な記念碑としての評判と、谷全体の住民の団結の象徴としての評判を確固たるものにしました。

It is located in Valchiusella

The Chiesa del Santissimo Salvatore in Quincinetto, Italy, is a beautiful parish church located in the center of the village, near the bell tower. Although there are reports of medieval origins since 1297, the church was rebuilt in 1770 in the current late Baroque style, according to the design of architect Bella. The church is 35 meters long and has three chapels on each side. The facade is decorated with beautiful frescoes by the famous painter Carlo Cogrossi from Treviglio. The facade has two marker bands that divide it into registers. The lower registers contain six niches with statues of saints, while the upper register shows an altar icon of the Redeemer in relief. The church has a spacious and bright single-nave space with twelve windows that illuminate the interior. The walls are decorated with frescoes of the Via Crucis, altars and decorative floral motifs. The presbytery is crowned with a red canopy and houses an impressive altar in brick and imitation marble. Four frescoes in the presbytery show scenes from the life of Jesus. The church also contains a unique painting of Jesus as the Redeemer. The walls of the choir are decorated with biblical scenes set after the Resurrection of Christ, painted by Carlo Antonio Cogrossi.

The Roman road of the Gauls, built to connect Rome with the Rhone Valley, has in the Donnas section one of its most characteristic and spectacular points, carved out of the living rock over a length of 221 metres. In a place where in ancient times the rocky promontory plunged into the waters of the Dora, the Romans launched a real challenge to nature by carving out a living rock on which they could draw perfectly vertical walls and in whose bosom they cut the roadbed. Exciting and unusual, here the Via delle Gallie gives its best by offering the spectacle of a vaulted passage 4 metres thick, 4 metres high and almost 3 metres wide that eloquently illustrates the amount of rock removed and shows all the refinement of a road engineering never again achieved until viaducts and modern tunnels. In the Middle Ages it served as a gate to the village, which was closed at night; The other defences were of course: on one side the mountain and on the other the river. A fundamental road, much used over the centuries, as evidenced by the deep ruts left by the passage of carts and the wear of the walking surface that has been patched and repaired at various points over time. A little further on, on the right, we recognise the excellent profile of a milestone, also spared in the rocky bank, which informs us of the distance to Augusta Praetoria (the current city of Aosta): XXXVI miles (about 54 km).

In addition to many temporary exhibitions, often aimed at promoting and learning about the culture and territory of the Aosta Valley and the Alps, the Forte di Bard includes three permanent museums. 1.) On the top floor is the Museum of the Alps. Here the secrets of the mountain have been presented through a multimedia path and interactive installations. A truly worthwhile and informative museum!!! 2.) A second museum room is dedicated to the prisons of the fort, twenty-four narrow cells (1.3 x 2 meters) distributed in four areas and accessed from a gallery decorated with historical prints and paintings that tell the story of the building. 3.) Finally, the Fortress and Border Museum of the Opera Ferdinando offers a journey through the history of the Bard through a parade of historical and plastic weapons, including scale models of defensive structures and miniature armies. Source: https://www.visititaly.eu/it/luoghi-e-itinerari/cosa-vedere-a-bard-borgo-in-valle-aosta

The Fort de Bard, which has remained almost unchanged since its reconstruction, represents one of the best examples of a dam fortress from the beginning of the 19th century. The stronghold has three main buildings, on several levels, between 400 and 467 meters high: from the lowest, the Ouvrage Ferdinand, to the middle one, the Ouvrage Victor and, at the top, the Ouvrage Charles-Albert, a whole of 283 rooms. The Ouvrage Ferdinand is shaped like pincers and has two buildings, the Ouvrage Ferdinand Inférieur and the Ouvrage Ferdinand Supérieur. The Ouvrage Mortai, placed behind the latter and the adjoining Powder Magazine house the rooms intended for the didactic laboratories. About halfway up the rock, stands the Ouvrage Victor where you will find "Les Alpes des Enfants", an interactive trail. At the top, the most imposing of the three structures has an enclosure on which all the buildings rest and which contains the Ouvrage de Gola, its courtyard, which can defend the south side, and the Ouvrage Charles-Albert and its large quadrangular courtyard of the Place d'Armes, surrounded by large arcades. The first floor of the Ouvrage Charles-Albert is dedicated to the "Musée des Alpes". Inside the structure, there is also a tour of the history of the Fort, in the Prison rooms. The Fort is accessible by an external road, on the south side, which leads to the courtyard of the Ouvrage de Gola, and by an internal road which winds in narrow steep bends, protected by large stone walls and which goes up the opposite slope towards the North, thus allowing one to reach the Ouvrage Charles-Albert. These two roads are only accessible on foot. The summit of the rock and the fortress is easily accessible thanks to the panoramic lifts which, from the village of Bard to the foot of the Fort, provide access to the Ouvrage Charles-Albert and therefore to the Museum of the Alps. https://www.viefrancigene.org/fr/resource/poi/forte-di-bard/

The Ponte di Bard, also known as the Bard Bridge, is a historic arch bridge in the Aosta Valley region. This bridge spans the Dora Baltea River and connects the municipalities of Bard and Hône. The bridge is built of stone and consists of 2 arches. It connects the lower part of the village of Bard with the southeastern side of Hône, in Rue Émile Chanoux. The route of the bridge slopes slightly, from Bard to Hône. From this old and beautiful arch bridge you can admire one of the best views of the nearby Forte di Bard. The fortress, which has remained almost intact since its construction, is an impressive example of military architecture from the early nineteenth century. A walk across this bridge not only offers beautiful views of the fortress, but also a touch of history and beauty