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An ancient cemetery dating back to the Napoleonic era, abandoned in the 1940s. https://fondoambiente.it/luoghi/cimitero-del-fiorentino?ldc

From the centre of the village you start to climb

very beautiful hill with slopes around 10%

While traveling along the Via Francigena, on the stretch from Arnad to Bard, you cross this characteristic three-arched pedestrian bridge. On the left orogr. area with a bench for rest.

Emarese is located on a beautiful plateau that is sunny all year round. The village has beautiful stone houses, many of which have been renovated respecting the original materials and architecture. On the walls of some of these houses, reproductions of period photos have been hung, showing the faces of the people who lived in the village in a past that is becoming increasingly distant.

It's a nice trail, but it can be wet/muddy.

The Chiesa del Santissimo Salvatore in Quincinetto, Italy, is a beautiful parish church located in the center of the village, near the bell tower. Although there are reports of medieval origins since 1297, the church was rebuilt in 1770 in the current late Baroque style, according to the design of architect Bella. The church is 35 meters long and has three chapels on each side. The facade is decorated with beautiful frescoes by the famous painter Carlo Cogrossi from Treviglio. The facade has two marker bands that divide it into registers. The lower registers contain six niches with statues of saints, while the upper register shows an altar icon of the Redeemer in relief. The church has a spacious and bright single-nave space with twelve windows that illuminate the interior. The walls are decorated with frescoes of the Via Crucis, altars and decorative floral motifs. The presbytery is crowned with a red canopy and houses an impressive altar in brick and imitation marble. Four frescoes in the presbytery show scenes from the life of Jesus. The church also contains a unique painting of Jesus as the Redeemer. The walls of the choir are decorated with biblical scenes set after the Resurrection of Christ, painted by Carlo Antonio Cogrossi.

The Roman road of the Gauls, built to connect Rome with the Rhone Valley, has in the Donnas section one of its most characteristic and spectacular points, carved out of the living rock over a length of 221 metres. In a place where in ancient times the rocky promontory plunged into the waters of the Dora, the Romans launched a real challenge to nature by carving out a living rock on which they could draw perfectly vertical walls and in whose bosom they cut the roadbed. Exciting and unusual, here the Via delle Gallie gives its best by offering the spectacle of a vaulted passage 4 metres thick, 4 metres high and almost 3 metres wide that eloquently illustrates the amount of rock removed and shows all the refinement of a road engineering never again achieved until viaducts and modern tunnels. In the Middle Ages it served as a gate to the village, which was closed at night; The other defences were of course: on one side the mountain and on the other the river. A fundamental road, much used over the centuries, as evidenced by the deep ruts left by the passage of carts and the wear of the walking surface that has been patched and repaired at various points over time. A little further on, on the right, we recognise the excellent profile of a milestone, also spared in the rocky bank, which informs us of the distance to Augusta Praetoria (the current city of Aosta): XXXVI miles (about 54 km).