アリスタニス/オリスタノでののおすすめウォーキング＆ハイキングルート

Beautiful baroque cathedral with a separate bell tower.

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A freestanding, monumental city gate in the middle of the square, after the city wall was demolished.

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Beautiful, lively street in the old town.

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Ideal starting point for Gravel and mountain bike rides (many paths that bypass the paved roads) to do the coastal path from Putzu Idu to Capo San Marco

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Beautiful unusual landscape with many trails.

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Unfortunately, this bridge is impassable and may only be used for fishing.

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The Torre Grande is the largest Spanish tower in Sardinia, built between 1542 and 1572. This town is lively thanks to the presence of clubs, bars, concerts, shows, restaurants, festivals, exhibitions and markets. The tower represents the main legacy of Spanish domination in Sardinia, and the nearby town of Oristano also shows extensive traces of fortifications, both medieval and Aragonese. This area is one of the places where the Spanish most influenced construction on the island.

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The good Eleonora used to have something to say here, but is now sufficiently revered.

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former city gate / defensive tower

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A cathedral, so for Hamburgers: no carousels and beer, just church and stuff. Beautifully colorful inside.

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Excellent stretch of cycle road before arriving in Oristano

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Center of Oristanos, this is where the shopping arcades meet

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nice square outside a pleasant baroque cathedral with a couple of gothic vestiges

In the historic center of Oristano the Tower of San Cristoforo or Mariano II stands out, a clear trace of the lost fortifications. During the carnival period the tower is an obligatory and suggestive point of passage for the knights involved in the Sa Sartiglia equestrian event.

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Ancient tower dating back to 1290, it is one of the four medieval entrances to the city walls.

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Corso Umberto I leads straight to Piazza Eleonora with the pretty old buildings.

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Wonderful square in the middle of Oristano dedicated to Eleonora D'Arborea. The pretty town hall is also located here.

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The Franciscan Order has been present in Sardinia since 1230, and the monastery of San Francesco was founded in Oristano as early as 1253. There is no documentary evidence of the Gothic construction of the church. By the early 19th century, it was in serious disrepair, so Archbishop Giovanni Maria Bua decided to rebuild it from scratch rather than restore it. Thus, it was destroyed in 1835, and on February 17 of the following year, the foundation stone of the new church was blessed. It was designed by the Sassari friar Antonio Cano, a royal protégé who had studied at the Accademia di San Luca in Rome. The building collapsed on September 18, 1838, before the dome was completed. From the surviving survey of the church-monastery complex and its surroundings, it can be deduced that the dome had an elliptical shape, as is typical for Cano's works. Shortly thereafter, the task was assigned to the most important Sardinian architect of the 19th century, Gaetano Cima of Cagliari. The project, submitted on September 18, 1841, was approved on April 22, 1842, and work then began. The building, rebuilt according to the forms of purist classicism, reopened for worship in October 1847. The current building has a central plan with two chapels on each side and a deep semicircular apse. From the left chapel, a small room leads to the sacristy. The façade, accessible via a wide staircase with eight steps, is preceded by a tympanum-pronaos supported by four columns and two pilasters. All supports are surmounted by Ionic capitals. The façade features a large central portal and two smaller symmetrical side portals. The central body of the building is covered by a large hemispherical dome, standing on a cylindrical drum and surmounted by a polygonal lantern. Source and further information: http://www.sardegnacultura.it/j/v/253?v=2&c=2488&t=1&s=18322

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The first document that testifies to the existence of the church dedicated to Santa Maria dates from February 20, 1192. In 1195 the cathedral and the entire city were set on fire and sacked by the troops of the magistrate of Cagliari Guglielmo de Lacon-Massa. The cathedral was badly damaged during the military occupation of the city and in 1228 reconstruction began. The pointed arch building, written documents and two bronze knockers on the portal bear witness to this. In the first half of the 14th century, the Romanesque structure of the Duomo was modified... The transept and the first bell tower were part of the 1300 extension, whose colored majolica dome was only added in the 18th century. In the will of King Hugh II of Arborea of April 4, 1335, the ruler mentions the place where he wanted to be buried: in the Church of the Virgin Mary of Oristano and precisely in the Chapel of San Bartolomeo, which still needs to be completed . Further extensions may have taken place between 1336 and 1349, as the grave of the legal adviser Filippo Mameli, who died in 1349, suggests. During an invasion of French militias that took place on February 25, 1637, the city of Oristano, the churches and especially the cathedral were looted and badly damaged. With the arrival of Sardinian troops from Cagliari and Sassari, the French soldiers decided to leave the city on February 28th to embark again. Pursued by the Sardinian military, the French left behind two pieces of artillery, eleven boats, thirty-six prisoners and eight banners, four of which are preserved on the wall of the main entrance of Oristano Cathedral. The current cathedral, built in the years 1729-1745 to an elegant Piedmontese Baroque design, houses the chapel with the relics of Sant'Archelao, patron saint of the city and the diocese. Source and more information: https://www.comune.oristano.it/it/amministrazione/luoghi/luogo/Cattedrale-di-Santa-Maria-Assunta/

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The Tower of San Cristoforo or Porta Ponti, also known as Mariano II, stands isolated in the center of Piazza Roma, recalling the noble past of medieval Oristano. The tower incorporates various wooden structures and devices. A winch positioned on the second floor operates a small drawbridge with chains and ropes, the loops of which are still visible on the back of the tower. A roller shutter and a tall double door complete the security system. In fact, this is the dual role of the Tower of Mariano: defensive bulwark and gateway to the north of the city. The tower opens onto the wrinkled maista (main road) that crosses the city as far as Porta a Mari, the southern access. The tower's defense is ensured by the numerous loopholes on its exposed sides and by the drain for pouring liquids on unwanted visitors. In addition, there is a substantial moat connected to a water drainage or drainage system. Some elevation reconstructions of the structures indicate the presence of an avant-corps or barbican, which, together with the smaller turrets along this stretch of wall, make the entrance to the city impregnable. The tower, like the rest of the fortifications, has undergone numerous alterations and repairs over time, highlighted by drawings and archival photographs from the late 19th and early 20th centuries. These are complemented by valuable archival documents. In the 15th century, the towers underwent significant modifications, with additions with crenellated spires bringing the building's height from 19 to 28 meters. The Marquis of Oristano, Antonio Cubello, built these works around 1430, when the founder Bernardo Guardia created the city bell, placed under the arch of the raised part. The bell bears 24 Marian invocations to evoke the protection of the Virgin over the city of Oristano. Source and further information: https://www.museooristano.it/view/s/e5f78456a7b84330a188723ad469e097

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