4.3
(593)
3,113
ハイカー
245
ハイキング
ポルキア周辺でのハイキングは、景色を満喫するのに最適な手段のひとつですが、適切なハイキングルートを見つけることは簡単ではありません。 ポルキア周辺の人気ハイキング&ウォーキングコースを参考にすれば、行きたいルートをすぐに見つけられます。
最終更新日: 3月 23, 2026
4.3
(22)
122
ハイカー
10.6km
02:43
40m
40m
中程度のハイキング. ある程度のフィットネスレベルが必要です。 進みやすいルートです。あらゆるスキルレベルに適しています。
4.8
(4)
26
ハイカー
7.71km
01:57
10m
10m
初級者向けハイキング. あらゆるフィットネスレベルに適しています。 進みやすいルートです。あらゆるスキルレベルに適しています。
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5.0
(1)
17
ハイカー
5.88km
01:31
30m
30m
初級者向けハイキング. あらゆるフィットネスレベルに適しています。 進みやすいルートです。あらゆるスキルレベルに適しています。
5.0
(2)
4
ハイカー
12.8km
03:15
30m
30m
中程度のハイキング. ある程度のフィットネスレベルが必要です。 進みやすいルートです。あらゆるスキルレベルに適しています。
16
ハイカー
5.80km
01:29
20m
20m
初級者向けハイキング. あらゆるフィットネスレベルに適しています。 進みやすいルートです。あらゆるスキルレベルに適しています。
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A splendid swing that allows you to relax and have fun on this beautiful RondoVeRde trail, enjoying the lush nature and the slow flow of the Noncello River. The seat features the phrase: "ONLY THOSE WHO DARES TO FLY" 🪁🦋
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Palazzo Ricchieri. Paintings on wood and canvas, drawings, frescoes, wood sculptures, furniture, goldsmith's work, and ceramics from the Middle Ages to the present day.
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The castle of Torre was built in the Middle Ages where the complex of the large Roman villa once stood. The oldest part of the fortification is represented by a square-based tower, characterized by mighty walls, probably built in the second half of the 13th century by the Patriarch of Aquileia, who initially entrusted it to the ancient House of the Lords of Prata. Long the object of contention between the nobles of Porcia, the Count of Gorizia and the Carraresi, in 1391 the Patriarch of Aquileia, Giovanni di Moravia, granted the castle of Torre to Giovannino di Ragogna. After the first half of the 15th century, with the Venetian conquest of Friuli, the castle was transformed into a noble residence and was involved in a vast program of architectural and artistic interventions including the fresco decoration with the Annunciation on the ground floor, attributed to Gianfrancesco da Tolmezzo (1450-1511). The staircase leading to the main floor and the loggia were probably built during the second half of the seventeenth century. Between the end of the seventeenth century and the beginning of the eighteenth century, the fresco depicting the main protagonists of the defense of Vienna from the siege of the Turks in 1683 was created in the vault of the ground floor of the tower-keep, probably to commemorate the participation of a member of the Ragogna family in the clash. Various additions and structural modifications were made to the building during the eighteenth and nineteenth centuries. At the end of the nineteenth century, in the southern sector of the castle, the old loggia building was demolished and a new building was built, which was placed against the northern wall of the main tower. In 1926, the building was replaced with the one that still exists today. In 1970, the Count of Ragogna died, leaving the Castello di Torre as an inheritance to the Friuli Venezia Giulia Region; in the end, after various testamentary events, the building came to the Municipality of Pordenone. After a careful restoration that took place in the early 2000s, since 2006 it has been home to the Archaeological Museum of Western Friuli.
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Nice place in the center of Pordenone
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The municipal palace of Pordenone was built in Gothic style between 1291 and 1395 and scenically closes the street with the pinnacles and the clock tower added in the 16th century.
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Built in very recent times, and dedicated to the Blessed Odorico da Pordenone, the church was opened for worship on 19 October 1991. The building stands on the edge of the historic centre, along Viale della Libertà, one of the well-known access roads. The project, by the well-known Ticino architect Mario Botta, interpreted the liturgical and pastoral needs of a city, which after the industrial boom of the 1960s and strong economic growth, had the desire to equip itself with structures, including religious ones, of high value artistic and architectural. The church, whose original project was presented by Botta in June 1988, has two particularities. The first: the quadriportico in front of the building strongly marks the sacred space, without separating it from the city. The second: the upper part characterized by the emergence of a truncated cone, which also indicates from the outside the place of the altar and the assembly; from the glass that closes it, the light that radiates the interior rains down. On the right, next to the tabernacle, kept in a glass case, the sweet and delicate image of the Madonna with Child is venerated, attributed to the valuable pictorial school of Gentile da Fabriano (15th century). https://diocesi.concordia-pordenone.it/parrocchiabeatoodoricopordenone/
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