シントレー周辺のおすすめ交通量の少ないサイクリングルート

フレネー＝ル＝ジルメールのサン・ジュスト・エ・サント・アンヌ教会は、サントル＝ヴァル・ド・ロワール地方の同名のコミューンにある宗教的建造物です。入手可能なデータには、建設時期も建築様式の変遷も明記されていませんが、その存在は、地方の景観に根ざした地元の遺産を物語っています。この種の教会は、しばしば村の中心部にあり、地域社会の生活において中心的な役割を果たしていました。 教会は、礼拝の場、集いの場、そして住民のアイデンティティの証として機能していました。サントル＝ヴァル・ド・ロワール地方では、フランスの他の地域と同様に、これらの建物は、時代ごとの宗教的、社会的慣習を反映していましたが、フレネー＝ル＝ジルメールに特有の詳細はここでは記録されていません。

According to tradition, the church choir covers the remains of an older building, possibly dating back to the 6th century, which was built to house the saint's body. According to current knowledge, the commune of Saint-Piat (Sanctus Piatus in Latin) officially appeared in 1087, mentioned in a charter of the Nottonville Priory (Eure-et-Loir), on which it depended. The current building was rebuilt during the time of Francis I, as suggested by the date 1535 engraved on two buttresses of the apse and the date 1542 engraved on a piece of wood from the vault. This is according to a study by the SAEL (Eure-et-Loir Archaeological Society). The three-sided apses, the dripstone towers (horizontal members projecting from a wall), and the sculpted roof structures are a testament to the importance of the reconstructions carried out in the department during the 16th century. The church of Saint-Piat is one of them. While the church has not been officially recognized, it nevertheless contains objects that have attracted attention both for their antiquity and quality, but not always for good reason. Their artistic value, far from attracting only religious or aesthetic interest, has also aroused a covetousness that, unfortunately, remains for some of them. Fortunately, those still in place are carefully cared for and offer the curious a story to discover, a beauty to slowly ponder as they progress toward the choir.

Thivars is mentioned in 966 in the Chartres cartulary. In the 12th century, the church became the property of Josaphat Abbey. The current church was built in the 16th century: a date of 1545 is engraved on a cherub in the turret. It is a very high construction but very irregular, this comes from the fact that it belongs to several eras: ogival style in the windows, the entrance door is Romanesque (it may be the door of the first Romanesque church) . The choir was formerly separated from the nave by an iron grille which disappeared during the French Revolution. The ceiling has pretty paneling dating from 1645. The two side altars are dedicated: one to Notre Dame des Victoires and the other to Saint Joseph. Among the furniture we can note an interesting painting which represents Our Lord pronouncing on a coin. In 1940, two bombs fell less than 30 m from the church, destroying the stained glass windows on the south side which were replaced by grisailles in 1987. Three pretty stained glass windows light up this church: Nativity stained glass window installed by Mr Campin in 1955 Stained glass windows of the village's patron saints, Saint Radegonde and Saint Hilaire, installed in 1900 and 1987 respectively.

A modest place of worship, built in the middle of a tiny village, the Favril church was there as early as 1250. Under the reign of Saint Louis, Saint-Pierre du Favril was already there. This is confirmed by a register of the diocese of Chartres, drawn up in 1250, which mentions a parish church dedicated to Saint-Pierre au Favril (Faverilium). The text adds that there was a priest and 56 parishioners.

This church has Saint Martin as patron or rather protector, chosen for his holiness, example of charity, faith and mercy. This charity he showed by offering half of his coat to a shivering poor man to warm him. His radiant faith as a hermit and monk, founder in Ligugé in 460 of the first monastic community in Gaul...

Very beautiful church and the public toilets next to it are perfect, even for filling water bottles too large for the classic sinks.

Composed of a Romanesque nave with flat buttresses placed symmetrically on each side (typical of the end of the 11th century or the first half of the 12th century), it was completely remodeled in the 16th century and the end of the 20th century. The bays of the nave are from the 15th century, in flamboyant Gothic style, as is the rose window. The span of the bell tower and the choir, with ribbed vaults, date from the end of the 15th or beginning of the 16th century. As early as the 16th century, the bell tower had a clock, quite rare and expensive for the time. The pillars of the central bay are richly molded and crowned with thin bands of foliage serving as capitals. The windows are decorated with flamboyant tracery of varied designs. The Romanesque portal was also remodeled in the 16th century. The powerful central bell tower with buttresses [formerly had three bells named PIC DAN JON. There will only be one left after the Revolution, the other two having been melted down to make cannons and ammunition.

The Saint-Lubin church dates from the 13th century. In the 16th century, a 4-bay aisle was added to the north. In the 19th century, the door to the nave which communicated with the bishops' house was walled up. The church is decorated with wooden statues of Saint Lubin, Saint Peter and Saint Michael, as well as 13 bays of ornamental and figurative stained glass, including two signed Lorin: Mater dolorosa (bay 12) and Ecce agnus dei dated 1869 (bay n °18). The two bays of the sacristy, on the other hand, are simple wooden windows and classic glass panes.