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ロンバルディアのバロック様式の17世紀の貴重な記念碑であり、レッコ県インベルサゴのアーダ川渓谷を見下ろすパノラマの場所にそびえる要塞でもあります。 宗教的な献身、神秘的な過去の追悼、そして豊かな自然への没入の完璧な融合であり、活力と忘れられない美しさの象徴です。 インベルサゴの聖域の歴史は、奇跡的な出来事と出現の過去に根ざしています。 すべては1617年5月9日に始まりました。森で羊の群れを放牧していた3人の羊飼いの少年が、ウルフの泉（そこにいた動物にちなんで名付けられました）の周りにそびえ立つ3本の大きな栗の木の上に、眩いばかりの光と輝き、そして調和のとれたメロディーの中に、天上の姿を目撃しました。その時、子供の一人であるピエトロは、非常に驚いて、春の真っ盛りにありえない出来事である熟したハリネズミを見つけて拾いました。そしてすべての民にとって、これは祝福された聖母がまさにその場所で崇拝されることを望んでいるという奇跡的な印を表していました。この奇跡的な光景から、この直前に語られた奇跡にちなんでマドンナ・デル・リッチョとしても知られるマドンナ・デル・ボスコへの信仰、またはインベルサゴの奇跡の聖母への信仰が始まりました。

Porta San Lorenzo, also known as Porta Garibaldi, is the smallest of the four gates to the upper town of Bergamo, built by the Venetian Republic between 1562 and 1563. It takes its name from the church of San Lorenzo, which was demolished for the construction of the city walls and was closed from 1605 to 1627 because it was deemed difficult to defend. On June 8, 1859, Giuseppe Garibaldi entered the city through this gate, an event commemorated by a plaque on its façade.

beautiful village along the road

In the center of town, on the right bank of the Martesana Canal, stands an imposing waterwheel (popularly known as a rudun) said to have been designed by Leonardo da Vinci himself. Despite appearances, the wheel is not a mill, but a noria. Its function, in fact, was never to grind grain or power machinery, but rather to lift water from the canal to channel it into an irrigation system.

A legendary climb in the Bergamo valleys.

presence of a fountain ideal for a refueling

Gravel facile

Along the Adda in the footsteps of Leonardo Da Vinci. The starting point to reach the Sanctuary can be from the Chiesina degli Alpini, a small oratory from the 17th century from which you can enjoy a beautiful view of both Ponte and the Adda Valley. The stretch of the river here clearly harks back to the memory of Leonardo Da Vinci both for the famous system of locks that allowed boats to overcome the difference in height created by the construction of the Robbiate dam and which powers the hydroelectric power plants and for the reference to the painting of the Virgin of the Rocks, whose landscape can be traced back to the stretch of river that goes from Paderno to Cornate d’Adda. You go along the river passing under the Bridge (Ponte San Michele), a marvel from the late 19th century and going along the Naviglio and the Adda canyon you arrive at the steps that lead to the Sanctuary of the Madonna della Rocchetta, a place built to control the bend of the river that watches over the Adda