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The Church of San Pablo was built in the 13th century on the site of a former mosque. This church is one of the oldest in the city and impresses with its blend of styles: a Romanesque portal, known as the Carpenters' Gate, a Renaissance-style side facade, and a late Gothic interior. The church is located in Plaza Primero de Mayo, also known as Paseo del Mercado (Market Square), as for centuries public markets were held here, as well as political events such as city council elections, religious services, and theatrical performances. Around the square, you can see the old Town Hall, the monument to Saint John of the Cross in the center, and at number 20, the house where Joaquín Sabina was born.

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The Sacra Capilla de El Salvador is located at the far end of the Plaza Vázquez de Molina. It is the family mausoleum of Francisco de los Cobos, secretary to Emperor Charles V. Its façade and portal, both in the Plateresque style, are particularly noteworthy.

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The Church of Santa María de los Reales Alcázares is located opposite the Palacio de las Cadenas, in Plaza Vázquez de Molina. Declared a National Monument and part of the UNESCO World Heritage Site, this collegiate church was built on the remains of the Great Mosque after the Reconquista (13th century). It is notable for its superimposition of styles, including Gothic, Mudéjar, Renaissance, Baroque, and Neo-Gothic. Visiting hours: Monday to Saturday, 10:00 AM to 2:00 PM and 5:00 PM to 8:00 PM; Sundays, 11:00 AM to 2:00 PM and 5:00 PM to 8:00 PM.

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Declared a National Monument in 1931, the cathedral stands on the site of an ancient Roman temple, later transformed into a Visigothic structure and then into a mosque after the arrival of the Muslims. In 1227, it became the cathedral seat under the Marian patronage of the Nativity. It acquired its Renaissance character in the 16th century, after more than half of the building collapsed in 1567. Andrés de Vandelvira and other important Andalusian architects imbued the cathedral with the classical style then prevalent in religious art. Until the end of the century, the temple was transformed piecemeal. The main portal was designed in 1587 by Juan Bautista Villalpando, featuring a relief of the Nativity of the Virgin, sculpted by the Jesuit Jerónimo del Prado from Baeza. The Puerta de la Luna (Moon Gate) is one of the oldest elements of the cathedral, with its distinctive 13th-century polylobed arch. Above it stands the 14th-century Gothic rose window, one of the few elements that survived the collapse of the cathedral in 1567. Therefore, the reconstruction was entrusted to Andrés de Vandelvira, who contributed his mastery to give the cathedral the Renaissance richness it boasts today. The combination of Mudéjar, Gothic, and Renaissance styles allows one to observe the passage of time through its walls, telling its story through each of its architectural styles. In addition to visiting the interior of the cathedral, it is highly recommended to climb the tower, from where you will be rewarded with spectacular views of the town and its surrounding countryside.

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Opposite the Jabalquinto Palace stands the Church of Santa Cruz, one of the few Romanesque churches in all of Andalusia. Built in the 13th century, after the conquest of the Upper Guadalquivir Valley by Ferdinand III, it preserves remnants of 15th and 16th-century frescoes.

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A temple of Visigothic origin, built in the 17th century as a church dedicated to Catholic worship, it is part of the city's Renaissance architectural complex, which was declared a World Heritage Site by UNESCO in 2003.

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This iconic street was made pedestrian-only several years ago to enhance the city center, where shops are concentrated offering visitors a variety of products, from prized Extra Virgin olive oil to ceramics and other objects.

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We are standing on a footbridge built to cross the A-316 highway over the bike lane that connects the World Heritage towns of Úbeda and Baeza. This footbridge, authorized exclusively for bicycles and pedestrians, avoids a dangerous crossing to reach the other side of the road, which, incidentally, is a major artery with a lot of traffic.

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This viewpoint is located on the Paseo de la Muralla (walled walkway) and very close to the Bullring. It offers views of the entire Guadalquivir River valley, the Sierra de Mágina mountain range with Aznaitín peak, and behind it, Almadén. In the background, to the right, we can see the city of Jaén with its castle as a lookout tower.

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This emblematic street in Baeza was laid out on part of the old wall that surrounded the city, becoming definitively configured in 1714, and throughout its existence, it has been an important backbone of the city of Baeza.

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Plaza del Pópulo, also known as Plaza de los Leones, is one of Baeza's most iconic and picturesque spots. This square is part of the Renaissance monumental complex that earned the city a UNESCO World Heritage Site in 2003.

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It's fun to climb the tower: 196 steps to a beautiful view.

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This square, known as Plaza del Pópulo, houses the Tourist Office, the fountain and the Jaén Gate, attached to part of the old city wall.

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In the Plaza de la Constitución or the Mercado, there is a pavilion or kiosk intended to house the local music band, from where it entertains the summer afternoons of its neighbors.

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Church and convent of the Santísima Trinidad de Úbeda is one of the few buildings in the baroque style, rather it is a group of several buildings in the center of the city. Inside the church, which is divided into three naves with a semicircular arch, is framed by Corinthian pilasters.

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This old mosque in Úbeda became the church of Santa María de los Reales Alcázares in 1233, also known as the collegiate church of Santa María. It was declared a national monument in 1926 and a world heritage site in 2003.

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From this viewpoint, very close to the Church of El Salvador, you can admire the entire valley of the Guadalquivir River, part of the Sierra de Cazorla, Sierra de Mágina and the provincial capital in the background looking to our right.

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Curiously, this building is not a church and has never belonged to the church, but rather it is a huge pantheon belonging to the Cobos family. If we take into account that Francisco de los Cobos was secretary of state of Emperor Charles I of Spain, he was also a patron and knight of the Great Order of Santiago, we can get an idea of the important power that this family had. In 1522 and when he was 45 years old, he married Doña María de Mendoza y Sarmiento, who was 14 years old, to guarantee offspring, since she had the title of countess.

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Church located in the Plaza Primero de Mayo, it is Romanesque-Gothic-Renaissance-Baroque style (XIII-XVIII) Located in an old mosque, its three portals stand out: the Carpinteros to the west dating from the 13th century, the Main one located to the south carved in 1511 in the Gothic-Elizabethan style, and finally the North Portal which was built between 1483 and 1489. There is a fountain attached to the apse and was built in 1591.

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The "María de Molina" Professional Conservatory of Music of Úbeda is located in this beautiful building, where musical lessons are taught on all the instruments that are part of the symphony orchestra, including the piano and classical guitar. On the side façade there is a sundial with the date 1604 to give us an idea of the age of the building. To my satisfaction I must say that I was assigned there for two academic years of which I have fond memories.

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