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Declared a National Monument in 1931, the cathedral stands on the site of an ancient Roman temple, later transformed into a Visigothic structure and then into a mosque after the arrival of the Muslims. In 1227, it became the cathedral seat under the Marian patronage of the Nativity. It acquired its Renaissance character in the 16th century, after more than half of the building collapsed in 1567. Andrés de Vandelvira and other important Andalusian architects imbued the cathedral with the classical style then prevalent in religious art. Until the end of the century, the temple was transformed piecemeal. The main portal was designed in 1587 by Juan Bautista Villalpando, featuring a relief of the Nativity of the Virgin, sculpted by the Jesuit Jerónimo del Prado from Baeza. The Puerta de la Luna (Moon Gate) is one of the oldest elements of the cathedral, with its distinctive 13th-century polylobed arch. Above it stands the 14th-century Gothic rose window, one of the few elements that survived the collapse of the cathedral in 1567. Therefore, the reconstruction was entrusted to Andrés de Vandelvira, who contributed his mastery to give the cathedral the Renaissance richness it boasts today. The combination of Mudéjar, Gothic, and Renaissance styles allows one to observe the passage of time through its walls, telling its story through each of its architectural styles. In addition to visiting the interior of the cathedral, it is highly recommended to climb the tower, from where you will be rewarded with spectacular views of the town and its surrounding countryside.

Opposite the Jabalquinto Palace stands the Church of Santa Cruz, one of the few Romanesque churches in all of Andalusia. Built in the 13th century, after the conquest of the Upper Guadalquivir Valley by Ferdinand III, it preserves remnants of 15th and 16th-century frescoes.

I recommend bringing a powerful light, the light only works in one of the tunnels.

The Linares Bullring, also known as the Coso de Santa Margarita, is one of the city's most iconic sites, both for its architecture and its bullfighting history. It was built in 1866 and inaugurated in 1867 with a bullfight featuring bulls from the Miura ranch.

We are standing on a footbridge built to cross the A-316 highway over the bike lane that connects the World Heritage towns of Úbeda and Baeza. This footbridge, authorized exclusively for bicycles and pedestrians, avoids a dangerous crossing to reach the other side of the road, which, incidentally, is a major artery with a lot of traffic.

This viewpoint is located on the Paseo de la Muralla (walled walkway) and very close to the Bullring. It offers views of the entire Guadalquivir River valley, the Sierra de Mágina mountain range with Aznaitín peak, and behind it, Almadén. In the background, to the right, we can see the city of Jaén with its castle as a lookout tower.

This emblematic street in Baeza was laid out on part of the old wall that surrounded the city, becoming definitively configured in 1714, and throughout its existence, it has been an important backbone of the city of Baeza.

Plaza del Pópulo, also known as Plaza de los Leones, is one of Baeza's most iconic and picturesque spots. This square is part of the Renaissance monumental complex that earned the city a UNESCO World Heritage Site in 2003.