ヴェストマンランド周辺のアトラクション＆必見スポット - トップ20

文化的なハイライトを簡単にハイキングし、よく説明されています。短い人にとってもエキサイティングです。

メーラーレン湖のすぐそばにある、素敵な小さな公園です。水辺に座れる素敵な場所がいくつかあり、夏には木々で鳥のさえずりがたくさん聞こえます。湖畔で時間を過ごすのに美しい場所です。

アヌンズヘーグは普通の墳丘ではありません。高さ9メートル、直径60メートルで、スウェーデンで最も大きいものです。その周りには、国内最大級のスケップセッティング（石の船）、いくつかの石のサークル、そしてヴァイキング時代の個々の巨石が配置されています。この地域全体は、200以上の埋蔵文化財を擁するバーデルンダ自然保護区にあります。人間や動物が数千年かけて踏み固めてできた「ホーラヴェーガル」（窪んだ道）と呼ばれるものは、今日でも認識できます。

A masterpiece with a long history, good explanations and many details

Strömsholm Slott is, a royal palace, which sits beside the Strömsholm Canal. Cycle its towpaths, enjoying waterside views. The palace grounds offer historical sights and gardens. It's a scenic destination, blending culture with outdoor exploration, a perfect rest stop on your ride.

The beach makes a perfect spot to stop and take a break, with plenty of room to sit down or take a dip on a warm day. On a clear day you might see aircraft coming into land at the airport on the other side of the water.

Kyrkbacken, the church hill, is a district of older wooden houses in a maze of winding streets next to Rudbeckianska High School and the cathedral. Until the 17th century, the hilly area north of the cathedral was called "Backerne" and formed the northern outer boundary of the city. The area was divided into a more middle-class part in the south and a slum area in the north. The south was inhabited by church people, teachers and priests, while the north was populated by the poor, the despised and the lowly. Although the rest of Västerås was urbanistically laid out in a regular, modern street network in the 19th century, no effort was made to change Kyrkbacken. The area therefore lives on with a charming jumble of alleys and characterful wooden houses that give us a glimpse of life here several centuries ago.

Bengt-Göran Broström's bronze sculpture "Aseaströmmen" on Stora Torget depicts cyclists. Work began in 1985 and the sculpture was inaugurated in 1989. It features eight cyclists cast in bronze riding on a polished, twelve-meter-long granite wall that serves as a pedestal. At the end of the pedestal sits a conductor looking out at the cyclists, who also cycle through time, as their clothing shows: it ranges from models from the 1930s to the 1950s.