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13世紀にはシャルトル近郊のサン・ペール修道院の付属として言及されていたノートルダム・デ・ゼティユー教会は、3つの異なる部分から構成されており、最も驚くべきは、石板葺きの鐘楼とランタンに覆われた4層の塔です。1577年にはプロテスタントが説教を行ったとされています。 創設以来、教会は数多くの改築を経てきましたが、特に最近の聖歌隊席の装飾は、元の石壁や尖頭アーチ型の開口部を推測させるような、スタッコで作られた晴天の積雲の絡み合いとなっています。 美しい炎のような扉が西側の1995年に改修された広場に開いており、東側の聖具室側は、聖歌隊席の斜面を飾るガーゴイルの列を保持しています。 この教会は、その内部にある非常に美しい彫像で有名です。それは、その顕著な腰の動き、顔の表情、そしてマントのドレープが14世紀の表現の特徴である「幼子イエスを抱く聖母」像です。

詳細情報はウィキペディアでご覧いただけます。 https://fr.wikipedia.org/wiki/Porte_Saint-Julien_(La_Fert%C3%A9-Bernard)

a lake to rest.

In this architecture we find different styles and periods, from the 12th, 15th, 16th to the 19th century, including Gothic and Neo-Romanesque. Romanesque bays and foothills. Stained glass window and 16th century font as well as the current apse and the two side chapels. The south door with its lintel and its straight feet decorated with rosettes and diamonds. The church had stained glass windows from the end of the 15th and beginning of the 16th century. Fragments exist in the speckles and spandrels of the bay of the Rosary Chapel, listed in 1983. The stained glass windows are almost all dated and signed by the same glass painter between 1885-1889 "af Paris" probably Anselme Fialex, son of François Fialex who was a glass painter in Mayet Creation of an entrance to the square as well as the opening of new 19th century bays. the vault, paneled and undoubtedly painted from the beginning, was redone in 1602 with restoration in the 19th century, when a new decoration was painted. The main altar dates from 1867.

Located in the heart of Connerré, the Catholic church of Saint Symphorien is an essential historical monument of the city. With its Gothic architecture and colorful stained glass windows, this church offers visitors a unique experience. It is a place of worship as well as a place to visit for all architecture and history enthusiasts. The beauty of Saint Symphorien leaves no one indifferent, whether for a simple visit or to attend a mass. Its doors are open to all and everyone can find a place of meditation and peace there. Don't hesitate to take a trip there to discover the richness of this monument steeped in history.

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The Saint Jean Baptiste Church was built in the 16th century and transformed in the 19th century.

Of Romanesque origin, it houses several works classified as objects. It was built in several stages: in the 12th and 13th centuries, as evidenced by its counter-broken porch visible after passing the first door of the bell tower, then in the 15th and 16th centuries with the construction of the bell tower, the opening of fitted side doors in the foothills (unique in the region), and its widening to the south with the opening of two Renaissance style bays with stained glass windows listed in 1905, representing Saint Michael and his two donors, Saint Catherine in the center with the reconstituted coats of arms of a seigneurial family of La Rouge: the Le Roy de Chavigny, finally a pietà. The church played a protective role for its population during peasant revolts but also during banditry. It was equipped with a high square bell tower with four windows at its top to monitor the surroundings, a bretèche above the main portal and an airlock for its two side doors protected by its thick buttresses. The apse is flat as in many small country churches. Two windows were opened to the north to provide more light in 1790. After the revolutionary turmoil, a 17th century altarpiece (classified in 1968) from the Récollets de Cherré near La Ferté-Bernard was installed.