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beautiful passages along the Charente with pretty monuments and small waterfront cafés in Port d’Envaux and Saintes.

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The Arch of Germanicus, built around 18-19 AD in Saintes, is a two-bay road arch erected in honor of the Emperor Tiberius, his son Drusus, and his nephew Germanicus, financed by a local notable, Gaius Julius Rufus. It marked the main entrance to the Roman city of Mediolanum Santonum, at the bridge over the Charente, organizing traffic in both directions. This sober monument, nearly 15 meters high, is adorned with fluted pilasters and composite capitals, among the oldest in the West. Saved from demolition in 1843 thanks to Prosper Mérimée, it was moved and restored, becoming a major symbol of Romanization and one of the best-preserved Gallo-Roman remains in Saintes. Listed as a historic monument since 1905, it testifies to the importance of the city during the Roman era.

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The Gallo-Roman amphitheater of Sainte, also called the Arena of Saintes, is an elliptical monument built between 40 and 50 AD, probably during the reigns of Tiberius and Claudius. It measures approximately 126 meters by 102 meters and could accommodate between 12,000 and 15,000 spectators, making it one of the largest and oldest amphitheaters in Gaul. Located in a natural valley called the "Arènes valley," it takes advantage of the topography to limit construction work, with stands backing onto the hill. The site has two monumental gates, the "Gate of the Living" to the east and the "Gate of the Dead" to the west, and has been the subject of a major restoration project since 2021 to preserve this exceptional heritage. Accessible on foot from the city center, it offers an immersion in Roman history with an educational trail and activities for families

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The organs of the Saint-Jean-Baptiste church in Saujon. In 1962-1963, Pierre Nadeau built a 6-stop organ, without visible pipes, entirely expressive. In 1973, Dominique Oberthür carried out a repair of the organ. In 1978-1979, the Etablissements Muhleisen of Strasbourg rebuilt the organ which was inaugurated by Jacques Dussouil on June 9, 1979. The Walther Buffet is a two-body, polychrome, in fir and plywood. The large body has three turrets (the central one in a pointed third) framing two flat faces. The back positive includes two flat turrets framing a flat face. The facade includes 56 tin pipes (29 in the large body and 27 in the back positive). Console in a window projecting from the base. 4 windchests with engravings and registers.

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The first Romanesque church of Saint-Jean-Baptiste, about which we know practically nothing except that it replaced a monument destroyed and burned in 1415 by the English, at the same time as the priory of Saint-Martin and this by a certain Hutington, at the breaking of the truces of King Richard. Around 1530 it was ruined during the wars of religion. It had a vaulted nave and buttresses larger than the current church. The current church of Saint-Jean-Baptiste, built between 1679 and 1683, on a project by Jacques Guérinet, architect of the convent buildings of the Abbaye-aux-Dames de Saints. Houses four capitals of the old Romanesque church, discovered during work carried out on the fairground. One of them shows Daniel in the lion's den, the saint seated blessing holds the Book. It is separated from the wild animals by a horseshoe-shaped mandorla, decorated with pearls. Another capital represents the Resurrection with the Holy Women and the tomb on which the angel is seated. The third illustrates the Weighing of Souls. The clothes, the finely worked details, the varied expressions of the characters (note the horrible clawed demon who tries to tip the scales on his side), make this work one of the peaks of Saintonge Romanesque sculpture. The last one presents an enigmatic scene: characters, including a man bending under the weight of an enormous fish that he is carrying. These four capitals, which are among the most beautiful sculpted works of Saintonge, are placed at a low height, which allows one to admire all the details. The following website is very well documented on these capitals: http://chapiteaux.free.fr/TXT_Saujon.html

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In 1962-1963, Pierre Nadeau built a 6-stop organ, without visible pipes, entirely expressive. In 1973, Dominique Oberthür carried out a repair of the organ. In 1978-1979, the Etablissements Muhleisen of Strasbourg rebuilt the organ which was inaugurated by Jacques Dussouil on June 9, 1979. The Walther Buffet is a two-body, polychrome, in fir and plywood. The large body has three turrets (the central one in a pointed third) framing two flat faces. The back positive includes two flat turrets framing a flat face. The facade includes 56 tin pipes (29 in the large body and 27 in the back positive). Console in a window projecting from the base. 4 windchests with engravings and registers.

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The Romanesque church of Saint-Martin disappeared during the Revolution. The first Romanesque church of Saint-Jean-Baptiste, of which we know practically nothing except that it replaced a monument destroyed and burned in 1415 by the English, at the same time as the priory of Saint-Martin and this by a certain Hutington, at the breaking of the truces of King Richard. Around 1530 it was ruined during the wars of religion. It had a vaulted nave and buttresses larger than the current church. The current church of Saint-Jean-Baptiste, built between 1679 and 1683, on a project by Jacques Guérinet, architect of the convent buildings of the Abbaye-aux-Dames de Saints. Houses four capitals of the old Romanesque church, discovered during work carried out on the fairground. One of them shows Daniel in the lion's den, the saint seated blessing holds the Book. It is separated from the wild animals by a horseshoe-shaped mandorla, decorated with pearls. Another capital represents the Resurrection with the Holy Women and the tomb on which the angel is seated. The third illustrates the Weighing of Souls. The clothes, the finely worked details, the varied expressions of the characters (note the horrible clawed demon who tries to tip the scales on his side), make this work one of the peaks of Saintonge Romanesque sculpture. The last presents an enigmatic scene: characters, including a man bending under the weight of an enormous fish that he is carrying. These four capitals, which are among the most beautiful sculpted works of Saintonge, are placed at a low height, which allows one to admire all the details. See the site http://chapiteaux.free.fr/TXT_Saujon.html

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View of the Arch of Germanicus and the Saintes pedestrian bridge

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