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The Moulin de Mormoulins is a watermill located on the Eure River in the hamlet of Mormoulins. This mill dates back to the 18th and 19th centuries and is a listed historical monument. You can admire the old stone building, the wooden wheel, and the canal that diverts water from the river as you pass in front of the mill. The mill is surrounded by green fields and trees, creating a peaceful and relaxing atmosphere.

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According to tradition, the church choir covers the remains of an older building, possibly dating back to the 6th century, which was built to house the saint's body. According to current knowledge, the commune of Saint-Piat (Sanctus Piatus in Latin) officially appeared in 1087, mentioned in a charter of the Nottonville Priory (Eure-et-Loir), on which it depended. The current building was rebuilt during the time of Francis I, as suggested by the date 1535 engraved on two buttresses of the apse and the date 1542 engraved on a piece of wood from the vault. This is according to a study by the SAEL (Eure-et-Loir Archaeological Society). The three-sided apses, the dripstone towers (horizontal members projecting from a wall), and the sculpted roof structures are a testament to the importance of the reconstructions carried out in the department during the 16th century. The church of Saint-Piat is one of them. While the church has not been officially recognized, it nevertheless contains objects that have attracted attention both for their antiquity and quality, but not always for good reason. Their artistic value, far from attracting only religious or aesthetic interest, has also aroused a covetousness that, unfortunately, remains for some of them. Fortunately, those still in place are carefully cared for and offer the curious a story to discover, a beauty to slowly ponder as they progress toward the choir.

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Very beautiful pond

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large bird reserve and nautical activities

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Parish united in 1803 in Saint-Sauveur, in 1807 in Marville-les-Bois and in 1840 in Saint-Sauveur.

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The church corresponds to the typology highlighted in the canton of Nogent-le-Roi: a single-aisle building, a dripstone tower punctuating the floors and an adjoining access turret. The architectural decorations belong to late Gothic art. The church was built, or rebuilt, at the end of the 15th century thanks to donations from the Trie and Pillavoine families. To the east, the choir is surrounded, on the north side, by a low construction going around the semi-circular apse to lead to the sacristy. The bell tower is covered with a four-sided dome. The staircase turret adjoining it is hexagonal. To the south, the chapel opening onto the choir was that of the castellans, built in the 19th century by the Boquestant family, and communicating directly with the outbuildings of the castle.

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Of Romanesque foundation, the Saint-Pierre church depended, under the Ancien Régime, on the Benedictine abbey of Coulombs. It is mentioned in a charter of donation to this religious establishment from 1126. This building is located in the center of the village, on a square where stands a cemetery cross in liais stone from the end of the 16th century. The farm adjoining the sanctuary is the old seigneurial dwelling of which remains a vaulted room which has retained its Renaissance stone chimney. Built in flint blocking, the church is oriented. It comprises a single nave with a flat cob chevet. To the southeast, a sacristy is attached outside the work. Grison buttresses support the walls. The roof and the bell tower, arranged at the western end of the building, are covered with slate. On the western facade, a semi-circular portal is framed by two buttresses and surmounted by a twin bay. The windows of the south and north walls of the nave are also semi-circular; those of the chevet have been walled up. Inside, the church has a shingle vault. Elements of a coat of arms remain on the exposed framework in front of the choir. The altarpiece, made of natural wood, is from the Louis XVI period. It occupies the entire width of the flat chevet. Two canvases depicting Saints Peter and Stephen are glued to the ends. In the last century, the central part of the woodwork was unfortunately cut into in order to create a niche. A fragment of a column and its Romanesque capital were transformed into a holy water stoup. Three 18th century funerary slabs are arranged in the choir. For the repair of the rendering of the north façade, the Sauvegarde de l’Art français granted the sum of 18,000 F in 1998.

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Coming from Berchères la Maingot, Place Pasteur, the farm is on the left, you have to enter the courtyard, and it is again on the left.

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