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モワラクのサント・マリー教会は、11世紀に設立されたかつてのクリュニー修道院の最も注目すべき遺物です。歴史的建造物として分類されており、彫刻が施されたポータル、精巧に作られた柱頭、堂々とした身廊を持つ素晴らしいロマネスク様式建築を保持しています。

モワラクスは、ロット・エ・ガロンヌ県で最も美しい村の一つです。ガロンヌ渓谷を見下ろす丘の上に建ち、11世紀に設立された特筆すべきクリュニー修道院で最もよく知られています。石造りの家々が並ぶ細い路地、アジェネー地方の丘陵地帯の眺め、そして修道院教会の周りの平和な雰囲気は、魅力的な立ち寄り場所となっています。

野外ステージは見つけましたが、ハイカーやサイクリストのための休憩所という意味でのインフラは全くありませんでした。

Many Singles in the Woods

Don't miss La Romieu to greet Angeline and the cats. I didn't see any, at least not alive ones. I didn't stop there either. To get there, I took the 6 km road; you can also get there via the GR (Greater French National Trail). Its Saint-Pierre collegiate church, a 14th-century Gothic masterpiece listed as a UNESCO World Heritage Site, is imposing. Now for the legend... Around 1342, a terrible famine struck La Romieu. The starving inhabitants went so far as to eat all the cats in the village, thinking they were preserving their meager resources. But a little girl named Angeline, an orphan taken in by a local couple, adored cats. She hid two in the cellar, secretly feeding them, and then they bred. A little later, with all the cats gone, the village was invaded by thousands of rats, destroying the meager grain reserves and causing an even worse disaster. It was then that Angeline freed her cats. They multiplied again, drove out the rats, and saved the village. Angeline was honored by the villagers, and according to legend, her face took on the appearance of a cat, with feline features—a magical transformation to thank her love and loyalty to cats. Today, in tribute to this story, numerous cat statues adorn the streets, facades, and rooftops of the village.

Saint-Caprais Cathedral in Agen features several architectural peculiarities: its Romanesque apse is extended by a single-nave Gothic nave. Replacing an earlier wooden campanile, the current bell tower was built in 1835 at the initiative of Bishop Jean-Aimé de Levezou de Vezins and is unusual in that it consists of three Gothic stylistic elements (lancet Gothic, radiant Gothic, and flamboyant Gothic) curiously presented in reverse chronological order. A corbel composed according to this principle can still be seen in a corner of the north transept of Agen Cathedral. This corbel, in itself, is a small monument containing two large formerets and a long-span pointed arch. The paintings on the walls and ceilings depict the history of the arrival of Christianity in the region. A central role is given to the first martyrs of Agen. Other paintings are presented in series: the Evangelists, the Apostles, the patriarchs of the Jewish people (Abraham, Noah, etc.), the great kings of Israel, etc. The cathedral is much shorter than one might expect, judging by the size of the choir; indeed, political and financial difficulties greatly influenced the cathedral's final form. The painted decoration was entrusted to Jean-Louis Bézard, a painter from Toulouse who won the Prix de Rome in 1829. He completed the decoration of the chapel of the Hospice Saint-Jacques d'Agen, now the departmental hotel, in 1845, which has since disappeared. At the same time, he began painting the Chapel of the Virgin Mary in the cathedral. He continued decorating the cathedral until 1869. The choice of themes was made by the cathedral clergy and was the subject of debate between the painter and Abbé Deyche. For the decoration of the apse, the choice was made to depict the martyrdom of the saints of Agen. For the rest of the decoration, the paintings blend local themes and Marian iconography, the great figures of the Bible, the Old Testament, and the New Testament. Jean-Louis Bézard drew inspiration from the decoration of the Sicilian churches of Palermo and Montereale for the medallions of the arches of the transept crossing. The altar decoration: an altar cross and six candlesticks are listed as historical monuments. On the counter-façade, two statues: on the right, Saint Caprais, and on the left, Saint Stephen, by Louis Rochet. The main organ, built by organ builder Jean-Baptiste Stoltz, was featured at the 1855 World's Fair in Paris. According to legend, it was donated by Empress Eugenie in 1858 to Agen Cathedral, which until then had no instrument. It is the largest instrument in the Lot-et-Garonne department, with 45 stops spread over three manuals and a pedalboard. It has mechanical action. It is listed as a historic monument. The choir organ was built by organ builder Jules Magen in 1885 (15 stops over two manuals/pedalboard). It has been listed as a historic monument. Concert pianist and organist Jérôme Chabert has been its organist since 2002. He founded the Heures d'Orgue, an international festival held every summer in July and August on the cathedral's two organs.

Saint-Caprais Cathedral was built in the 12th century on the site of an episcopal basilica constructed in the 6th century, sacked by the Normans in 853 and then restored. Saint-Caprais Church is mentioned, along with Saint-Étienne Cathedral, in the will of Raymond, Lord of Toulouse, Marquis of Gothia, Count of Rouergue, Gévaudan, and Narbonne, who died in 961.[6] It was originally a collegiate church. Sacked again in December 1561 during the Wars of Religion, Saint-Caprais Collegiate Church became a fodder store in 1791 before being reopened in 1796 and becoming the official cathedral of Agen, following the destruction of the old Saint-Étienne Cathedral during the Revolution. It was elevated to the rank of cathedral in 1802. At the request of the Bishop of Agen, Jean-Aimé de Levezou de Vezins, the architect Gustave Bourrières[7] rebuilt the south façade, the bell tower, and the interior floors between 1838 and 1847.

Incredible lodge and restaurant, great quality and very friendly atmosphere.