The church is of log construction, with three naves separated by cast iron columns and a chancel separated from the main nave. There are two chapels on its sides. In the years 1907-1910, i.e. during the renovation, the church also gained two sacristies. It was then that the ceiling was covered with illusionistic paintings with rich ornamentation. The interior is well lit with natural light thanks to the fact that the main nave is higher than the side naves, and the windows were placed above their roofs.
The ceiling of the church makes a huge impression above all. It is covered with illusionistic paintings and coffers with rosettes. It is impossible to tell what is painted and what is real. In the chancel there are three beautiful, oak, twentieth-century altars. In the main altar there is a painting of the Assumption of the Mother of God. The Rococo altars in the chapels from around 1770 are also beautiful. In the right one there is a painting of the Blessed Virgin Mary Immaculate Conception, while in the left one – an eighteenth-century sculpture of the Crucified Christ, once surrounded by worship. This is evidenced by the numerous votive offerings hanging around the cross. The organ prospect also comes from that year.
The church's equipment also includes two beautiful, historic feretrons, two Rococo confessionals, a baptismal font in the shape of a chalice and eighteenth-century paintings from the school of Szymon Czechowicz. One of them – the Coronation of the Blessed Virgin Mary decorates the wall of the presbytery, and the other – the Crucifixion of the Lord Jesus is hung next to the organ.