Also known as Villa Valier-Loredan-Perocco di Meduna.
In its present architectural conformation, the villa originated at the end of the seventeenth century, completed and enriched towards 1720 by the will of the noble Venetian patricians Antonio and Alvise brothers Loredan. In the 19th century and until the beginning of the 20th century it was owned by the Venetians Valier. After a period of decline, in the mid-1900s it was bought by the noble Perocco di Meduna family, who restored it and still live there today.
It consists of a cubic, monumental central residential body, flanked horizontally by two lower "barchesse" - intended to house the services - with perfectly symmetrical arcades with ashlar arches. The façade is characterized, in the center of the first floor, by a classical pronaos with four Ionic semi-columns and a triangular tympanum. Inside, on the upper floor, there is a spectacular double-height hall with balconies at the ends, entirely frescoed by the Venetian Gerolamo Brusaferro and by perspective painters probably from Emilia (c. 1720): framed in extraordinary illusionistic architectural scenographies there are episodes of ancient Roman history; the ensemble is certainly one of the greatest examples of Baroque pictorial decoration in the Veneto, in the wake of Sebastiano Ricci. Very remarkable is the original architecture of the public / private oratory, dedicated to the Madonna of Loreto, detached from the villa and overlooking the front road: it has a circular plan with a triple apse presbytery (1719).