피에르 페르튀 최고의 워킹 & 하이킹 경로

We walked here from Asquins. Beautiful, peaceful, and green route.

View of the bridge and the village, take the small path to go down below and reach the small stone bridge

On the Cure, the very old bridge of St-Père, remodeled several times, has kept its appearance from the end of the 18th century. It is difficult to date the first stone bridge. Like the Asquins bridge, it is very important due to its history and location. A Roman bridge may have existed at St Père, each bank being bordered by a Roman road. In the Middle Ages and after, the Cure separated the Duchy of Burgundy, the County of Nevers and the royal lands and St Père was located on strategic and very busy communication routes. In addition, the town was very close to the rich abbey and basilica of Vézelay and Avallon, therefore on a famous pilgrimage route.

The cure is a river that passes not far from Vézelay. Swimming there is very pleasant!

The view from above of the old stone bridge is worth it. You have to stop on the upper bridge.

Great section, exciting bridge and great view of Vezelay

Very worthwhile visit to this beautiful church

A true jewel of Burgundian Gothic art, the church of Saint Père sous Vézelay deserves a moment of attention. Built from the 13th to the 15th century and dedicated to the Virgin, it only became a parish church in the 16th century, succeeding the old Saint Pierre church which gave its name to the village and whose ruins can still be seen at the exit. south of the village. The 13th century bell tower, elegant and airy, 50m high, is visible for miles around. In the middle of the 19th century, the building was in a very advanced state of disrepair. However, Prosper Mérimée describes it as "a gothic cathedral in miniature". Viollet-le-Duc, then 26 years old, fell in love with the church of Saint Père, the restoration of which he launched in 1841. He worked until 1844 on the choir, the chapels and the nave. and in 1868, ends with the bell tower. However, due to a lack of resources, he practically does not intervene on the porch (or narthex). This part, which is the most striking because it evokes real stone lacework, was then restored by Boeswilwald between 1888 and 1889.