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This ancient fortified castle dominates the Huisne Valley at 360° with its imposing keep. The building, with its troubled history, has undergone numerous modifications in its architecture and functions. A visit is essential to understand the complexity of its history and to observe the architectural evolutions.

A must-see that overlooks the valley.

Church built in the first half of the 16th century, then raised in 1752. It is formed of a nave preceded by a narthex and adjoining two chapels forming a false transept. The 16th century door is formed of a low arch, adjoining smooth pilasters which support the lintel, above which a triangular pediment stands out from the wall. The church is decorated with murals in the apse and the side chapels, dating from the 16th and 17th centuries. In the choir, the paintings date back to the 19th century. Large flamboyant Gothic windows illuminate the building and retain stained glass windows.

Parish church, as well as its polychrome stone choir enclosure, with the exception of the bell tower and the sacristy built in the 19th century. The church consists of a main nave whose choir ends with a semi-circular apse from the Romanesque period. The large mullioned windows were installed in the 15th century. The south aisle dates from the 16th century. In the second half of the 19th century, the church underwent major modifications: construction of the sacristy in 1860, brick vault in 1870, stone bell tower according to the designs of the architect Prempain around 1879.

The Huisne is a river in central France, flowing in the regions of Normandy, Centre-Val de Loire and Pays de la Loire. It rises in the municipality of La Perrière, in the Perche Regional Nature Park, initially drains to the northeast, later to the southeast, finally turns to the southwest near Condé-sur-Huisne and, after around 165[2] kilometres, flows into the Sarthe in Le Mans as a left tributary.

Formerly La Loupe, Vaupillon and Saint Eliph formed only one parish called the Trinity of the Woods. The church contains a set of 3 painted stone altarpieces from the 17th century. One is dated 1646 and signed Delahays: it includes 3 sculptures: a trunk of grace, representation of the trinity in which God the father holds before him his son on the cross, the dove of the Holy Spirit hovering above his head You can also see a statue of the local saint in painted and gilded stucco and a Saint Sebastian in painted stucco, characteristic of the counter-reformation. A small chapel to the north was added in the 19th century which contains a pieta.

Very beautiful start to the route with an arrival at this magnificent mill

It’s a little shaded green spot with flowing water, flowering water lilies and flowing water. Just before entering or leaving the village.