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마지막 업데이트: 4월 3, 2026
하이라이트 • 종교적 장소
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하이라이트 • 종교적 장소
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This church, dedicated to the Holy Cross (Latin: "Santa Croce"), derives its patronage from the cross on which Jesus Christ died. The veneration of the Holy Cross is largely based on Saint Helena, the mother of Emperor Constantine the Great (who, after his victory at the Milvian Bridge in Rome, recognized Christianity as a religion and ended the long period of persecution with the Edict of Toleration of Milan in 312). She made a pilgrimage to the Holy Land (Israel/Palestine) in the early fourth century and brought numerous relics back to Europe, including the "True Cross," on which Jesus Christ was crucified. Helena is therefore often depicted with a cross as an attribute. The Church celebrates the Feast of the Discovery, public presentation, and veneration of the Holy Cross—called the "Exaltation of the Holy Cross"—on September 14th.
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Next to the Manor, there is the miniature village.
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Very worthwhile visit to this beautiful church
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Very small chapel with a Franciscan monastery. The monastery was only returned a few years ago. The monks are trying to rebuild the monastery through a project
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Châtel-Censoir, crossed by the Yonne and the Canal du Nivernais, has long been a prosperous town, just like its neighbor, Clamecy. This was particularly due to firewood, which was transported to Paris by canal. The Nivernais canal greenway passes below the village. Don't miss the remains of Castrum and the Saint-Potentien collegiate church. For rock lovers, the Saussois climbing site is just a few kilometers away.
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A pretty flat section of a well-paved route crosses the commune of Chatel Censoir. Châtel-Censoir is a small village of nearly 700 people. The village takes its name from the bishop of Saint-Censure, bishop of Auxerre.
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A true jewel of Burgundian Gothic art, the church of Saint Père sous Vézelay deserves a moment of attention. Built from the 13th to the 15th century and dedicated to the Virgin, it only became a parish church in the 16th century, succeeding the old Saint Pierre church which gave its name to the village and whose ruins can still be seen at the exit. south of the village. The 13th century bell tower, elegant and airy, 50m high, is visible for miles around. In the middle of the 19th century, the building was in a very advanced state of disrepair. However, Prosper Mérimée describes it as "a gothic cathedral in miniature". Viollet-le-Duc, then 26 years old, fell in love with the church of Saint Père, the restoration of which he launched in 1841. He worked until 1844 on the choir, the chapels and the nave. and in 1868, ends with the bell tower. However, due to a lack of resources, he practically does not intervene on the porch (or narthex). This part, which is the most striking because it evokes real stone lacework, was then restored by Boeswilwald between 1888 and 1889.
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