가장 멋진 명소 20곳

John Corbett Way

Watch out for walkers around some of the locks. Few blind corners.

Incredibly muddy - wear wellies!

Quiet Anglican church with some gorgeous mosaics inside. Nice brown signpost on the nearest A-Road, so you won't miss the turn.

Architecture and engineering fans delight - so many rural scenes to discover along the Worcester and Birmingham Canal.

Tardebigge Locks or the Tardebigge Flight is the longest flight of locks in the UK, comprising 30 narrow locks on a two-and-a-quarter-mile stretch of the Worcester and Birmingham Canal at Tardebigge, Worcestershire. Well worth checking out... and realising that travelling on foot or bike it a lot quicker than travelling by canal boat!

Great series of locks, reasonable surface in the main and plenty of width to pass walkers without too much bother. Away from the locks towards Droitwich things can get muddy at times.

Nice towpath for a relaxed gravel ride

Chaddesley Woods were probably mentioned in the Domesday Book as the ‘wood of two leagues’ and we think that parts of the site have been wooded since the Ice Age 6-10,000 years ago.  The presence of ancient woodland indicator species support this – flowers such as yellow archangel, herb paris and dog’s mercury as well as trees like small-leaved lime and wild service trees. Visitors to the eastern half of the nature reserve will find themselves in ancient woodland that is predominantly mature oak with hazel coppice.  The understorey also contains holly, rowan and other berry-bearing shrubs that are popular with winter thrushes such as fieldfares.  Midland hawthorn thrives here – a rare shrub that is identified by the two seeds in its berries as opposed to the normal one.  Open glades are important for invertebrates and encourage shrubby growth, which provides nesting cover for birds.  Some old and dead oaks are retained for hole-nesting birds, fungi and invertebrates.  At the right time of year the wood is full of birdsong and lucky visitors may catch a glimpse of the elusive woodcock. There are also two areas of meadow, although these are only accessible on special open days.  Hockley Meadow and Black Meadow are old pastures with wildflowers such as knapweed, dyer’s greenweed, pepper saxifrage and adder’s-tongue fern.  The meadows are grazed to maintain their floral interest. The western half of the reserve is a largely planted woodland of broad-leaved species and extensive areas of conifer.  The conifers wouldn’t normally grow here and we’re gradually clearing these and replacing them with native hardwoods that are more suitable to the local geology and attract summer migrants like chiffchaff and blackcap.  Crossbills sometimes breed in the conifer plantations – their unusual beak structure of crossed tips allows them to feed on the seeds.  A Worcestershire speciality, land caddis, occurs at Chaddesley Woods.  A national rarity, this is the only one of almost two hundred species of caddis fly that spends its entire life-cycle on land.  It burrows in leaf litter and adults only live for a couple of weeks in autumn.

Make sure you've got the right tyres on your bike. I was riding my tourer and the tyres needed to be a bit more aggressive for the muddy tow path.

Great little cycling stop, a bench in the car park and places to lock your bikes.

An ancient woodland with coppice and large oaks Jointly owned with Butterfly Conservation, Grafton has been at the heart of one of Worcestershire’s great conservation successes.  The wood is the centre of the only colony of brown hairstreak butterflies in the Midlands.  These elusive butterflies, on the wing in August and September, have been the subject of a long-term project to ensure their survival.  By working with local landowners and encouraging appropriate maintenance of hedgerows, volunteers from both conservation charities have helped the butterflies to increase in range and in numbers. Grafton Wood is an ancient semi-natural broad-leaved woodland and, until the 1950s was traditionally managed as coppice-with-standards that provided materials for products such as broom handles, pea sticks, hedge-laying, clothes pegs, spars for thatching and firewood.  Our management today aims to replicate this tradition and involves widening the rides through the woodland, coppicing and creating glades.  We also ensure that there are scrubby areas containing the young blackthorn bushes that are vital for brown hairstreaks to survive. The majority of the canopy at Grafton is ash and oak although we also have a small-leaved lime coppice stool that we think must have originally started as one lime tree at least a thousand years ago.  In many places there is a dense shrub layer of field maple, hawthorn and hazel.  The two compartments of conifers that were planted in the 1960s have largely been removed in 2010. It’s not just brown hairstreak butterflies that visitors to Grafton Wood should keep a look out for.  The wood is also important for other woodland butterflies including silver-washed fritillaries and white admirals.  After careful surveying of the habitat and flowering species in the wood pearl-bordered fritillaries were released into the woodland in 2011 in the hope that they would then naturally re-colonise the wood after a 30 year absence.  Notable moths include drab looper, rosy footman, Devon carpet and waved black. Many fungi have been recorded in the wood and it also supports a distinctive flora including herb-Paris, adder’s-tongue fern, violet helleborine, spurge laurel and bird’s-nest orchid.  Birds including buzzard, goldcrest, treecreeper, lesser and great spotted woodpeckers are regularly seen in the wood and the adjacent meadows and orchards are important for green woodpeckers.  Bechstein’s bats were recently discovered in the wood and the colony is thought to be the most northerly breeding roost in the UK.

The church of ST. JOHN BAPTIST consists of a chancel 26½ ft. by 15¾ ft., nave 44 ft. by 21 ft., north chapel, south porch, and west tower 11 ft. square. These measurements are all internal. The church, with the exception of the 14th-century tower, was entirely rebuilt in 1875, but the old work appears to have been very largely re-used. The modern work is already getting into a very bad state of repair. The chancel has a 15th-century east window of three lights with a segmental pointed head. In the north wall is a square-headed 14th-century window of two ogee trefoil-headed lights. In the south wall are two square-headed two-light windows and a priest's door, mostly modern. On this side is a single sedile with a cusped head, and near it a pointed piscina with the bowl missing. An internal string-course, largely modern, is carried round the chancel. The chancel arch is of two chamfered orders dying into the wall; the voussoirs are small and regular and are of late 13th or early 14th-century date. In the north wall of the nave is a pointed 14thcentury arch of two chamfered orders opening into a small chapel with a single-light window on the east and west. Further west is a pointed window of the same date with two lights and a traceried head. In the south wall are two windows, each of two lights and similar to that on the north of the chancel; between them is a plain pointed door. All these features have apparently been restored and reset. The 14th-century tower is faced with ashlar and three stages high with low diagonal buttresses to the western angles of the ground stage. The tower arch is acutely pointed and of two chamfered orders. This stage rests on a deeply moulded plinth and has a pointed 15th-century west window of three cinquefoiled lights. The second stage is lighted by loops only, but the third stage has a pointed 14th-century window of two trefoiled ogee lights in each face. The parapet is embattled, with carved gargoyles at the angles of the string and panelled and crocketed pinnacles rising above them. From within it rises a low octagonal pyramid of stone capped by a truncated pinnacle set diagonally. The fittings include a 17th-century communion table with turned legs, a 15th-century semi-octagonal pulpit (on a modern base) having a moulded rail and traceried heads to the panels, and a modern font. In the north chapel is a broken marble monument to Roger Stonehall, who died in 1645. Under the tower are roughly designed paintings on boards of the evangelistic symbols with black letter labels, perhaps of the 16th century; here is also a painted achievement of the royal arms of Charles II inscribed 1687 C.R. In the tracery of the east window are some fragments of 15th-century glass tabernacle work and in the north chancel window are two shields, one with the arms of Mortimer and the other imperfect with those of Beauchamp. In the west window are fragments of white and yellow 15th-century glass in the tracery. There are five bells, all cast by John Martin in 1676: the tenor is inscribed, 'All men that here my roring sound repent before you ly in ground, M. Robert Baker 1676'; the fourth, 'We wish in heven theer souls may sing that caused us six here for to ring, Amell Doxly, Richard Haynes C.W. 1676'; the third, 'Be it known to all that doth wee see John Martin of Worcester, he made wee 1676'; the second, 'All prayse and glory be to God for ever 1676'; and the treble, 'Jesus be our good speed, God Save the King 1676.' The plate includes a cup and cover paten, London, 1571, and a plate, London, 1679, inscribed 'Grafton Flyford.' The registers are in one volume as follows: baptisms 1676 to 1813, burials 1676 to 1812, marriages 1678 to 1777.

According to the Domesday Book there was a church in Inkberrow in Saxon times, and a minster is believed to have existed as early as 700 AD. No traces of either the Saxon church or the minster remain. However, the current church is believed to have been built on the site of the minster, and also perhaps a twelfth century wood and earthwork castle destroyed by Henry III in 1233. The current church probably dates from the 13th century, and was not built on the site of the Saxon church. The earliest remaining architectural feature in the church is the north doorway, which dates from the 13th century. When the north aisle was added to the church around 1480, the old doorway was moved outward and re-used. The north aisle contains several wall monuments, and was originally shorter than its current length. A fellowship centre has been created, restoring the north aisle to the purpose for which it was originally built. The north chapel, also called St Catherine's or the Lady Chapel, is part of the original church structure. It used to be fully enclosed, and was originally the vestry. The east wall contains remnants of a 15th century stained glass window. To the left of this window, beneath an 18th century wall monument, is a shallow recess for a figure.  The chapel contains a Tudor altar table, and the church's remembrance book.Early in the 16th century the north aisle was extended over the vestry and a wide archway opened into the chancel. The chancel was rebuilt in 1390. In 1887, the east and south walls were again rebuilt. The south wall was moved outward a few inches, the chancel arch was reconstructed using the old stones, and the roof was renewed. The stained glass windows of St. Peter and St. Paul and St. Francis of Assisi and St Anne, date from 1899 and 1920 respectively. Mr. Sneyd-Kynnersley was a churchwarden and trustee of the church charity, and the Hunt family were benefactors of the church.   The south transept may have been added as a chantry chapel shortly after 1357 to pray daily for the souls of members of the Colman family. It may have been the original St. Catherine's chapel. Alternatively, it may have been built around 1390 by the Savage family of Dormston. Whatever its origins, only the original arch remains. The Chapel was rebuilt, and probably extended to its current size in 1784.   The altar tomb of painted white marble is to the memory of John Savage who in 1609 bought the manor of Edgioke just outside Inkberrow village but within the parish bounds. He died on the 22nd December 1631. On the base is his effigy in full armour. The hands and feet are missing, believed to have been vandalised by Cromwell's troops. On the sides of the base were the kneeling figures of his ten children, some of which have been removed. On top of the arched canopy are three small figures representing 'Time', 'Hope' and 'Faith', together with the Savage coat of arms.   The nave was part of the original structure, but was altered sometime between 1390 and 1420. The windows in the south wall are 15th century. The one nearest to the tower contains some stained glass of that period. In 1839, new box pews were installed bringing the seating capacity of the church to 504. By 1887, the church had become so damp that a complete restoration was required. The rotten wood of the floor was renewed, and several 17th and 18th century headstones were laid in the floor. The font dates from around 1200 AD, and being square is typical of a late Norman font. In 1839, it was cleaned and placed under the arch linking the chancel to the south transept, near the pulpit. It was moved to its current position opposite the south door of the nave in 1887. The tower is three storeys high and was built shortly after 1420 by the Dyson family. The west window which cannot be seen from inside the church, and the west doorway are 15th century. The organ is housed on a raised platform on the ground floor, with the clock and bell ringers' chamber on the second floor, and the church's six bells on the third. The tower was restored in 2000. In 1887, the internal gallery was removed and the archway opened out to reveal the original 15th century west window. It was enclosed again in 1940 when the early 19th century organ was installed. The gallery was re-instated at the same time. Legend refers to 'Intebors ting-tangs' (small bells) suggesting that the Saxon church had bells. The earliest mention of bells in the current church is in 1544, when Margaret Hunt bequeathed money for the casting of bells. The six bells were recast and made heavier in 1868, at a cost of £ 170. In 1658 20 shillings was provided for a person to ring the bells every Lord's day. This was equivalent to a labourer's wages for six weeks. In 1768, three shillings was spent to provide ale for the bell ringers, equivalent to around 125 pints. A wooden board lists the parish vicars since 1268. Seven vicars of Inkberrow died during the years 1349, 1361, 1362 and 1369, the times that the Black Death ravaged England. Due to their vocation of visiting the sick, administering the last rites and burying the dead, many priests died during times of plague. In the diocese of Worcester, 80 clergymen died of plague between March and September 1349. The original 13th century vestry was located where the current St. Catherine's chapel is. It was moved to its present position in 1968, and screened off using 17th century oak panelling. On the south side of the screen, Charles I is depicted in armour before the battle of Edgehill. It is interesting to note that Charles' head is severed from his body.   The stained glass in the window in the west wall of the vestry is 15thcentury, and depicts St. Catherine and another saint, crowned and holding a staff. Such fragments are rare. In 1547, following the Reformation, King Edward VI ordered that no images of saints should remain in churches, even in glass. Due to the cost of the wholesale removal of all stained glass windows of saints, they were only replaced once they had decayed. Outside the main body of the church, the north porch was added during the 15th century. It contains a memorial stone to Thomas Dyson dated 1651. A wooden plaque to the right of the door commemorates the 1887 restoration.   The arch over the outer entrance has carved stops depicting human heads. The left hand gargoyle is holding a leather bottle typical of the period. The rest of the porch was re-built using the original stones in 1887. On the outer wall of the vestry, a straight line can be seen in the stone work (14) where the north aisle was added to the church in 1480. It has been estimated that in excess of 20,000 bodies have been laid to rest in Inkberrow churchyard. Despite Kington and Dormston having their own ancient churches, where baptisms and marriages were performed, the dead from these parishes were buried at Inkberrow until 1837. In addition, the churchyard of St. Peter's served as the burial ground to St. Paul's, Cookhill, until the consecration of its burial ground in 1932. St. Peter's burialground was extended to the south-west in 1857 and to the north-east in 1945. To the rear of the church, on the outer wall of the south transept, there is a "mass clock" (15). This is a semi-circular sun dial scratched on the wall. This was used to indicate the times of services in the days before mechanical clocks. Its position close to ground level suggests that it belongs to an earlier structure, which was re-used when the south transept was re-built in 1784. The engraved GH above the mass clock is the remnant of an inscription GH 1814, the significance of which is not known. When the north aisle was extended over the original vestry around 1480, the vestry was rebuilt askew from the original foundations. This can be seen in the lower courses in the outside of the east wall of the north chapel (16).   To the front of the church, the lych-gate was erected in 1919 as a war memorial. It contains two plaques to the Inkberrow men who died in the first and second World Wars. The sundial close by is believed to be the one bought in 1705 to replace the previous sundial which had been stolen from the churchyard.  On 10th May 1645, King Charles I slept in the vicarage on a tour through Worcestershire. He left behind one of his map books, which is now in the custody of the vicar and stored in the County Record Office. His soldiers' wages were lost, buried somewhere in or near the village. In retribution for housing Charles, Cromwell is reputed to have burned the vicarage down.