4.8
(11)
959
자전거 타는 사람
115
라이딩
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마지막 업데이트: 2월 21, 2026
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28
자전거 타는 사람
60.2km
03:11
820m
820m
보통 도로 자전거 타기. 좋은 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
17
자전거 타는 사람
43.7km
02:16
230m
230m
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13
자전거 타는 사람
90.7km
04:35
1,220m
1,220m
어려운 도로 자전거 타기. 우수한 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
11
자전거 타는 사람
48.1km
02:07
430m
430m
보통 도로 자전거 타기. 좋은 체력 필요. 투어 중 라이딩하기 어려운 비포장 구간이 있을 수 있음.
7
자전거 타는 사람
52.2km
02:40
710m
710m
보통 도로 자전거 타기. 좋은 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
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The church tower of Saint-Etienne was once an integral part of the fortifications. Easily recognizable by its solid construction and the loopholes on the sides. In the tower passage there is an interesting information board stating that Wolfgang Amadé Mozart and his family stopped in Moudon in 1766 on their journey through Switzerland.
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Notre-Dame Cathedral, Lausanne The cathedral was not consecrated until 1275 by Emperor Rudolf of Habsburg and Pope Gregory X. Then Jean Cotereel, the third master builder, took over the building site and built the western part, which he equipped with a porch and two towers, one of which carries the bells. The other tower was not completed. The very original painted portal was added to the south façade around 1225-1235. The cathedral was not consecrated until 1275 by Emperor Rudolf of Habsburg and Pope Gregory X. In 1536, the cathedral was significantly altered during the Reformation, when a new space for worship was created in the nave. It was then restored several times in the 18th and 19th centuries, notably under the direction of the famous French architect Eugène-Emmanuel Viollet-le-Duc. The interior of the cathedral is characterized by an exceptional use of color. This decoration, which dates back to the original building, was covered up during the Reformation but was brought out again at the beginning of the 20th century: the paintings are still visible in the Chapel of Our Lady and on the statues of the painted portal, which is unique in Europe and whose complete restoration was completed in October 2007. The rose window is one of the masterpieces of European church art: its panes illustrate the medieval worldview in which God as creator was at the centre. Text / Source: Lausanne Tourisme – administration, Avenue de Rhodanie 2, Lausanne https://www.lausanne-tourisme.ch/de/entdecken/kathedrale-von-lausanne/
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The Cathédrale Notre-Dame de Lausanne is a Gothic cathedral. Construction of the cathedral began in the 12th century and took almost 100 years. The cathedral was consecrated and dedicated to Our Lady in 1275 by Pope Gregory The cathedral is known for its beautiful stained glass windows and imposing 13th-century portals. It is also home to an impressive organ, where concerts are held regularly. The central column has a circular base with arches and is topped by a ribbed column decorated with acanthus leaves, the city coat of arms and a garland carried by four animal heads. The pillar and column are copies from 1930, while the original pieces are in the Lausanne Historical Museum.
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Decent road surface, slight downhill all the way through the forest.
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The first mention of a church dedicated to Saint Stephen in Moudon dates from 1134-1143, although its existence probably dates back further. Located outside the medieval village centered on the hill, it was then the counterpart to the Notre-Dame chapel located at the top of this hill1. Nicknamed “the cathedral of Broye” by the city's inhabitants, it is the largest parish church in the canton of Vaud and one of the best examples of radiant Gothic style in French-speaking Switzerland2. Construction began around 1281, the date of the enclosure flanking the apse wall, and was completed around 1330 with the construction of the last three vaults and the western rose. The bell tower, openworked at its base by the town gate, was erected between the years 1417 and 1436. Chapels were then added to the sides. The simple plan, without transept, evokes a Cistercian influence with its three naves and its rectangular choir, but in elevation the style is radiant Gothic. The vaults are decorated with paintings in 1506-1512. The stalls from 1499-1502 are the work of sculptors Rodolphe Pottu, Peter Vuarser and Mattelin Vuarser. The communion table, Gothic, dates from 1564. The molasse pulpit was built in 1695. The baroque buffet organ from 1764 is by the maker Adrien-Joseph Pottier and the sculptors Joseph Dellion and Charles Puidoux. Finally, the stained glass windows date from 1935-1937 (Ernest Biéler), and 1951-1953 (Charles Clément)2. The church was restored several times, in 1836-1839 by the architect Henri Perregaux3, then again in 1896-1897, in 1934-1935, in 1949-1974 (with interruptions)2. The church is listed as a Swiss cultural property of national importance. Source Wikipedia
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The first mention of a church dedicated to Saint Stephen in Moudon dates from 1134-1143, although its existence probably dates back further. Located outside the medieval village centered on the hill, it was then the counterpart to the Notre-Dame chapel located at the top of this hill1. Nicknamed “the cathedral of Broye” by the city's inhabitants, it is the largest parish church in the canton of Vaud and one of the best examples of radiant Gothic style in French-speaking Switzerland2. Construction began around 1281, the date of the enclosure flanking the apse wall, and was completed around 1330 with the construction of the last three vaults and the western rose. The bell tower, openworked at its base by the town gate, was erected between the years 1417 and 1436. Chapels were then added to the sides. The simple plan, without transept, evokes a Cistercian influence with its three naves and its rectangular choir, but in elevation the style is radiant Gothic. The vaults are decorated with paintings in 1506-1512. The stalls from 1499-1502 are the work of sculptors Rodolphe Pottu, Peter Vuarser and Mattelin Vuarser. The communion table, Gothic, dates from 1564. The molasse pulpit was built in 1695. The baroque buffet organ from 1764 is by the maker Adrien-Joseph Pottier and the sculptors Joseph Dellion and Charles Puidoux. Finally, the stained glass windows date from 1935-1937 (Ernest Biéler), and 1951-1953 (Charles Clément)2. The church was restored several times, in 1836-1839 by the architect Henri Perregaux3, then again in 1896-1897, in 1934-1935, in 1949-1974 (with interruptions)2. The church is listed as a Swiss cultural property of national importance. Source Wikipedia
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