4.8
(32)
623
자전거 타는 사람
58
라이딩
Luras 주변의 로드 사이클링 코스는 이탈리아 북동부 사르데냐의 화강암 언덕 지형을 가로지르며, 해발 500미터에 위치해 있습니다. 이 지역은 갈루라 지역의 특징인 도전적인 오르막과 보람 있는 내리막을 포함한 다양한 지형을 제공합니다. 코스는 종종 리스치아 호수, 고대 수천 년 된 올리브 나무 숲, 코르크 나무 숲과 같은 자연 지형을 지나며, 그림 같은 도로를 따라 다양한 사이클링 경험을 제공합니다. 몬테 림바라 산맥과의 근접성 또한 다양한 고도 프로필에 기여합니다.
마지막 업데이트: 5월 28, 2026
5.0
(1)
8
자전거 타는 사람
48.8km
02:46
1,030m
1,030m
어려운 도로 자전거 타기. 우수한 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
26
자전거 타는 사람
148km
07:39
2,590m
2,590m
어려운 도로 자전거 타기. 우수한 체력 필요. 투어 중 라이딩하기 어려운 비포장 구간이 있을 수 있음.

무료 회원 가입
17
자전거 타는 사람
37.2km
01:53
590m
590m
보통 도로 자전거 타기. 좋은 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
6
자전거 타는 사람
74.6km
03:43
1,120m
1,120m
어려운 도로 자전거 타기. 우수한 체력 필요. 지면 대부분이 잘 포장되어 있고 라이딩하기 쉬움.
14
자전거 타는 사람
106km
06:14
2,260m
2,260m
어려운 도로 자전거 타기. 우수한 체력 필요. 투어 중 라이딩하기 어려운 비포장 구간이 있을 수 있음.
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Granite town in the mountains. Beautiful.
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Many small bars and restaurants invite you to linger here. Everything is colorful and cozy.
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This secondary road that connects the SP5 to the SS133 passes next to the imposing monolith of Pulchiana. The road surface is smooth and the landscape is surreal, it's really worth coming to cycle here!
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From this strategic panoramic point you can enjoy a magnificent view of the Valle della Luna. In addition to a large car park, there is a café here, perfect for a stop with a view.
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The church dedicated to San Pietro Apostolo, cathedral of the diocese of Tempio-Ampurias, stands in the heart of the historic center. Built starting from 1200, the medieval granite building underwent various changes over the centuries, from the construction of the bell tower in the 16th century to the expansion works completed in 1827. The inauguration and consecration took place on June 2, 1839 by the bishop Monsignor Capece, who commissioned many of the marble furnishings of San Pietro. The church presents itself 2 St. Peter's Basilica in baroque style. It consists of a single nave with four chapels on each side. The very simple façade, slightly enlivened by the splayed portal and the two round-arched windows of the upper part, is deprived of its function by the much more complex side on the right side. with pediment openings, oculi decorated with mosaics and the articulation of the surface by pairs of strongly raised pilasters. The interior, in the nave, covered by a grooved barrel vault, has four chapels on each side and a semicircular apse where the wooden "choir" is located, the individual columns are deeper, forming almost a transept, to which the large raised and apsidal area of the presbytery is attached. The last restoration works date back to 2007: thanks to them, the vault has regained its ancient colors, with bright green tones that highlight the nineteenth-century marble furnishings in baroque-Genoese style, including the main altar, the pulpit, the baptismal font and some statues. The cathedral is equipped with a beautiful organ by Paolo Ciresa, dating from 1980, consisting of 25 registers and 1726 pipes. Source: https://comuneditempiopausania.it/cattedrale-san-pietro/
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The Church of Santa Croce stands next to the cathedral. The bell tower of the cathedral itself, built between the end of the 15th and the beginning of the following century, forms a single body with Santa Croce. From the cathedral, you can access it through a small door to the left of the presbytery. It is very ancient, perhaps older than the cathedral itself, and certainly contemporary with the Church of the Rosary. This is evidenced by the rock left after the recent restoration, which bears the carved Greek letter Y (gamma), representing the number 3, the three persons of the Holy Trinity. This rock was the altar stone, reminiscent of Christ Rock Corner Head, on which the church was founded. It was built in the Romanesque style and renovated in the 16th century with a terracotta barrel vault. On the façade, you can admire a marble plaque from 1830 depicting the Confraternity of Santa Croce, which was housed in this church. It was an important, economically independent church. The brothers wore a white, hooded cloak that they pulled over their faces. They were affiliated to the Archconfraternity of the Gonfalone, founded in Rome, and as such enjoyed privileges granted to them by Pope Gregory, including religious week, religious theater, processions, popular festivals in city centers and rural churches, as well as aid to the poor, the sick, prisoners, and the settlement of disputes between rival families. The members of the confraternity played a very important role in the civic and religious community of Tempi. The confraternity's distinctive feature was to revive a symbolism and a cultural and religious activity that already belonged to the Templars and, like the Templar Order, was suppressed by the authority of the Church. In fact, on December 21, 1813, Bishop Monsignor Paradiso suppressed the Confraternity of the SS. Crucified for the excessive autonomy it displayed with regard to the provisions of the Church. From this point on, the church slowly declined, was practically abandoned, and gradually degraded to an oratory, a religious building with an ancillary function to the cathedral. In this church, the largest of the churches, the nobles of Tempio met with the clergy on April 29, 1679, to decide on the construction of the Capuchin Poor Clares Convent. Source: https://comuneditetempiopausania.it/chiesa-di-santa-croce/
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One of the peaks of Monte Limbara with its 1,359 meters. Its name derives from that of a shoemaker from Tempio Pausania who had hidden here after killing the scion of a noble family who had raped his fifteen-year-old daughter. Legend has it that the shoemaker, sought after for years, was never found thanks to the protection of the mountain.
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