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The cathedral of Sant’Eusebio, patron saint of Vercelli and Piedmont, boasts ancient origins, but its current appearance is the result of numerous restorations. In Roman times, there was a necropolis here where San Teonesto, the first Christian martyr of Vercelli, a victim of Diocletian's persecutions, was buried. Next to him, Sant’Eusebio was laid to rest in his honor. Tradition has it that the basilica was founded by Emperor Theodosius I, but the barbarian invasions caused serious damage, requiring subsequent reconstruction work. Thanks to its position on the Via Francigena, the cathedral has become a fundamental stop for pilgrims over the centuries, a testimony made evident by the precious relics preserved inside, including those of Thomas Beckett.

It is said that the sister suffered from werewolves and therefore lived practically locked up in this house

The church originally had two naves: a central one and a lateral one. The lateral one on the north side was demolished in 1681. “The interior is divided into three bays by three pointed arches in masonry, resting on rectangular pillars. The arches support a ceiling made of large bricks on which the roof rests directly. The apse is large (the diameter is more than 6 meters) and is covered by a five-part vault. Against the wall, the masonry altar is decorated with stucco in late sixteenth-century style, dating back to 1680. Under the plaster, fragments of the ancient frescoes re-emerge, covered with whitewash carried out during an eighteenth-century restoration; the most notable are the one on the southern wall depicting Saint Peter, from the Romanesque period, and, near the side entrance, a fresco ruined in several places that portrays Saint Francis of Assisi while receiving the stigmata. The Saint is portrayed kneeling with his arms open and slightly raised, with his gaze turned towards Christ, who appeared in the form of a Cherub; further down we can see the figure of a little friar who witnessed the event, with his hands raised to protect his eyes from the brightness of the apparition. Behind the figure of the Saint is depicted the little church of Porziuncola. The expressiveness of the faces, the attention to the folds of the Saint's habit and the architecture of the church in the background date this fresco back to a period before the end of the fifteenth century.” From the municipality website: comune.carpignanosesia. No. It

Chiusa e raddoppio di canali

Magnificent outing in the rice fields of the Po 😊

Big benches are always a curiosity, this one in Barengo being recently installed is really very nice to enjoy a beautiful view of the town!!!

If you don't see you can't imagine how a canal can pass under a river.

In general, the Sesia embankment has a passable gravel surface. It's better if you have generous tyres, at times it's very shabby and low pressure can help. Route with 35-3bar on Gravel, demanding in terms of shocks.