가장 멋진 명소 20곳

beautiful and little frequented

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But why not have it continue towards Asti?? It would be nice.

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Unfortunately, tractors leave clods of earth that are then trampled, making the ground uneven and, in case of rain, dangerously slippery; bullies and uncivilized people prevail with impunity.

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This church, which is dedicated to the Holy Cross (Latin: "Santa Croce"), derives its patronage from the cross on which Jesus Christ died. The veneration of the Holy Cross goes back in large part to Saint Helena, who was the mother of Emperor Constantine the Great (who recognized Christianity as a religion after his victory at the "Milvian Bridge" in front of Rome and ended the long period of persecution with the "Edict of Toleration" of Milan in 312). In the early fourth century, she made a pilgrimage to the Holy Land (Israel / Palestine) and brought numerous relics back to Europe, including the "True Cross" on which Jesus Christ was crucified. Helena is therefore often depicted with a cross as an attribute. The church celebrates the feast of the discovery, public presentation and veneration of the Holy Cross - called the "Exaltation of the Cross" - on September 14th.

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the V.d.F. website it has been inhabited without interruption since prehistoric times; home to a thriving riverine emporium during the Iron Age; it became a Roman municipium in close relationship with the Via Fulvia which connected Augusta Taurinorum (Turin) with Dertona (Tortona). The archaeological area and the small museum have been closed and in a state of decay for years. In the photo the small chapel dedicated to S. Rocco and S. Bovo is always open, and a good stopping point.

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The monumental complex of Santa Croce and All Saints, wanted and founded by Saint Pius V, is located in Bosco Marengo near Alessandria.

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This splendid cycle path between Solero and Alessandria is surrounded by fields and flanked by the railway.

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The Last Judgement by Giorgio Vasari, one of the most important works of the entire complex commissioned by Pope Pius V in the 16th century

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It dates back to the early twentieth century, entirely in brick and with a gabled facade, it overlooks the SP246 which crosses the village of Villa del Foro.

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Arched bridge reaching a height of 30m. It was inaugurated in 2016 becoming one of the symbols of the city. The walkable surface is divided into two: on one side reserved for vehicles and on the other for cycle and pedestrian areas. A cycle/pedestrian path which, however, has gaps in maintenance and due to its danger since it crosses many blind exits of gates and roads.

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almost always open, welcoming in bad weather to refresh and in the heat to cool off; full of sacred images.

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Ponte Cittadella, or Ponte Tanaro, or - since 2016 - also called Ponte Meier. Over the centuries, there have been at least four major demolitions and subsequent reconstructions of the bridge. The last demolition took place in 2009 and the works for the new bridge, designed by Richard Meier, lasted 4 years, from 2012 to 2016. https://it.wikipedia.org/wiki/Ponte_Cittadella

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the wooden choir from the second half of the 16th century decorated with bas-reliefs with images of saints; among these also S. Baudolino, protector of Alessandria.

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Built by order of Pope Pius V in the mid-1500s in his hometown. Architects and artists of the papal court of the time participated in its construction, making it unique in the Piedmontese historical and artistic panorama. http://www.amicidisantacroceboscomarengo.it https://it.wikipedia.org/wiki/Complesso_monumentale_di_Santa_Croce_e_Tutti_i_Santi

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currently (July 2023) the only asphalted stretch is between Solero and Astuti; the works should have been completed by 2021, but from Astuti to Alessandria it is still a dirt road (acceptable if dry, muddy with rain or snow) as AIPO has blocked the works because the entire embankment must first be raised by a few tens of cm before to be able to finish the work (horse field...)

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private, used for weddings, open only on special occasions; very interesting interior with crypt;

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HISTORY: Built, according to tradition, in 722 by the Lombard king Liutprando, it was completely renovated in 1030 thanks to the Marquis of Sezzadio Otberto, who added a monastery to it, later entrusted to the Benedictine monks. The prestige of the complex grew steadily over time, reaching its peak between the 11th and 12th centuries. A phase of decline followed. Entrusted to the abbots of Sant'Ambrogio di Milano, its possessions were dismembered in the Napoleonic age, and the part with the church was purchased at the end of the 19th century and transformed into a private residence. The church remains of the original complex, austere and simple, which preserves the Romanesque lines of the 11th century. EXTERIOR: The tripartite facade, originally with salient features, has a tower in the central area, added in the 15th century. The surface is divided vertically by 8 pilasters that mitigate the mass and decorated in the upper part by hanging arches. The portal is very simple, without any stone or marble ornament. The plant has a commissal cross, that is T-shaped. The transept in fact protrudes a lot and the three apses are grafted directly on its eastern side, which appear almost like towers that emerge, cylindrical, from the flat surface of the back wall. main source: http://archeocarta.org/sezzadio-al-abbazia-di-santa-giustina/

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