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Palazzo Governo, Piazza Cesare, Rieti Prefecture of Rieti / Prefecture - Territorial Office of the Government of Rieti Historical Notes on the Government Palace The Palazzo Vincentini, located in Piazza Cesare Battisti in Rieti, is remembered in ancient documents as Casa Poiana, since the powerful Marco Antonio Vincentini purchased it from the Poiani family of Amelia in 1589. Renovation work began that same year and was completed after 1624. According to literary tradition, the architect responsible for the construction was the 19th-century painter Jacopo Barozzi, known as Vignola. The palace, in the late Mannerist style, has an elegant door on its main façade, decorated with the family coat of arms with the flame in the center, five eight-pointed stars in the central band, and the sea in the background. When the Vincentini family sold the palace to the Province of Rieti in 1927 to provide a worthy home for the Prefecture, the garden fence was demolished, transforming it from a place of private entertainment into a place of popular assembly. Inside the building are the Prefectural offices, and on the ground floor are the Prefect's private apartments. From an artistic point of view, it is important to remember two valuable pictorial works by local artists active in the various fields. On the ground floor, in front of the entrance, there is a small room painted by the painter Arduino Angelucci (Rieti 1901-1981), who in 1931 created the pictorial decorations of the wall in tempera and the safe. The murals tell the ancient history of Sabina through medallions, coats of arms, and monumental figures in niches celebrating the region's historically significant figures: the scholar Marcus Terentius Varro (116 BC) and the Emperor Flavius Vespasian (9 AD). The coats of arms of the most important villages of Sabina are highlighted: Rieti, Cittaducale, Poggio Mirteto, Fara Sabina, Orvinio, Leonessa, Borbona, Rocca Sinibalda, Borgorose, Amatrice, and Magliano. In addition, views of the centers of Rieti, Vescovio, Amatrice, Farfa, and the forged bronze medallions depict four episodes from the Legends of the Sabine Women: the "Rape of the Sabine Women," the "Sacrifice to Rhea," the "Sacrifice to Saturn," and the "Sacred Spring." Text / Source: Prefecture - Territorial Office of the Government of Rieti https://www1.prefettura.it/rieti/contenuti/Cenni_storici_sul_palazzo_del_governo-8273.htm

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Umbilicus Italiæ - Centro d'Italia, Rieti / Geographical Center of Italy In Piazza San Rufo, Varronian tradition places the so-called Umbilicus Italiae, the geographical center of Italy, commemorated by a plaque. Piazza San Rufo is located amidst the imposing buildings of the historic center, which line the main streets Via Roma and Via Garibaldi. In the center of the square, a section of wall, a remnant of the Roman city's first city walls, can be seen beneath the pavement. The value of this area is commemorated by a plaque and a monument with a unique shape, located exactly in the center of the square and aptly called "la caciotta" (the caciotta) for its rounded and circular design. The work, created between the 1980s and 1990s following the city's twinning with the Georgian capital Tbilisi, appears to resemble the base of a column and features the design of the Italian peninsula on its surface, accompanied by the inscription "Umbilicus Italiae" (Umbilicus Italiae), which runs along half the circumference of the monument itself. Text / Source: Official Tourist Portal of the City of Rieti https://www.visitrieti.com/2020/01/25/rieti-umbilicus-italiae/

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Grande Albergo Quattro Stagioni, Piazza Cesare, Rieti RI Quattro Stagioni, Piazza Cesare Battisti 14, Rieti RI The hotel is located in a restricted-traffic zone within the medieval walls that surround much of the city center, overlooking the Romanesque cathedral, in front of the magnificent Italian garden of Palazzo Vincentini, two minutes from Sabina Universitas and the shopping street, and in front of the elevator leading to the newly renovated Santa Lucia Cultural Center. The strategic location also allows visitors to walk to the center of Italy (Umbilicus Italiae, as Rieti's Marco Terenzio Varrone called it) in Piazza San Rufo, whose church houses a wonderful organ and a Guardian Angel by Caravaggio. Text / Source: Quattro Stagioni, Piazza Cesare Battisti 14, IT-02100 Rieti RI Internet: https://www.hotelquattrostagionirieti.com/

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Umbilicus Italiæ - Centro d'Italia, Rieti / Geographical Center of Italy In Piazza San Rufo, Varronian tradition places the so-called Umbilicus Italiae, the geographical center of Italy, commemorated by a plaque. Piazza San Rufo is located amidst the imposing buildings of the historic center, which line the main streets Via Roma and Via Garibaldi. In the center of the square, a section of wall, a remnant of the Roman city's first city walls, can be seen beneath the pavement. The value of this area is commemorated by a plaque and a monument with a unique shape, located exactly in the center of the square and aptly called "la caciotta" (the caciotta) for its rounded and circular design. The work, created between the 1980s and 1990s following the city's twinning with the Georgian capital Tbilisi, appears to resemble the base of a column and features the design of the Italian peninsula on its surface, accompanied by the inscription "Umbilicus Italiae" (Umbilicus Italiae), which runs along half the circumference of the monument itself. Text / Source: Official Tourist Portal of the City of Rieti https://www.visitrieti.com/2020/01/25/rieti-umbilicus-italiae/

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Quattro Stagioni, Piazza Cesare Battisti 14, Rieti RI The hotel is located in a restricted-traffic zone within the medieval walls that surround much of the city center, overlooking the Romanesque cathedral, in front of the magnificent Italian garden of Palazzo Vincentini, two minutes from Sabina Universitas and the shopping street, and in front of the elevator leading to the newly renovated Santa Lucia Cultural Center. The strategic location also allows visitors to walk to the center of Italy (Umbilicus Italiae, as Rieti's Marco Terenzio Varrone called it) in Piazza San Rufo, whose church houses a wonderful organ and a Guardian Angel by Caravaggio. Text / Source: Quattro Stagioni, Piazza Cesare Battisti 14, IT-02100 Rieti RI Internet: https://www.hotelquattrostagionirieti.com/

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Lago del Salto is a small but successive artificial lake near Rieti whose circumference is about 32 km of asphalted and mostly flat road. A wonderful route to do by bike, even with the family, taking into account both the low car traffic and the good condition of the road surface perfectly passable with MTB, GRAVEL, City Bike, Racing bike etc. and the beautiful naturalistic views of the lake and the mountains. Along the route there are several rest areas where you can rest and eat a sandwich, but there is also a bar with a beautiful view near the dam. Also along the route you will encounter the town of Fiumata, diametrically opposite the dam, and the town of Borgo San Pietro, halfway between Fiumata and the dam, this is the ideal starting point thanks to the large spaces available for parking cars, but above all for the numerous restaurants with a view of the lake, open all year round and offering excellent local dishes, ideal to enjoy especially after a nice ride like this. For those who want to make the undertaking more challenging there is the variant that passes through Varco Sabino and then through the town of Rigatti, the tour is extended by a total of 10 km, testing a truly challenging climb and descent. Definitely worth trying.

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The passage over the dam is spectacular and the "jump" below is very impressive.

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The Romanesque bridge dates back to the 11th century, but was probably built on a pre-existing building of an unspecified period, of rare beauty, still usable but which requires urgent and significant restoration. In the two pillars it is possible to notice the three "holes" used to insert wooden poles horizontally, capable of supporting the "centre" for closing the stone arch. As you pass the bridge on the left, going up towards Posticciola, there is still a clear trace of "Garitta Muraria" where the border point with the Papal State and Kingdom of the Two Sicilies was made, and with the "horizontal transhumance" the duty for the ride. Transhumance has an ancient history which most likely coincides with the history of breeding itself and was regulated and disciplined since Roman times by a set of laws of taxes to be paid in the various customs. Transhumance derives from the Latin "trans" (beyond) and "humus" (earth) = pastoralism transmigrating with the seasons, along the sheep tracks (from the Latin "tractoria" = the shepherds' roads). In southern Italy transhumance was divided into "vertical" and "horizontal". The first concerned the Kingdom of the Two Sicilies, with several sheep tracks that connected from Abruzzo to Puglia (the most important was the famous "Tratturo Magno"). Horizontal transhumance, however, also of ancient origins, descended into the Roman countryside and increased considerably in 1477, when Pope Sixtus IV forced all the shepherds of the "Kingdom of the Church" to take their animals to winter in the Agro Romano. Transhumance in Lazio reached its peak starting from 1800, when the "vertical" one entered into crisis. This was usually in provincial sections from Umbria towards Civitavecchia, from the Marche towards Polo and Maccarese, from Abruzzo towards the Roman countryside, from Ciociaria towards Anzio and Terracina. http://www.magiadelturano.it/index.php/posticciola/ponte-romanico

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