모르니 주변 최고의 교통량 없는 자전거 라이딩 코스

인상적인 건물입니다. 방문할 가치가 있으며 근처에 필요한 물품을 살 수 있는 현지 상점들이 있습니다.

Congratulations to the builders, immense respect.

A surprising place... immense and imposing. The monks lived on the other side of the vast church. That part is gone, but the place still inspires silence.

Lots of beautiful things to see in this part of Vexin

The church of Mont-Rôty, from the 17th and 18th centuries, is dedicated to Saint Madeleine, symbol of the repentant sinner. Its porch is made of brick and its nave is made of brick and flint. The bell tower has 3 bells and has a pointed spire like many in the Pays de Bray. Its apse and transept are made of brick and slate. Inside, it is the woodwork that catches the eye (Romanesque vault, benches, stalls, altarpiece, etc.).

Nicholas was bishop of Myra (Asia Minor) in the first half of the 4th century. In the 6th century, a church in his name housed his tomb. But, in 1087, sailors from Bari seized his relics and took them to their city, which became the center of his cult. At the same time, the knight Aubert, from Port, near Nancy, brought back a relic of the saint from a trip to Bari. In this locality, which later took the name of Saint-Nicolas-de-Port, several churches were built successively until the beautiful current basilica where many pilgrims would come, following the example of Jeanne-la-Lorraine. When American Protestants, jealous of Catholic festivities, wanted to copy the Christmas celebrations where Saint Nicholas distributed gifts to children, they created the fictional character of Saint Claude ("Santa Claus").

In the 11th century, a chapel was built by the prior of Bézu-le-Long, dependent on the abbey of Croix Saint-Leufroy, consisting of a nave of 5 bays lit by narrow lancets. A stone choir was added in the 12th century. Around 1335, the chapel became a parish church. Around 1780, it was enlarged by two bays and its direction was reversed. The entrance is now through the choir, itself installed in the western part. Large bays were opened at this time. The new choir is adorned with an altarpiece executed in 1760 by Jacques Carbonnier (from Gisors). The painting of the baptism of Christ is by Charles Jean Baptiste Duchêne, painter in Gisors

A military fortress with a defensive purpose, built in 1097, during the reign of William the Conqueror's second son, Gisors Castle marks a major page in the medieval history of Normandy. This fortification was intended to protect the Norman possessions of the King of England against the ambitions of the King of France. A true border place and eastern lock of Normandy, it was part of a vast campaign of fortifications in the Epte Valley, the natural boundary between the two kingdoms.