라 지롱드 주변 최고의 도시 하이킹 & 워킹 코스

Royan은 즐겁고 빛나는 모더니스트 해변 건축물로 우리를 1950년대로 안내합니다. 이 대담한 건축물의 특징인 조개 모양의 중앙 시장은 이 도시의 상징적인 기념물 중 하나입니다. 1955년부터 건축가 Louis Simon과 André Morisseau가 엔지니어 René Sarger와 협력하여 설계한 이 독창적인 건물은 1945년 도시 폭격으로 완전히 파괴된 지붕이 있는 시장을 대체했습니다. 두께 7cm의 얇은 콘크리트 슬래브로 구성된 금고는 당시 건축적 위업으로 간주되었으며, la Défense의 CNIT 건설 모델이자 부쿠레슈티 서커스의 영감이 되었습니다! 이 돔의 꼭대기에는 유리 벽돌의 반짝임으로 시장에 빛을 비추는 일련의 개구부가 있습니다.

1955년부터 건축되어 1958년에 축성된 노트르담 드 로앙 교회는 다시 한번 똑바로 서고 자랑스러운 도시를 상징합니다. 철근 콘크리트 구조물은 1940년대 세계가 겪었던 슬픈 사건 이후 성스러운 예술의 부흥이라는 일반적인 흐름에 속합니다. 오늘날 이 건물은 현대 건축의 위업이자 걸작으로 여겨집니다. "이 콘크리트 대성당에 들어서면서, 침묵하라. 이곳의 모든 것은 열정, 엄격함, 거침, 금욕적인 아름다움이다. 희미한 빛은 바다처럼 변덕스럽고 끊임없이 변하지만, 잡을 수 없는 신성한 것을 노래한다." ANDRÉ MALRAUX 문화부 장관 (1958-1969)

지역 특산품을 다양하게 갖춘 아름다운 마켓홀. 정오경에 문을 닫습니다.

🏖️ General Overview Chay Beach is a family-friendly, fine sandy beach located in Royan (Charente-Maritime), on the Côte d’Argent promenade between Pigeonnier Beach and Pointe du Chay. It stretches for approximately 200 meters and boasts a pleasant natural setting, with a cove bordered by rocks typical of the Charente coastline. 🏝️ Features • 🌊 Beach type: fine sand, sheltered cove. • 🏄‍♂️ Atmosphere: relatively calm and family-friendly, ideal for children and vacationers seeking relaxation away from the large urban beaches. • 🐾 Pets: prohibited from April 1st to September 30th. • 🫧 Water quality: excellent (Blue Flag label awarded for 2025). 🧭 Lifeguard and Safety • Swimming is supervised during the season (June to early September), with areas marked by red and yellow flags. • The area is classified as a Category 3 "Supervised Beach" and lifeguards are present during the indicated hours. 🪑 Amenities On-site, you can find: • 🏖️ Sun loungers, parasols, and mattresses for rent. • 🚿 Foot rinse and public restrooms. • 📶 Wi-Fi access, first aid station, and an area accessible to people with reduced mobility (assistance may be required depending on the slope). • 🍴 Beachfront restaurant ("Le Chay" bar-restaurant with sea views). 🚶‍♂️ Atmosphere and Activities • 🎈 Ideal for families and leisurely strolls. • 🌞 People come here for swimming, playing on the sand, flying kites, or simply relaxing by the ocean. • 🅿️ Parking is available nearby, and the beach is easily accessible on foot or by bike from Royan town center in just a few minutes. 🧭 Practical Tips • 📆 Best time to visit: summer for supervised swimming and full services, but also during the off-season for a more peaceful atmosphere. • ☀️ Arriving early in the morning makes parking easier during peak season. • 🐶 Dogs are not allowed during the summer season; check the signs on site during the off-season.

The Botton Gallery appears to us at the Rond-Point de la Poste, on the left facing the Post Office. It is a shopping mall with sinuous lines. It was delivered in 1956. It took over the function of the pre-war Botton Gallery, named after the engineer Botton who in 1847 had worked on the development of the seaside resort of the time.

Frédéric Garnier is a famous man from Royan, who gave his name to the boulevard that runs along the Grande Conche beach. Frédéric Garnier became mayor at the beginning of the Third Republic and remained so from 1871 to 1905. The development of Royan at that time was his work. It was Frédéric Garnier who decided to build a promenade along the beach. The Municipal Casino, built on the Grande Conche and inaugurated in 1895, was then the largest in France. The name of Frédéric Garnier was given to the boulevard that runs along the beach from Royan to Saint-Georges-de-Didonne. This part of Royan, east of the city center, was spared from the bombings of 1945. A pedestrian promenade and a cycle path were built between the roadway and the beach. This pleasant walk gives us a glimpse of what Royan was like during the Belle Epoque with the villas and castles built between 1890 and 1930 and which escaped the bombings. Along the walk, we are surprised by the presence of a cubist-inspired villa, built after the war, next to a Belle Epoque villa, a symbolic image of the mixture of seaside architectural styles in Royan. The villas and castles of varied styles and often original inspiration generally have in common the presence of a bell tower which overhangs the roofs. The name of Emile Zola given to the avenue which leads from the boulevard Frédéric Garnier towards the inner part of the Parc district reminds us of the stays of Emile Zola from September 1886. He lived in villas, now disappeared, located on the current boulevard Frédéric Garnier.

On August 22, 1962, Robert Boisseau was awarded the contract to build an organ in the new church. On a very high gallery, Robert Boisseau built an organ with four separate bodies without ornaments with varnished mahogany bases. The back positive has a façade of 27 tin pipes arranged in a V. The large body has a façade of 23 tin pipes arranged in a miter and above the chamades. The pedal is arranged in two separate bodies. 6 engraved windchests. Window console. On May 24, 1964, Guy Morançon inaugurated an unfinished organ (24 stops on 2 keyboards). On June 20, 1969, Jacques Dussouil gave a recital on an organ equipped with the third recital keyboard (8 stops). Other games were added between 1972 and 1984. In January 2014, this large organ was completely dismantled to be restored in a specialized workshop located in Béthines in the Vienne department. It took several weeks to dismantle the 3600 pipes, the 47 games, the 3 keyboards and the pedal board. After having completely restored it in their workshop, the Poitevin organ builders reassembled the instrument piece by piece in the church. The organ, like the church, is also listed as a Historic Monument.

Completed in 1958 in response to the mayor of the time who wanted the architect Guillaume Gillet to use his church to revive the city of Royan, which had been laid low by the bombings of 1945, Notre-Dame, the concrete cathedral as André Malraux had called it, has just had a makeover. The operation, broken down into five phases of work, was spread over a period of three and a half years, the restoration of the west façade, the canopy, the roofs of the north and south aisles, the terraces, the baptistery, the portico and the high altar. It extends the restoration of the building which, since its construction, justified that interventions be carried out to ensure its nobility and sustainability. In agreement with the services of the regional directorate of cultural affairs (DRAC), the canopy was notably completed by the addition of stained glass windows installed in the upper part in strict compliance with the three-dimensional design of the existing elements. The creation of the portal, replacing the temporary door, was also the subject of lengthy discussions between the architect, the regional conservation of historic monuments and Guillaume Gillet's beneficiaries. The project of a transparent glass airlock initially imagined was finally abandoned and made way for a magnificent monumental wooden door, closer to the sketches found in the archives of the original designer. A cross, made up of an assembly of "V"s similar to those that allowed Bernard Lafaille to structure the church, also appeared on the initial building permit. However, it had never been implemented. Not planned as part of the construction site, its manufacture and installation in the upper part of the canopy were finally made possible thanks to the assistance of the Association for the Defense of the Church of Royan (ADER). But, in addition to the historical interest of this operation, it is the decision to restore certain architectural elements that undoubtedly marks an important step in the conservation of concrete buildings inherited from the Modern and Reconstruction movements. During the project management studies, a partnership with the Historical Monuments Research Laboratory (LRMH) made it possible to define the degree of alteration of the facings and structures, to determine the correct formulation of the leveling compounds and to specify the intervention protocols. The church was classified as a Historic Monument in 1988.