몬테 델'아센시온 주변 최고의 가족 하이킹 & 워킹 코스

Beautiful Art Nouveau interior. In mid-September, we're the only guests inside, enjoying the ambiance, friendly service, and special ice cream flavors. The toilet, integrated into the vanity, offers glimpses of old foundations.

The Sanctuary of Santa Maria della Carità is commonly called by the citizens of Ascoli with the name of Church of the Scopa, from the name of the Confraternity of the Disciplinati, faithful who during the processions used to beat each other with broom-shaped whips which were also used to collect the grain sold in the square from the ground. The original building dated back to the 14th century, then in 1532 it underwent important works and modifications by Cola dell’Amatrice and the Ascoli Count Conti and these renovations continued for about a century when a more exuberant style had established itself, the imprint of which is evident inside with paintings and stuccoes of considerable interest. One of the best works of Cola is considered to be the facade of this sanctuary with its four elegant fluted Corinthian pilasters, concluded by capitals worked with olive leaves that rest on solid pedestals, with a continuous trabeation. The design of the attic is attributed to the Ascoli native Conte Conti, while that of the three doors on the façade is the work of Antonio Giosafatti. The unique onion-shaped bell tower dates back to the end of the 17th century. The interior of the church has a single nave, adorned with elegant 17th-century decorations with flying figures and cherubs in Baroque style. On the high altar we find a precious Nativity, the work of Girolamo Buratti. In the side chapels there were works by Simone De Magistris, the Annunciation by Guido Reni which is now located in the Pinacoteca Comunale, a canvas by the Venetian Pier Gaya depicting Sant’Emidio consecrated bishop by Pope San Marcello. Attached to the church we find the Oratory of the Misericordia whose members had the task of spiritually assisting the condemned of the place until their death. (c) https://eventi.turismo.marche.it/Cosa-vedere/Attrazioni/Chiesa-di-S-Maria-della-Carita-o-Chiesa-della-Scopa/496

short but steep path

The building, dedicated to St. John the Baptist, shows three structures: an internal one from the Roman Augustan period, presumably a pagan temple dedicated to Hercules; an internal basin used as a baptismal font for immersion by the early Christians (400-500 AD), of which only the part of the hollow on the floor remains, and an external structure inspired by the canons of Romanesque architecture of the 10th-11th centuries. The external structure of the building is characterized by a lower square part (with two simple portals) and an octagonal upper part; the eight upper faces are adorned with three blind arches, except the face facing east, which has two groups of twin arches. A small lantern dominates the whole, while under the eastern facade you can see remains of Roman buildings. (c) https://letsmarche.it/-/battistero-di-s.-giovanni-2

The church was begun in 1280 by the Dominican order, in memory of the visit of friar Pietro da Verona to Ascoli in 1250. Construction continued until the 16th century. The facade of travertine blocks has three rounded oculi and a single portal with two flanking columns extending from a rounded pediment. The facade portal was designed by Giuseppe Giosafatti (1643–1731). The lateral portal faces the piazzetta and has Doric columns (1523), designed by Cola dell'Amatrice. Apse of the church On the side walls is an inscription with the tax and customs laws of the city. The interior with three naves has a number of travertine altars. The main altar was designed in 1724 by Giuseppe and Lazzaro Giosafatti, it is decorated with a Madonna del Rosario by Luigi Devò flanked by marble statues or the allegories of purity and humility. The church also has paintings by Lodovico Trasi, Giuseppe Angelini, Giovanni Battista Buonocore of Campli and Tommaso Nardini. The side walls have frescoes from the 13th and 14th centuries. The relic of the Sacred Spine is sheltered in a 15th-century gilded silver reliquary by Nicola da Campli. (c) Wikipedia

This 16th-century public washhouse, partly renovated in 1905, is fed by water that, according to pious legend, was miraculously made to flow by Sant’Emidio to baptize the Christians of Ascoli. In the Middle Ages, the water was also used to purify the dyed clothes in the nearby workshops.

The small church of San Bartolomeo, from 1474, has a rectangular plan and a single nave, with a double-pitched roof, a bell tower with a four-pitched roof and a small cross at the top. The portal of late-Gothic lines is surmounted by a mighty architrave that rests on two reversed-leaf brackets and small diamond points with the Sgariglia coat of arms in the center, as it was owned by the noble Ascoli family. (c) https://fondoambiente.it/luoghi/chiesa-di-san-bartolomeo-alle-piagge

From the imposing chestnut forest, the main path leads to a clearing located on a huge travertine spur, overlooking the forest. On the rock face, you can see, at the top right, the fascinating structure of the Hermitage of San Marco, a natural cavity closed by a church-shaped building with a bell tower and connected to the path by a stone staircase. The wall, in Romanesque style, is made of ashlar stones and has a single-lancet window and five double-lancet windows. In ancient times, the building housed a convent founded by Cistercian monks at the beginning of the 13th century and consists of two overlapping rooms, connected by a staircase resting on the rock. It is a very “poor” construction, which recalls the Benedictine monastic rule. Inside the Hermitage, it is still possible to find traces of the primitive frescoes painted by the monks on the walls and on the vault of the lower room. On the ceiling of the cave, the splendid “tapestry” of maidenhair fern is noteworthy. The Hermitage of San Marco has been restored and brought back to its maximum splendor. It retains its evocative power that attracts tourists and travelers, lovers of history and nature. (c) https://visitascoli.it/esperienze/colle-san-marco-meta-di-eremiti-nel-corso-dei-secoli/