버킹엄셔 주변 최고의 가족 하이킹 & 워킹 코스

Views are stunning at all times of the year

Lane way bridal Way is a beautiful tree lined bridal path as part of the circular walk

Nice view from the bridge

This is must go over bridge

The Fane of Pastoral Poetry is a small octagonal temple of ashlar stone, four sides pierced by semi-circular headed arches. The building originally had a steeply domed roof it is now maintained as a roofless ruin. The temple was built by Gibbs in about 1726-7 on the site now occupied by Queen Caroline's Monument and was known as the Gibbs building. It was originally surrounded by the eight Rysbrack British Worthies. Plans were prepared by Borra to convert it to a Temple of Diana but this was never carried out. It was demolished and re-erected in a simpler form on its present site in the mid 1760's. Also known as the Belvedere and in the sale catalogues as the Egyptian Building. Small roofless structure 1727/3 by Gibbs, as The Belvedere. Re-erected on present site 1760's. Ashlar stone with moulded cornice. Octagonal, 4 sides pierced by semi-circular headed arches, with keyblocks, stepped architraves and impost mouldings. Blank oculi in angled faces. In a glade in the wood at the far end of the Grecian Valley is the small open-sided temple or belvedere designed by Gibbs for Lord Cobham, and first set up as part of the early, western phase of the garden in September 1729. It was originally known simply as ‘Gibbs’s Building’ and stood on a mound (accommodating an ice-house) in an almost exactly opposite relationship to the house, to the south-west, where it provided a viewpoint towards the Rotondo and the Queen’s Theatre, and housed the series of busts by Rysbrack (Bacon, Hampden, Locke, Milton, Newton, Shakespeare, Queen Elizabeth and William III) which were later transferred to the Temple of British Worthies in the Elysian Fields. Gibbs’s Building was repositioned by Earl Temple in the 1760s to frame a view of Wolfe’s Obelisk, which he had recently set up outside the gardens to the north, and was rechristened the Fane of Pastoral Poetry. The building also provided framed prospects over the surrounding park, reached via the shady groves of the Grecian Valley. Van Nost’s lead figure of Thalia, the Muse of Pastoral Poetry, was placed just to the north of it. The statue was one of his series of Apollo and the Nine Muses which was removed from the South Vista in the 1740s (see p. 24), but she no longer survives at Stowe. The four terms once outside the Fane are now at Port Lympne. Statue - Muse of Pastoral Poetry - was installed on Tuesday the 4th December 2018. This statue is a direct copy of the c18th lead statue of Heroic Poetry located on the Grenville Column which is attributed to van Nost. Originally (1720s) this statue was locatd on the south front parterre. Source: https://heritagerecords.nationaltrust.org.uk/HBSMR/MonRecord.aspx?uid=MNA130213

Such a great place

It is not so common for a Christian place of worship – which encompasses the whole of heaven – to be dedicated to “ALL SAINTS”. Usually it is one (or occasionally two) named saints who hold the patronage of a church – and thus usually also of the parish or town in which it is located. But to find the origin of such a dedication, one has to go far back in history, because the model for this practice of dedication to ALL SAINTS can be seen as a pagan custom, according to which there were already central temples in pre-Christian times that were dedicated to all deities (PANTHEON). The probably most famous Pantheon, formerly a pagan temple and now a Christian place of worship, is located in the Italian capital.

Lovely lake and doesn’t look like man made at all and would recommend Boots for the path and Park specially if there has been rain over last few days