올스니츠/에르츠게비르게 주변 최고의 교통량 없는 자전거 라이딩 코스

Stollberg의 성 마리엔 성당. 13세기에 지어진(후기 로마네스크 양식의 "최초" 건물) 단일 홀 교회였으며, 이후 발굴을 통해 확인되었습니다. 15세기 전반에 더 큰 증축을 통해 2개의 통로가 있는 홀 교회로 개조되었고 동시에 고딕 양식으로 변경되었습니다. 1970년대부터 문화재로 지정되었으며 동정녀 마리아(마리아 탄생)에게 헌정되었습니다.

They look like oversized bottle caps – but Jan Kummer's "Heimat Ensemble II" is more than just XXL decoration. The round objects are reminiscent of DIY crafts from East German times, repurposed everyday items, and creative solutions to shortages. The resemblance to Mickey Mouse? No coincidence. Three circles, a global symbol. Kummer translates this pop icon into standard-sized, tinny spikes – painted in color, somewhere between an artistic figure and a critique of consumerism. A throwaway product becomes a monument, a memory becomes conceptual art. https://www.zeitsprungland.de/poi/jan-kummer-heimat-ensemble-ii

Traveling along former mining trails.

Traveling along former mining trails.

You simply have to be here ;-)

Fantastic view, with good visibility as far as Leipzig.

Mulde River Bridge with a bench, along the Luther Trail. Glauchau Reservoir and Mulde River Floodplain Nature Reserve. Information: The first bridge was made of wood and served until 1930. Around 1930, a lightly reinforced concrete bridge with a steel girder superstructure was built. During the 1954 flood, it partially collapsed. It was rebuilt and withstood the 2002 flood. However, it was severely damaged by the June 2013 flood. A new bridge was built in 2016/2017.

The 🟣 PURPLE PATH 🟣 is a sculpture trail that connects Chemnitz, the 2025 Capital of Culture, with 38 towns and cities in the region. Numerous artists have contributed works of various kinds, telling an unknown history of the region. More information at https://chemnitz2025.de/purple-path/ Jan Kummer "Heimat Ensemble II" in Gersdorf (another group entitled "Heimat Ensemble" is located at the Garagencampus in Chemnitz) Material: fiber-reinforced resin, steel "The group "Heimat Ensemble II" by the painter, object, and conceptual artist Jan Kummer consists of equally sized, round elements reminiscent of enlarged bottle caps. The models for Kummer's sculptures seem to originate from the aimless tinkering in the private sphere of a GDR household, where anonymous everyday materials were transformed into individual objects. The vertically or horizontally assembled or center-folded elements with inward-curved edges and 21 prongs in black, red, blue, and green are reminiscent of Mickey Mouse, arguably the most famous fictional character in the world. In the 1930s, the later world-famous American illustrator and media entrepreneur Walt Disney created these from just three black circles together. Kummer transfers the famous silhouette to the form of patented, DIN-standardized everyday objects. Through playful and ironic exaggeration, allusion, and scaling, disposable products made of thin sheet metal, actually designed for single use, are elevated to permanent works of art. Jan Kummer, born in Weimar in 1965, now lives and works in Chemnitz. In his imagery, he incorporates narrative elements that create connections between a world of memory consisting of presumably fragmented set pieces and the present he observes. With the sculpture group Heimat Ensemble II, the artist cites the idea of home-grown crafts and handicrafts, as well as regional customs. With the motif of remembered self-perception, he also creates a retrospective on the GDR's scarcity society: Everything was tested for its usability, cleverly utilized in a second production cycle, and today, memory becomes art. (Text: Alexander Ochs / Ulrike Pennewitz)