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The clock tower is a beautiful photo motif

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Monument dedicated to the dockworkers

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"Tait's Clock" is a historic clock, erected in 1867 to honour Sir Peter Tait.

The castle is amazing and there is something to discover everywhere

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On the ground of the 'Monastery Clonmacnoise' stands the Cathedral Temple McDermot. The north doorway often called the "Whispering Arch", dating to the mid-15th century. This ornate Gothic doorway dating to the fifteenth century is apparently a popular spot for wedding proposals. Folklore has it that the doorway once had a very unusual use: Lepers would stand at one side of the doorway and whisper their sins into the half pipe in the architrave. The priest would stand at the other side of the arch, far enough away to avoid infection, listening to the confession emerging from the architrave. https://www.sonicwonders.org/clonmacnoise-whispering-arch/ The cathedral is the largest of the churches at Clonmacnoise. Rory O'Connor, the last High King of Ireland, was buried near the altar in 1198, joining his father Turlough. Most of the graves currently seen in the church are those of the Coghlan family, whose patriarch extensively rebuilt the cathedral in the mid-seventeenth century.

King John's Castle (Irish: Caisleán Luimnigh) also known as Limerick Castle is a 13th-century castle located on King's Island in Limerick, Ireland, next to the River Shannon. Although the site dates back to 922 when the Vikings lived on the Island, the castle itself was built on the orders of King John of England in 1200. Some of the external walls, towers and fortifications remain, and the site is open for visitors. The remains of a Viking settlement were uncovered during archaeological excavations at the site in 1900. https://en.m.wikipedia.org/wiki/King_John%27s_Castle_(Limerick)

There is an entry fee to see inside. The grounds and the church are interesting outside for those unfamiliar with more than 300 years of history.

Aside from the Dockers sculpture, most of Duhan’s work as an artist revolves around the naked human figure. He remembers his time at Limerick City School of Art with fondness, he says, but he is mostly self-taught, acquiring his skills as and when needed to fulfil his vision. From 1982, he taught at the National College of Art and Design, but he retired six years ago, when he turned sixty. “I used to finish work at the college around 4.30pm, then I’d go to my studio in Temple Bar and work away until midnight, unless I caught a pint on the way home. Now I have my own studio at home, and I can work away all day if I want.”