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The Creux de Terre near Yverdon-les-Bains is an impressive karst sinkhole and also a significant nature reserve. The basin was formed by geological processes in which limestone sank, forming a funnel-shaped basin. Today, the area is home to moist meadows, ponds, small forests, and rich biodiversity. Amphibians such as frogs, toads, and newts find ideal living conditions here. Numerous bird species also breed or rest in the reserve. Walking trails with information panels lead through the basin and explain its geology, flora, and fauna. The Creux de Terre is easily accessible from nearby Yverdon.

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This beautiful neo-baroque building has been renovated several times before becoming, for the centenary of its foundation, a comfortable 460-seat performance hall, with a soul that delights artists and spectators. From 2020, the foyer on the first floor will be redeveloped into a second performance hall intended for small forms, and able to accommodate around sixty spectators. 150 meters from the station, overlooking a large pedestrian square and housing a friendly pizzeria with terrace on the ground floor, La Grange da Antonio, the TBB is a popular meeting place for spectators in the region. (https://www.theatrebennobesson.ch/histoire)

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Beautiful old town.

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The church tower of Saint-Etienne was once an integral part of the fortifications. Easily recognizable by its solid construction and the loopholes on the sides. In the tower passage there is an interesting information board stating that Wolfgang Amadé Mozart and his family stopped in Moudon in 1766 on their journey through Switzerland.

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The menhirs of Clendy are over 6000 years old and are the most important Neolithic site in Switzerland. The place was a meeting place and the statue menhirs were worshipped here.

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The first mention of a church dedicated to Saint Stephen in Moudon dates from 1134-1143, although its existence probably dates back further. Located outside the medieval village centered on the hill, it was then the counterpart to the Notre-Dame chapel located at the top of this hill1. Nicknamed “the cathedral of Broye” by the city's inhabitants, it is the largest parish church in the canton of Vaud and one of the best examples of radiant Gothic style in French-speaking Switzerland2. Construction began around 1281, the date of the enclosure flanking the apse wall, and was completed around 1330 with the construction of the last three vaults and the western rose. The bell tower, openworked at its base by the town gate, was erected between the years 1417 and 1436. Chapels were then added to the sides. The simple plan, without transept, evokes a Cistercian influence with its three naves and its rectangular choir, but in elevation the style is radiant Gothic. The vaults are decorated with paintings in 1506-1512. The stalls from 1499-1502 are the work of sculptors Rodolphe Pottu, Peter Vuarser and Mattelin Vuarser. The communion table, Gothic, dates from 1564. The molasse pulpit was built in 1695. The baroque buffet organ from 1764 is by the maker Adrien-Joseph Pottier and the sculptors Joseph Dellion and Charles Puidoux. Finally, the stained glass windows date from 1935-1937 (Ernest Biéler), and 1951-1953 (Charles Clément)2. The church was restored several times, in 1836-1839 by the architect Henri Perregaux3, then again in 1896-1897, in 1934-1935, in 1949-1974 (with interruptions)2. The church is listed as a Swiss cultural property of national importance. Source Wikipedia

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The first mention of a church dedicated to Saint Stephen in Moudon dates from 1134-1143, although its existence probably dates back further. Located outside the medieval village centered on the hill, it was then the counterpart to the Notre-Dame chapel located at the top of this hill1. Nicknamed “the cathedral of Broye” by the city's inhabitants, it is the largest parish church in the canton of Vaud and one of the best examples of radiant Gothic style in French-speaking Switzerland2. Construction began around 1281, the date of the enclosure flanking the apse wall, and was completed around 1330 with the construction of the last three vaults and the western rose. The bell tower, openworked at its base by the town gate, was erected between the years 1417 and 1436. Chapels were then added to the sides. The simple plan, without transept, evokes a Cistercian influence with its three naves and its rectangular choir, but in elevation the style is radiant Gothic. The vaults are decorated with paintings in 1506-1512. The stalls from 1499-1502 are the work of sculptors Rodolphe Pottu, Peter Vuarser and Mattelin Vuarser. The communion table, Gothic, dates from 1564. The molasse pulpit was built in 1695. The baroque buffet organ from 1764 is by the maker Adrien-Joseph Pottier and the sculptors Joseph Dellion and Charles Puidoux. Finally, the stained glass windows date from 1935-1937 (Ernest Biéler), and 1951-1953 (Charles Clément)2. The church was restored several times, in 1836-1839 by the architect Henri Perregaux3, then again in 1896-1897, in 1934-1935, in 1949-1974 (with interruptions)2. The church is listed as a Swiss cultural property of national importance. Source Wikipedia

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The "Benno Besson" theater was built in 1898 on the model of the Monte Carlo casino. It is located between the train station and the old town and has a direct view of the Japanese Garden. When everything blooms in summer, the white house shines in unique splendor. It is the largest theater in Yverdon.

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