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The manor house likely replaced a small castle that was destroyed during the Thirty Years' War. After 1648, the estate was rebuilt and consolidated by the von Krackewitz family. From 1702 to 1791, it belonged to the von Krackewitz family, who received the charter for the estate. From 1791 until its expropriation in 1945, it was owned by the von Oertzen family, who managed the estate and carried out its renovation until 1882.

The church's origins date back to the 13th century: around 1250, a simple peasant church was built here as its predecessor. The current single-nave fieldstone church was erected in the 15th century, with alterations during the Renaissance. The rectangular building measures approximately 16 x 10 meters. The granite tower was built between 1839 and 1841, replacing an older wooden tower, as was the southern entrance porch with its stepped gable. Next to the church stands a neo-Gothic burial chapel of the von Voss family, dating from 1843, which now serves as a winter church.

The manor house was built around 1730, with additions around 1850/60 (e.g., the central projecting bay). For centuries, it was closely associated with the noble von Voss family, an old Mecklenburg aristocratic family. After expropriation in 1945, the house was looted. In 1953, under political pressure, the family mausoleum was reconstructed, and parts such as a gatehouse and a pavilion were demolished.

The village church of Bredenfelde in Mecklenburg-Vorpommern is a neo-Gothic fieldstone and brick building, erected between 1850 and 1852. It was built on the initiative of Ernst Hans Heinrich von Heyden, the local landowner, according to plans by the Mecklenburg-Strelitz court architect Friedrich Wilhelm Buttel.

The castle was built between 1852 and 1854 in the Tudor style, based on designs by the architect Friedrich Hitzig, and originally served as a manor house for the noble von Heyden family. The family's coat of arms is displayed above the entrance.

Around Lake Tollense

When we think of Caspar David Friedrich, we first think of cityscapes of Greifswald, Neubrandenburg, or Dresden. Yet it was the small village of Breesen near Neubrandenburg that the painter left behind a whole collection of drawings, where he even stayed for months. His favorite sister and mother-surrogate, Catharina, was married to Pastor August Sponholz in Breesen. Subjects included villagers, landscapes, tools, the rectory, and the church. The most famous Breesen motif is the 1822 painting "Village Landscape by Morning Light." More about this in the chapter "Home, Family, and the Image of Women" https://cdf240.blogspot.com/2014/03/caspar-david-friedrichs-kleines-dorf.html