4.6
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46,707
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661
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마지막 업데이트: 4월 17, 2026
4.0
(6)
86
등산객
3.74km
01:13
160m
160m
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4.8
(10)
72
등산객
4.52km
01:15
80m
80m
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5.0
(1)
24
등산객
7.37km
01:52
20m
20m
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4.6
(5)
14
등산객
4.60km
01:23
150m
150m
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4.6
(5)
11
등산객
4.91km
01:28
160m
160m
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from Kematen continuously on tarmac up to 2300m altitude!
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Parish Church of St. John the Baptist, Stams Step into our parish church of St. John the Baptist. The church's current appearance dates back to the 18th century. Abbot Rogerius Sailer had the church remodeled in the Baroque style from 1754 to 1759. The ceiling paintings are by Franz Anton Zeiller (+1794) from Reutte, which he completed in 1755. The altars are by Johann Reindl (+1792), on which he worked from 1756 to 1759. History of the Church The First Church (around 700) The oldest church in Stams was a post-and-beam structure. Ten post holes of this church are still preserved. The strangeness of the original building, purely Bavarian in both technology and floor plan, is particularly striking. It is explained by its proximity to Pfaffenhofen and the Telfer Basin, where Bavarians who had migrated via Leutasch or Seefeld had settled around the year 600. The church was probably built as a private church by a local landowner. The Second Church (8th century) This church was built of stone, and its nave was approximately eight meters long and six meters wide. With its unequal, irregularly spaced sides, without mortar, it fits well with other early medieval buildings in Tyrol. The Third Church (11th century) This new building is likely related to the rise of pilgrimages to St. John the Baptist. The monks found this church upon their arrival in Stams on March 12, 1273, and it served as their first monastic church. The Gothic Church (1313-1316) The new church is considered the first example of mature Gothic architecture in Tyrol. It dates back to a donation by the founder's youngest son, Meinhard, King Henry of Bohemia, and his first wife, Anne. The church's masonry is still completely intact. The tower also likely dates from that period. Later repairs can be explained by the fire of 1593. After the fire, for example, the Gothic floor was removed. Text / Source: Diocese of Innsbruck https://www.dibk.at/Media/Pfarren/stams-dekanat-silz/Pfarrkirche
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Tunnel passage is possible without a lamp on the bike
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Barrier house with a small exhibition, in the next room there is an interesting film about its creation.
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The Lower Plenderlesee is a mountain lake in Tyrol, Austria, located near the Kühtai ski area. It is part of the so-called Three Lakes Circuit and lies just below the Upper Plenderlessee. The lake is accessible via a hiking trail from the Upper Plenderlesee and is also connected by a stream and small waterfalls. The Three Lakes Hut is located very close to the lake. The hike there is well worth it.
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Collegiate Church / Basilica, Stams Abbey The Collegiate Church is the focal point of the entire monastery complex and also of monastic life. Since September 1984, it has been a "basilica minor." High Altar The basilica's most famous sacred work of art is arguably the early Baroque Tree of Life Altar: Created by the Weilheim artist Bartlmä Steindle between 1609 and 1613, it represents the only surviving masterpiece of this altar-tree-of-life concept. 84 wood-carved, largely gilded, figures are grouped within the delicate tendrils of the Tree of Life, which itself measures 19 meters in height. The precious "sap of life" branches out in manifold ways, beginning with the thicker stalks in the root area of the tree, and thus "supports" the church building and, with it, all people. The Mother of Faith, the noblest fruit on the tree, so to speak, is Mary with Jesus, around whom other figures of great significance gather (for example, Peter and John the Baptist on the left, John the Apostle and Paul on the right). In the upper area, we find the Assumption of Mary and, as the pinnacle of Christian faith, the suffering, death, and resurrection of Jesus Christ. Monks' Choir The delicate wrought-iron choir screen by Michael Neurauter provides a view of the world-famous early Baroque high altar. The picture on the left of the choir screen depicts Jesus Christ as "salvator mundi," Savior of the World; an eloquent example of Gothic painting by an unknown Flemish master (second half of the 15th century). The impressive choir stalls were designed and executed by Brother Georg Zoller. This is not a museum space; the priests present in the house still meet here four times a day for communal choral prayer, to which "nothing may be preferred" (according to the Rule of St. Benedict). The sixteen-seat choir stalls, with their top figures of Saints Benedict and Bernard, as well as putti holding their attributes, were created around 1730 by the carpenter Georg Zoller from Silz, using parts of the High Baroque stalls built around 1680. Choir Organ In the choir of the abbey church, there is an anonymous choir organ dating from 1757, still playable today, with most of its original pipework. It was built under the music-loving Abbot Rogerius Sailer and is attributed to the Füssen organ builder Andreas Jäger (1704-1773). Text / Source: Stams Abbey Administration, Stiftshof 1, A-6422 Stams https://www.stiftstams.at/?page_id=103
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