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The current Church of Saint Maurice dates from the 16th century, replacing a 12th-century building. The entrance is through a door located on the east side, as renovations during the 19th century altered the church's orientation. An entrance was created in the flat apse, and a polygonal apse was built to the west. A south aisle was also added. Inside, the nave is flanked by two side aisles. The right aisle, to the north (since the church is now off-center), dates from the 16th century. The left aisle, built in 1865, is covered, like the rest of the church, by ribbed vaults. The baptistery chapel contains a modern marble font and a late 18th-century painting depicting the baptism of Christ by John the Baptist. On either side of the chancel, two chapels terminate the side aisles. The chancel, in the Neo-Gothic style, dates from the 19th century, while the crucifix dates from the 16th century. The pulpit, imposing for a rural church, is made of oak and dates from the 19th century. The exit, located to the east, still retains traces of the former apse. On the 19th-century apse, there is a reused stone from the 12th-century building and a consecration cross.

This old sanctuary in the Beauce region, on the edge of the Marchenoir forest, not far from the ruins of Cîteaux Abbey, has a glorious past and a certain artistic charm, which the 1963 restoration work brought to light. This church, along with the "Petit Cîteaux" (Little Cîteaux), was partially burned during the Hundred Years' War. The foundations of some walls reveal the Romanesque period. The bell tower dates from the 12th century, and the consecration crosses, themselves carved in stone, are very old. The portal opening, with its pointed arch, dates from the 15th century and was well-deserving of the beautiful wrought-iron door with hinges that has recently been installed. The altar is a magnificent 12th-century Touraine stone from an old cemetery chapel, supported by two ancient columns that are relics of Cîteaux Abbey. The cemetery once surrounded the church. The two stone benches on either side of the entrance are former tombstones. In the square in front of the post office, there once stood a huge barn: the tithe barn. Until 1989, the bell tower still housed one of the oldest bells in the region. It dated from 1522 and weighed 650 kilos, but unfortunately, a deep crack irreparably damaged its beautiful bronze casing. Named Sulpice, the inscription in Gothic script that once adorned it read: "In the year 1522, Sulpice was named by Sir Michel Berger, parish priest, and nobleman Guillaume de Frouville, squire, and Lady Katherine de Frouville." The new bell, named Catherine, weighs 310 kilos and is tuned to A sharp. It was christened on December 10, 1989, by Bishop Goupy of Blois. Madame Loridon is the godmother, and Mr Bernard Seigneuret is the godfather.

Saint-Laurent Church is distinguished by its attractive wooden porch that extends across the entire facade. The facade is quite large for a church without side aisles. Numerous 18th-century alterations are evident, particularly to the windows.

Placed under the patronage of Saint Hilaire, this parish was given by Gannelon de Montigny, lord of the place, to the abbey of Marmoutier around 1042. Its reconstruction probably dates from this period; it then became a priory. The church has a rectangular nave ending in a choir with a flat chevet. An examination of the masonry easily reveals two distinct periods of construction: the Romanesque period and the Renaissance. Built of flint rubble with rendering, the western part of the building appears to date from the 11th or 12th century. A limestone cornice supported by rather crude corbels underlines the base of the roof. To the south, two narrow Romanesque windows flared inwards light the nave. To the north, the bays were later reworked and enlarged. On this same side, a Romanesque doorway was walled up; It allowed the church to connect with a building whose traces of detachment remain. The bell tower was built to the north of the Romanesque nave, extending the western façade. The absence of a connection between the east and west walls of the bell tower and the north wall of the nave clearly indicates that it is an entirely later construction. However, its crowning is much later, as evidenced by its cornice, whose molding is in the classical style. Flanked by obliquely angled buttresses, it is covered with a saddleback roof. The eastern half of the church appears to be an extension built during the Renaissance period. Its ogee-shaped cornice and the decoration of the eastern gable, as well as the moldings of the buttress bands, attest to this dating. A vast rectangular choir then appears to have replaced a semicircular Romanesque apse; the eastern gable and the southern and northern façades were then pierced with networked bays. In the lower part of the north façade, projecting ashlars appear to have supported the roof of a lean-to building. To the south, a sacristy was built in the 19th century. Inside, the entire building is covered with a paneled vault with exposed tie beams and kingposts. The 18th-century high altar is surmounted by an Assumption of the Virgin inspired by Murillo's. For the restoration of the roofs and façades, the Sauvegarde de l'Art Français (French National Art Protection Agency) awarded a grant of €30,490 in 2001.

The Church of Saint Sauveur La Trinité, probably built in the 12th century, is notable for its Romanesque windows with columns and capitals. On its walls, alternating with the consecration crosses, one can admire a Stations of the Cross in blue enamel on earthenware. The choir is lit by five Romanesque windows decorated with stained glass depicting Our Lord and the four Evangelists.

The imposing structure known as the "Château de Chateaudun" that reveals itself to visitors here is, of course, also available in other sports in the komoot system. For the corresponding hiking highlight, you'll find further relevant information and additional photos under the tips. If you're interested, see =>> https://www.komoot.com/de-de/highlight/936307

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