4.8
(7)
120
자전거 타는 사람
24
라이딩
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마지막 업데이트: 3월 5, 2026
7
자전거 타는 사람
51.3km
04:17
530m
530m
어려운 자갈길 타기. 우수한 체력 필요. 대부분 포장된 지면. 실력과 관계없이 누구나 갈 수 있음.
8
자전거 타는 사람
104km
08:39
1,040m
1,040m
어려운 자갈길 타기. 우수한 체력 필요. 대부분 포장된 지면. 실력과 관계없이 누구나 갈 수 있음.
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4.0
(1)
12
자전거 타는 사람
22.4km
01:44
120m
120m
초급용 그래블 라이딩. 모든 체력 수준에 적합. 대부분 포장된 지면. 실력과 관계없이 누구나 갈 수 있음.
5.0
(1)
2
자전거 타는 사람
41.5km
03:41
420m
420m
어려운 자갈길 타기. 좋은 체력 필요. 투어 중 자전거를 끌고 가야 하는 구간이 있을 수 있음.
3
자전거 타는 사람
31.6km
02:35
280m
280m
보통 자갈길 타기. 좋은 체력 필요. 대부분 포장된 지면. 실력과 관계없이 누구나 갈 수 있음.
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The North Dorset Trailway Connection Today, Spetisbury Station is a popular access point for the North Dorset Trailway. Trailhead: The section of the Trailway running from Spetisbury north to Sturminster Newton, largely following the old railway bed, is a well-maintained, traffic-free path for walking, cycling, and riding. Visitor Stop: The former station site makes a perfect place to stop, rest, and picnic while exploring the Trailway, offering fine views over the Stour Valley. It's a wonderful example of local history being preserved and repurposed for community and recreation!
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The Spetisbury Station Project Unlike the bridge at Blandford, which remains a preserved structure, the Spetisbury station site is being actively restored by volunteers. The Project: The Spetisbury Station Project Group was formed in 2012 by dedicated volunteers to clear and preserve the abandoned site. What You Can See: While the original station buildings were demolished shortly after the 1956 closure, the project has cleared the site to reveal the foundations of the station buildings, the booking office, and the signal box. Ambience: The site is now a peaceful, landscaped green space featuring picnic areas, benches, and information boards. Volunteers have added replica signage and restored the platforms to recreate the atmosphere of the former country station. Wildlife Haven: The site is also managed to be a haven for local wildlife, with features like a wildlife pond, bat boxes, and specific flower borders.
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The Railway and Closure Original Line: Spetisbury Station was located on the Somerset & Dorset Joint Railway (S&DJR), which connected Bath to Bournemouth. Opening: It originally opened on November 1, 1860, as part of the Dorset Central Railway's line from Wimborne to Blandford. It initially had a single platform. Double Track: Around 1901, the line was doubled through the station, and a second platform and a signal box were added to handle the increased traffic. Downgrade: Like many rural stations seeking to cut costs, it was downgraded to an unstaffed "halt" in 1934. Passenger Closure: The station closed completely to passengers on September 17, 1956, one of the early closures on the S&D line. Line Closure: Although the station itself was closed, the main S&DJR line through the site continued to operate passenger services until the whole route closed in March 1966. Goods traffic ceased in 1969, and the track was lifted in 1970.
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Historic Significance: It is a Grade I Listed Building (the highest level of protection), noted for its special architectural and historic interest. Age: The first record of the bridge dates back to 1334, suggesting its medieval origins, with parts of the current structure likely dating to the 15th century. Construction: It is built of coursed rubble and ashlar stone and features nine semi-circular arches. Widening: The bridge was widened in 1819. The upstream side is the original, medieval part and features triangular cut-waters which extend up to form pedestrian refuges. The downstream side is the later, plainer widening. Inscriptions: There is a reset stone on the east side of the bridge inscribed with the year 1719. Name Origin: The bridge is named Crawford Bridge because it carries the road from Spetisbury to Tarrant Crawford. The nearby area of Spetisbury was historically one of three manors, including Great Crawford.
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Durweston Mill is a Grade II listed building, that has been converted into a holiday accommodation with two apartments, Coopers and Riverside, overlooking the River Stour. It also features a separate 5-acre private island with glamping and camping facilities, which are open for bookings and offer activities like fishing, wild swimming, and dog walking.
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Single lane beware of on coming vehicles
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St. Giles Church is known for its numerous monuments, particularly those dedicated to the Earls of Shaftesbury. Sir Anthony Ashley's Tomb: A historic highlight is the spectacular gilded tomb of Sir Anthony Ashley, dating to 1628. The tomb features intricate classical columns and symbolism. A curious detail is a sphere at his feet, which has been the subject of various theories, including that it represents a globe, a jewel, or even a cabbage. Ashley-Cooper Family Memorials: The church houses several other memorials to the Ashley-Cooper family, including tombs for the 1st, 3rd, 4th, 7th, and 9th Earls. The 1st Earl's memorial includes a bust by Rysbrack, and the 3rd Earl's is a grand wall monument by Scheemakers. Crusader Effigy: There is a much-restored 14th-century effigy of a crusading knight, believed to be Sir John de Plecy. Comper's Work: The interior is almost entirely a result of Sir Ninian Comper's restoration. This includes the highly decorated screen separating the nave and chancel, new stained glass windows, and the gilded tester over the altar.
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19th-Century Gothic Revival: In the 19th century, the church was remodeled twice. The most significant work was in 1887, a Gothic Revival-style memorial to the 8th Earl of Shaftesbury. The 1908 Fire and Comper's Restoration: A catastrophic fire in 1908 destroyed most of the church's interior, leaving only the walls standing. The 9th Earl of Shaftesbury commissioned the renowned Gothic Revival architect Sir Ninian Comper to restore and rebuild the church. Comper's work, completed between 1908 and 1910, is considered one of his masterpieces. He kept the 18th-century external walls but completely redesigned the interior, adding a new north aisle and a lady chapel. His intricate work, including stained glass, a wooden screen, and numerous sculptures, makes the church a "treasure-house of Comper work," as described by Sir John Betjeman.
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