아야시 최고의 러닝 경로

이 조각품은 이란 예술가 Mahmoud Torabi의 주도로 1993년에 세워졌습니다. 이 조각품은 독일인과 이민 배경을 가진 사람들 간의 관용과 평화로운 공존의 상징 역할을 합니다. 아이디어와 디자인은 Gerd Röser가 맡았으며, 석공 Demir Demiroski가 눈에 띄는 기둥 모양의 예술 작품을 실현했습니다. „21"이라는 비문: 조각품의 흰색 비문은 원래 예술 작품의 일부가 아닙니다. 이 기념물이 21번 정류장으로 사용되는 „Skulpturen-Rallye Münster"(뮌스터 조각 랠리)에서 유래했습니다.

따뜻한 날에 이곳은 멋진 여행지입니다.

It's still under renovation on February 26th, therefore it's actually only a special exhibition.

Sophia Trollmann notes: In 1977, Donald Judd positioned two concentric concrete rings on the slope of Lake Aasee. The inner ring is aligned horizontally, analogous to the mirrored surface of the lake, while the outer ring follows the slope of the grassy hill. Depending on the viewer's position, the perspective changes, and thus the perception of the two circles and their relative positions in the open terrain. As in many of his works, a simple, geometric body in the rings oscillates between open and closed forms; the opposing poles of beginning and end, fullness and emptiness, cancel each other out. Although Judd always rejected the term Minimal Art for his artistic practice, he is considered, along with artists such as Robert Morris and Sol LeWitt, the founder of this art movement that emerged in New York in the 1960s. The form and material of his serially and industrially produced objects are closely intertwined. Through this interweaving, Judd insisted on the material quality of his objects: their level of interpretation does not transcend the object itself; they are not symbols of something else. His art was not intended to be representative, but rather – always keeping the human being as the measure in mind – to become a physical experience. The viewer can realize "that they themselves establish the relationships through the change of the eyepoint, the lighting, and the spatial context, and that the designation of scale is a function of their own body size." Judd's works relate absolutely to their surroundings and to their respective landscape-topographical or architectural spatial structure. The two concentric concrete rings in Münster represent, so to speak, an ideal type of the existing topography.

I was sitting there too! 👍😊

the Aasee is always beautiful

From here you can take great photos of the spires of Münster's churches.

Art in the sense of the viewer