엠발세 델 카스트로 데 라스 코고타스 최고의 라이딩 경로

11-14세기의 중세 성벽을 방문하는 것은 88개의 탑과 9개의 성문이 있어 꼭 추천할 만합니다. 입장료는 합당하며 성벽의 상당 부분을 걸을 수 있습니다. 아쉽게도 오디오 가이드가 너무 적어서 저희는 이용하지 못했습니다. 국회의사당, 카르멜회 수녀원 산 호세(16세기 성 테레사의 활동지), 대성당, 로마네스크 양식의 산 비센테 교회, 그리고 가까운 산악 지역까지 웅장한 전망을 감상할 수 있습니다.

The park extends between the bridge over the Chico River, the extension of Nuestra Señora de Sonsoles Street, and the Burgohondo road bridge, bordering Juan Pablo II Avenue. One of the most popular routes is the circular route from the Roman Bridge over the Adaja River, ideal for easy walks and enjoying the park's natural surroundings.

The Alcázar Gate is one of the most impressive entrances to the Ávila wall. Located to the east of the walled area, it is distinguished by its two large towers, each over 20 meters high, connected by a semicircular arch. This gate was one of the first to be built, along with the San Vicente Gate, and retains its Romanesque style.

This bridge was built to facilitate crossing the Adaja River and connect the Roman city of Ávila with the opposite bank. Although only the hidden abutments on the edges of the original Roman bridge remain, the bridge visible today dates back to the 12th century.

In the southwest area of the city.

Perhaps the most beautiful gate of all those in the wall.

One of the most visited areas of the walls.

The Church of Our Lady of the Assumption in El Fresno is a religious building that occupies one of the sides of the town's Plaza Mayor. Built in the 19th century, it was consecrated in 1803 under the dedication of Our Lady of the Assumption. This church replaced a previous parish temple, dedicated to Our Lady of Galindos, which was located away from the urban center. Although its exterior appearance is simple, with ashlars and a brick belfry, its interior offers a reconstructed space with a flat plastered ceiling. On the west side, the belfry stands out with three openings for bells. The temple houses free-standing images, such as a wooden Crucified from the 17th-18th centuries and a Virgin and Child from 1867. The latter, the work of drawing professor Ramón Álvarez, is appreciated for the joyful expression of the Child. If you have the opportunity, I invite you to visit this church full of history and devotion. 🙏🌟