가장 멋진 명소 20곳

The present building is a cathedral. The abbey that preceded it was shut down after the reformation and only its ruins remain.

Old Church

Google 번역•원문 보기

This beautiful cathedral was originally built as a church in the early 13th century and became a cathedral for the newly established Diocese of St Edmundsbury and Ipswich in 1914. It has some beautiful characteristics including a large rose window, detailed stone carvings, fantastic gardens and the notable Abbey Gate.

West Stow is more than just an outdoor museum; it's also an archaeological site, as it occupies the location of one of the earliest Anglo-Saxon villages, which was inhabited between 420 and 650 AD. Currently, there is a recreation of this village where you can engage in a variety of fun and interesting activities.

The top element of Seven Tree Road is less pleasant when prolonged amounts of rain. Rutted from 4 x 4's. But with care, always ridable.

From Wikipedia, Deadman's Grave, Icklingham Deadman's Grave, Icklingham is a 127.3-hectare (315-acre) biological Site of Special Scientific Interest north-east of Icklingham in Suffolk. It is a Nature Conservation Review site, Grade I, and part of Breckland Special Area of Conservation and Breckland Special Protection Area under the European Union Directive on the Conservation of Wild Birds. According to Natural England, this site "is largely covered by short, sheep-grazed, species-rich calcareous grassland of the very highest value." It has four nationally rare plants, Spanish catchfly, Boehmer's cat's-tail, Breckland Wild Thyme and spring speedwell. Nationally rare stone curlews breed there. A track called Seven Tree Road runs through the site.

Note: the highest *pint* not the highest *point*. To find the missing “o” go to www.komoot.com/highlight/1530035

Occupies the site of the old abbey with a very scenic set-paved road taking you past the front.

Lovely spit for a coffee stop or lunch. If you're lucky you can pop into the cathedral and hear the choir practicing!

Can't do better than quote the welcome from the Fox Inn's website, "Where the unique and wonderful gather to enjoy exquisite food and drink, spectacular music and a grand old time. It’s a place where laughter is not far away, where musicians and performers can play their craft and where new friends can become old friends over a glass of something wonderful." Quite a billing to live up too? You will find that the Fox Inn does so admirably. Add to this at 123m it is the highest point in Suffolk that you can buy a pint, with the county top itself (Great Wood Hill) only a few metres higher.

St Edmundsbury Cathedral originated in the 11th century and was rebuilt in the 12th and 16th centuries as a parish church, becoming a cathedral in 1914.

The church with almost 1000 years of history was part of the abbey and has been extended and rebuilt several times in its history.

15th century double-hammerbeam angel roof The church of The Blessed Virgin Mary in Woolpit is one of the great medieval churches of Suffolk, a county blessed with some of the finest country churches in England. Like so many other Suffolk villages Woolpit owes its superb church to the wealth of the medieval wool trade, but there was a church on this spot centuries before Suffolk wool merchants gained their wealth. The earliest record of a church at Woolpit comes from AD 1005 when the Earl of the East Angles gave the church and manor here to the Shrine of St Edmund at Beodricsworth (Bury St Edmunds). The church remained the property of the Abbey until the Dissolution of the Monasteries. The Woolpit church originally sent 10 marks worth of tithes to support the monks of Bury, but at some point in the medieval period this sum claimed by the crown. The monks of St Edmundsbury Abbey were furious, and determined to seek reparation. Two monks disguised themselves as Scottish pilgrims and without permission left the abbey and made the long journey to Rome, where they sought and obtained a Papal charter affirming their right to the money. They were attacked and robbed on their return journey, but one of the monks hid the charter in his mug, and so preserved it. The pair's belongings had been stolen, so they had no choice but to beg their way back to the abbey. The Papal charter did the trick, however, and Woolpit's tithe once more went to help maintain sick monks. Shortly before 1087, a new church was built at the behest of Abbot Baldwin. The only remaining feature of this Norman building is the priest's door in the south wall of the chancel. The double-hammerbeam angel roof OUR LADY OF WOOLPIT Woolpit became a destination for pilgrims during the medieval period, when it held a richly decorated statue of Our Lady in its own chapel. No trace of this chapel now survives but it was probably on the north side of the chancel, where the vestry now stands. Alternatively, it may have stood at the east end of the south aisle. Pilgrims began arriving at least as early as 1211 when the Bishop of Norwich ordered that their offerings be given to St Edmundsbury Abbey. The Shrine of Our Lady of Woolpit became extremely popular during the 15th and 16th centuries. Henry VI visited twice, and Queen Elizabeth of York, wife of Henry VII, ordered that a pilgrimage be made on her behalf in 1501. In 1538 Henry VIII ordered that Catholic images be destroyed, and it seems likely that the statue was pulled down at that time. in 1551 the Court of Augmentation ordered that the chapel itself be pulled down and the material sold. A curious scene took place at Woolpit during the tumult of the English Civil War. The incumbent rector was John Watson, and when he was ordered to accept the new Puritan style of worship he refused. He was removed from his living, and the Earl of Manchester sent armed men to enforce the order. The village split into two factions, and a furious melee broke out in the church. The rector was removed, and retired to Norfolk where he died shortly after. St Mary's is worth visiting for its superb double-hammerbeam roof, decorated with carved figures of angels. Iconoclast William Dowsing did his best to destroy the angels in 1644. His deputy found 80 'superstitious Pictures' some of which he destroyed and others he ordered to be taken down. Many of the angel's heads were defaced but these were sensitively restored in the 19th century. Other highlights include beautifully carved medieval bench ends decorated with a wide variety of carved figures. These figures probably survived because the Puritans considered them heraldic symbols rather than religious. Eye-catching figures include griffins and a very mournful looking dog. Another highlight is a finely crafted south porch dating to 1430-1455. Over the porch arch is a parvise, a small chamber possibly used for storing important documents. The porch roof is vaulted with exceptionally detailed lierne vaulting and decorated bosses. The eagle lectern is a rare early Tudor relic, made around 1520 and one of just 20 surviving examples made to accept a chained Bible. A local tradition suggests that Elizabeth I gave the lectern to the church, though there is no proof of this. The queen did visit nearby Haughley Park in 1600 and sent one of her knights to visit Woolpit on her behalf. It is certainly possible that he gave the parishioners money that was used to buy the lectern. The screen is 15th century, though the gates are Jacobean. The screen is painted and gilded and retains the medieval beam made to hold the rood, or crucifix. The base of the screen is painted with figures of saints including St Withburga, St Edmund, St Etheldreda, and St Felix. The face of St Felix is actually a portrait of Henry Page, the serving rector at the time of the Victorian restoration. Over the arch is a beautifully vaulted painted dedication board, decorated with figures of angels. The large east window is a beautiful example of Decorated Gothic style, with reassembled fragments of medieval glass in the upper lights. Each end of the chancel choir stalls has a bench end with an intricate figure of a Green Man. Set against the wall is a fascinating carving of a woodwose, a wild man of the woods figure found throughout East Anglia. Most of the building is Perpendicular Gothic, dating from the mid-15th century but the chancel and south aisle are 14th century. The tower and spire were added in the 1850s by architect Richard Phipson after the medieval originals were damaged by lightning. This is actually the third tower; the first was damaged in a thunderstorm in 1602 and the second was blown down in a hurricane in 1703.

St Edmundsbury Cathedral (formally entitled the Cathedral Church of St James and St Edmund) is the cathedral for the Church of England's Diocese of St Edmundsbury and Ipswich. It is the seat of the Bishop of St Edmundsbury and Ipswich and is in Bury St Edmunds in Suffolk. Originating in the 11th century, it was rebuilt in the 12th and 16th centuries as a parish church and became a cathedral in 1914; it has been considerably enlarged in recent decades. A church has stood on the site of the cathedral since at least 1065, when St Denis's Church was built within the precincts of Bury St Edmunds Abbey. In the early 12th century the Abbot, Anselm, had wanted to make a pilgrimage along the Way of St James to Santiago de Compostela. He was unsuccessful and instead rebuilt St Denis's and dedicated the new church to Saint James, which served as the parish church for the north side of Bury St Edmunds. Anselm was also responsible for building the abbey gate tower, known today as the Norman Tower, alongside St James's, which also served as the church's belfry and it continues in this function to the present day. The church is located about 200 yards from St Mary's Church, which is of a similar size. This church was largely rebuilt, starting in 1503, in the Perpendicular style by John Wastell, a master mason who also worked on King's College, Cambridge. Further alterations to the building were undertaken in the 18th and 19th centuries, notably a new chancel and a hammerbeam roof by George Gilbert Scott. When the Diocese of St Edmundsbury and Ipswich was created in 1914, St James's Church was made the cathedral. In 1959 Benjamin Britten wrote the Fanfare for St Edmundsbury for a "Pageant of Magna Carta" held in the cathedral grounds. From 1959 onwards there was renewed building work designed to transform the former parish church into a cathedral building. Between 1959 and 1970, the Victorian chancel was demolished and replaced with a new quire, a cloister was added on the west side; also transepts, a Lady chapel and a side chapel dedicated to St Edmund were built. The cathedral architect from 1943 to 1988 was Stephen Dykes Bower and he left £2 million for the completion of the cathedral. In the cathedral grounds a new choir school and visitor's centre, which were opened in 1990, were built by Dykes Bower's successor, Alan Rome. Work started on a Gothic revival style tower in 2000; funded by the Millennium Commission, the Stephen Dykes Bower Trust and others, the Millennium Tower was designed by Hugh Mathew, an associate of Dykes Bower. The 150 foot (46 metre) structure was built from 600,000 bricks and faced with Barnack and Clipsham stone. Its completion was officially celebrated on 22 July 2005. Further additions are the Chapel of the Transfiguration and the East Cloister, both completed in 2009, and the Crypt Treasury in 2012.

The Fox is a lovely and friendly pub. I enjoyed a fine pint of Greene King IPA which wasn’t a difficult choice - I was weaned on this stuff! There were a few locals already inside when I arrived and in the immediate absence of the Landlady, it was they who let me in and welcomed me. Others were coming and going and the atmosphere really was that of a public house in the true sense. With the sun streaming in, and a nice fire in the corner, it would have been easy to have stayed for “the other one” or two.

Stunning church with wonderful carved wooden gargoyles and angels inside and beautiful graveyard outside

This reconstruction of an Anglo-Saxon village really allows you to step back in time. The historically-accurate buildings are situated on the site of an early Anglo-Saxon village and are surrounded by 125 acres of unspoilt countryside. There are also indoor displays where you can observe artifacts found in the area. Entry costs £6 for adults, £3 for children (5-16), £4 for concessions, and £16 for families. For more information, visit: https://www.weststow.org/Anglo-Saxon-Village.