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Shame you can’t actually go inside !

Peaceful Cotswold village and everyone smiles or speaks. Really friendly.

The gargoyles outside. Bullet holes in the wall outside. Twin stone coffins inside. Worth taking your time here.

pretty impressive neolithic burial mound

crazy its not better protected

"Stanton is a village and civil parish in Tewkesbury Borough, Gloucestershire, England. The village is a spring line settlement at the foot of the Cotswold escarpment, about 2.5 miles (4 km) southwest of Broadway in neighbouring Worcestershire. Broadway is Stanton's postal town.  Its highest point is Shenberrow Hill on the escarpment in the southeast of the parish, 994 feet (303 m) above sea level. The low-lying northwestern part of the parish is bounded mostly by two streams" Source: Wikipedia

The views from the top of the hill on the approach to the Long Barrow are well worth the calf and thigh burning walk up the steep path. Magnificent landscape.

So much history and such a beautiful church. Thank you Sasha Taylor for taking the time to share it with us.

Stanton is one of the most beautiful and unspoilt villages in the Cotswolds. Most of the houses you see today were built 400 years ago — the village church dates to the 12th century — and nearly all are made of locally quarried natural stone.

Spoonley Wood Roman Villa is the ruins of an ancient Roman villa situated nearby to Sudeley Castle. It was a courtyard-type villa excavated in 1882 with the most prominent visible remains being the mosaic floor viewable from under a corragated iron roof.

Belas Knap is a neolithic long barrow managed by English Heritage. The Cotswold Way national trail runs right past the entrance.

Beautiful church just off Gloucester St

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Parking at Daisy bank Road at the bottom is a good place to start. Be aware of MTB trails in the woods!

Really cool site - a Neolithic long barrow at the top of the hill, with a plaque detailing some history. Estimated to have been built in 3000 BC. Fairly easy to access from the pull in on Charlton Abbots road, or if you don't fancy the climb go straight on instead of following the road round to the left just before the parking.

I have parked in the public car park just beyond the Cleeve Hill golf club car park and walked in a big loop around Cleeve Hill to Belas Knap and back. The car park is busy with dog walkers so less of a risk I guess.

The car park for Belas Knap is about half a mile away. It is notorious for vehicle break-ins. Do not leave anything valuable in your car. I'm not paranoid. However, there are too many break-ins which could be attributed to opportunist. This car park is, without doubt, under criminal surveillance when the break-ins occur. You have been warned!

Great walk from Buckland following the Cotswold Way to Stanton. My issue was with the style in Stanton at the start of the return trip. I walk alone with my dog, all other styles were dog friendly with dog gates except this one, there was no way we could get through. We went back and further on in the village to the footpath through the churchyard and thankfully this one had a dog gate. lovely views to Wales from the top.

This impressive 15th-century church lies in the Cotswold Area of Outstanding Natural Beauty and has a grand, 90-foot (27 m) tower. As you stroll around the building's perimeter, study the stone and see if you can spot the 40 gargoyles peering back at you. The church has plenty of intriguing features, including an altar cloth apparently embroidered by one of Henry VIII's wives: Catherine of Aragon. Leaving the church, explore the rest of Winchcombe if you have time; the town is steeped in history from the neolithic era onwards.

Spoonley Wood Roman Villa is an ancient Roman villa located 2 km south-east of Sudeley Castle near the town of Winchcombe, in Gloucestershire, England. It was a courtyard-type villa excavated in 1882. Some remains of the villa, partly reconstructed, can still be seen in Spoonley Wood, and one mosaic is viewable under a corrugated iron roof. The villa lies between two streams on a north-west facing slope. It measured 55 m x 61 m and was a courtyard villa. The remains of a basilican-type building, thought to be a barn or granary were found 15–18 m away. Another Roman villa was discovered 2 km to the west at Wadfield Farm in 1863. The building began as a corridor villa, and was later converted by the addition of two wings extending to the north-west which were built at each end. This winged villa was later turned into a courtyard villa by the addition of an enclosing wall to the north-west which connected the two wings. Spoonley Wood villa is often cited as the archetypal example of this sequence as it was the first with this sequence to be discovered, although the dating evidence from the Spoonley Wood villa is poor. Structural remains had been noticed in the wood before 1877, but it was only in 1882 that workmen, searching for stone, uncovered one of the rooms of the villa. The site was in the ownership of Emma Dent, the owner of nearby Sudeley Castle, who had a mosaic lifted and moved to the castle. The site was subsequently excavated by the antiquarians John Henry Middleton and William Bazeley. For two years the site lay open, during which time it was damaged by frost, rabbits, and visitors. In response to the damage, Emma Dent chose to partially rebuild the walls, up to 1.8 metres high in places on the east and south sides, and to reconstruct two of the remaining mosaics and cover them with wooden sheds. The huts had become ruinous by 1945, and in 1976 it was reported that "the sheds have now collapsed and the remains are suffering from weather and from the encroaching wood." Finds from the excavations included a silver-plated bronze bowl, a large number of 3rd- and 4th-century coins, samian ware pottery, iron knives and tools. Most of the finds are at Sudeley Castle. A column base is in Gloucester Museum and three pottery lamps are in Cheltenham Museum. A marble statue of Bacchus, from a grave, is now in the British Museum. As of 2013 the site is obscured by the trees of Spoonley Wood, but the walls are still clearly visible, and one of the reconstructed mosaics can be viewed "protected beneath a small corrugated iron roof and some plastic sheeting held in place with stones". The villa can be reached via a 2 km walk from the car park of Sudeley Castle.

St Peter's Church in Winchcombe is one of the great wool churches in the Cotswolds, an area blessed with similar reminders of the wealth of local medieval wool merchants. The first written record of a church dedicated to St Peter in Winchcombe comes from 1175, when a church associated with the Benedictine Abbey here is mentioned. It seems very likely that there was a much earlier Saxon church, dedicated to St Nicholas. That Norman church gradually fell into disrepair, and in 1458 Abbot William began building a new church. The lord of Sudeley Castle, Lord Ralph Boteler, granted money to help finish the construction, and the new church was completed in just 10 years. It is an excellent example of late 15th century Perpendicular style, with a high, wide nave and large clerestory windows filling the interior with light. OUTSIDE THE CHURCH The exterior is dominated by a striking west tower, 90 feet high, with 8 pinnacles. Atop the tower is a gilded weathercock, brought here in 1874 from the historic church of St Mary Redcliffe in Bristol. But it is not the weathercock that most people come to Winchcombe to see, but the grotesque carvings that embellish the battlemented roofline of the exterior. (Often called gargoyles, they are technically grotesques, for they do not have water spouts passing through them as a true gargoyle does). There are 40 of these carvings; about 20 depict demonic creatures, and the remainder appear to be caricatures of locally important people, both civic figures and Abbey officials. To the left (west) of the south porch is a grinning figure of Sir Ralph Boteler of Sudeley, who gave money to complete the church. More famous, and beloved of postcard photographers, is a figure to the east of the porch, a grimacing human figure with a squat hat. This figure is said to be the model for the Mad Hatter in Lewis Carroll's Alice in Wonderland story. In the south-east corner of the churchyard is a weathered preaching cross. Though it looks medieval, the cross was given by Ema Dent of Sudeley Castle in 1897 to mark Queen Victoria's Diamond Jubilee and is actually a copy of a medieval cross at Wedmore, Somerset. If you walk around the west end of the church, towards the west tower door, you will see what appear to be pockmarks in the masonry of the north aisle wall. These are holes made by musket balls in the Civil War and tell a sad tale. Sudeley was held by Royalist sympathisers during the war, and when Parliamentary troops took the town in 1643, they executed Royalist soldiers by firing squad, standing them up against the church wall. Near the bullet holes is a medieval mason's mark. Before you enter the church, look at the pair of black posts either side of the entrance. They are topped with small carvings of elephants, erected only a few years ago in 2009. INSIDE THE CHURCH Catherine of Aragon Altar Frontal Let's start with the main reason people come to Winchcombe church! Against the north aisle wall, hidden beneath a heavy cloth curtain, is an altar cloth made from a number of 14th-century vestments stitched together. This altar cloth is thought to have been stitched by Queen Catherine of Aragon during her stay at Sudeley Castle. If you look closely you will see her symbol, the pomegranate. The altar cloth is set within a Tudor border in fishbone style, but the inner sections of the cloth are made from vestments dated between 1380-1390. The cloth has been restored twice, once by the Royal School of Needlework. Set into the north wall of the chancel, overlooking the altar is a beautifully painted Jacobean memorial to Sir Thomas Williams of Corndean. As is common in Jacobean memorials, Sir Thomas is shown kneeling at his prayer desk, with space on the left of the memorial for his wife - but she's not there. Lady Williams remarried, and in her will expressed the wish to be buried with her second husband. So Sir William kneels, a lonely figure, sharing his memorial with only an empty space. But it is a beautiful memorial nonetheless! Almost facing the Williams memorial is a beautifully carved 14th-century triple sedilia, bearing the arms of Sudeley, Winchcombe Abbey, and Gloucester Abbey. There are a 13th-century piscina and aumbry (storage cupboard). At the east end of the north aisle is the large organ. This is quite an interesting instrument; the case dates to 1735 and the central panel is thought to have been carved by the school of Grinling Gibbons (i.e. produced by his workshop, but not necessarily by the master carver himself). Against the north wall is a wooden poorbox on a pedestal. It is thought to be 450 years old, and is sealed by three padlocks. Near the poorbox are medieval tiles salvaged from the Abbey of Winchcombe, which was destroyed at the Dissolution of the Monasteries under Henry VIII. Hung on the wall is a 15th-century door from the abbey, with the initials RK worked into the decorative carving. The initials stand for Richard Kettering, the penultimate Abbot of Winchcombe. Almost beneath the door is a very large th century churchwarden's chest. Within this large chest, nested like those comical Russian dolls, is a still earlier oak chest dating to the 12th century and made from a single hollow log. Flanking the west entrance to the tower, set beneath later stone arches, is a pair of Saxon coffins. These were unearthed during excavations on the site of Winchcombe Abbey in 1815 and are thought to have contained the bodies of King Kenelm of Mercia (796-821) and his son, the boy-saint, St Kenelm. The Winchcombe Imp The medieval rood screen dates to the late 15th century. It is beautifully carved, with fanciful foliage and scrollwork decoration. But it isn't where you'd expect to find it between the nave and chancel; it has been moved to the west end of the nave to screen off the base of the tower. Cleverly carved into the south side of the screen, half-hidden amidst scrollwork, is a small impish face, often referred to as the Winchcombe Imp. He isn't easy to spot, so take your time! Once you have found the Imp, look back up the central nave passage and you will see a lovely 18th-century candelabrum. Dating to 1735, it was a gift to St Peter's of a churchwarden, John Merryman. As you leave the church, look up; half-hidden in shadows over the porch door is a royal coat of arms, dated to 1778. St Peter's church is wonderful Perpendicular building, full of historic interest inside and out. It is well worth combining a trip to Sudeley Castle with a stop in the church and a stroll about the town of Winchcombe itself.