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Lovely stop for coffee and cake

Great views of the highest A-road in Shropshire at the top of Clee Hill. A456 (in Worcestershire direction) goes via Clows Top, another village at the top of a hill. Busy A-road, though!

Lovely café with some riverside views. Literally 500 metres from Shropshire border

Little, though lovely town, on the border of Shropshire and Worcestershire counties. Very beautiful high street with some cafés

The sign is right at the very end of the bridge

Great to stop for a coffee or lunch, plenty of pubs and little cafes on the high street. Pembroke House or the Fountain Inn have some really good lunch menus. If you fancy a hill challenge you can take the road from Tenbury to Clee Hill.

The Central Bakery coffee shop is a good option for a refreshment break. Opens 8.00-2.30 Mon-Sat.

Nice cafe with riverside views. Good food and outside seating if nice out. Plenty of bike space too.

Good place for refuelling.

As a start point to our tour into Wales, we pre-booked multi day carparking online in the Coop carpark (no in store loo facilities, just the grim ones at the adjacent bus depot) Served our purpose well though.

Nice Tenbury Wells Town.

Tenbury Wells is a small town on the Worcestershire, Herefordshire, Shropshire border. The river Teme runs through it. there are a large number of listed buildings in Tenbury including several of the iconic 17th century half timber construction.

A pretty market town in northern Herefordshire at the confluence of the River Lugg and it's tributary the River Kenwater.

An beautiful and quiet undulating lane with some fantastic views.

Strange buildings in the heart of Tenbury Wells! Built in 1862, they were designed by James Cranston of Birmingham, who apparently based the design on his own greenhouse! According to the website, "It was one of the earliest examples of prefabrication, with the sheets being made in Birmingham and assembled on site." The plan was that the waters from the well had "healing properties", so Tenbury might become another of England’s famous spa towns. Sadly, no - but now we have these awesome strange buildings!

The ruined church of ST. MICHAEL or ST. MARY consists of a chancel 26 ft. 3 in. by 13 ft. 3 in., south chapel 17 ft. 3 in. by 6 ft., nave 33 ft. 6 in. by 18 ft. 10 in., south aisle 36 ft. by 5 ft. 9 in., and west tower 11 ft. 3 in. by 10 ft. 9 in. These measurements are all internal. The church and tower are built of sandstone ashlar, faced externally and internally, except that the chapel walls are partly covered internally with a thin coat of plaster. The tower, nave and western portion of the chancel date from the early 12th century; about a hundred years later the chancel was lengthened eastwards, while the south chapel was added c. 1260, and the south aisle towards the end of the same century. Very little seems to have been done to the fabric till modern times, with the exception of the buttressing of the north wall of the nave in the 14th century and the insertion of a window in this wall in the 15th century. By the middle of the 19th century the fabric had been allowed to fall into considerable disrepair, and was abandoned, a new church being erected in 1852 on a site about a quarter of a mile to the north-west. In 1908 the chancel and chapel were put into a state of repair, and are now used for services. The nave and aisle are roofless and in a very ruinous condition, the walls being overgrown with ivy, while, with the exception of the north and east walls, only the lower stage of the tower, now covered with a pent roof, remains. The chancel has a three-light east window with original internal jambs and a wood frame of the early 19th century. The gable has been rebuilt in brickwork. At the north-east are two early 13thcentury lancets placed close together, forming twin lights; they have internal labels with head-stops, and stepped sills. To the west of these can be seen a straight joint in the walling, showing the junction between the work of the 12th century and that of the succeeding century. To the west of this again is an early 12th-century single-light window with a round head and stepped sill. High in the wall above can be seen the lines of two blocked clearstory windows. The easternmost window on the south side is a wide single light with a pointed head, plastered internally; this has evidently been formed out of twin lights similar to those on the north, the central jambs having been removed, probably in the late 16th century, while the outside has been rebuilt at a modern period in brick with rounded edges. About the middle of the wall is the east jamb of an early 12th-century light similar to that on the north. This was doubtless blocked in the 13th century, when the arch to the south chapel was pierced. This last is a low two-centred drop arch of two chamfered orders on the chancel side and plain on the side towards the chapel. The east respond has an impost moulding at the springing of the arch, enriched with the dog-tooth and having a king's head at the southern angle, while on the chancel side there is a small engaged round shaft with capital and base. Above the arch are the lower parts of two wide clearstory windows, now inclosed below the aisle roof. The jambs, which are of mediaeval character, have no grooves for glazing, and are now covered by the wall-plate of the chancel roof. There is an old plain square-headed aumbry near the centre of the north wall, and another aumbry opposite to it on the south. The wide two-centred chancel arch is probably of the 13th century. It is now blocked, the only part exposed being plastered. In the blocking is reset an early 12th-century doorway taken from the north wall of the nave and now very much weatherworn and decayed; the jambs have each a single engaged shaft with a rudimentary leaf capital and plain chamfered abacus, but no base. The semicircular head is enriched with cheveron ornament and has a simple chamfered label. At the east end of the south wall of the south chapel is an original window of two wide plain pointed lights under a two-centred head. To the west of this is a plain semicircular-headed doorway, probably of the early 18th century; the wide singlelight window on the west is formed by the modern filling in of the flying arch by which the chapel must have originally opened to the aisle. In the north wall of the nave is a late 15th-century window, originally, no doubt, of two lights, but the tracery has now gone. To the west of this is a wide gap in the wall, from which the doorway in the chancel arch has been taken. This wall is strengthened in the centre by a large 14th-century buttress, and by one of the same period at the west end, while two modern flying buttresses have also been added; the western part beyond the gap is further retained by a solid block of masonry. Of the south arcade, which was of three bays, only the two pillars and the east arch remain, the latter held in position by an iron tie. The pillars are circular with square plinths and circular moulded capitals; the remaining arch is pointed and of two chamfered orders, springing from twin corbels upon the east respond. The work dates from the late 13th century, but is very much weatherworn and decayed. The west wall at a modern period has had an additional 1 ft. 10 in. added to its thickness on the inside, which has been carried to a short distance above the tower doorway; this doorway has a semicircular arch with a simple splayed edge, and is probably of 14th-century date. There are three windows in the south wall of the aisle. The arch of the easternmost is broken away and the jambs are too much defaced to indicate its date; the other two are of the late 13th century and are each of two trefoiled lights under a square head. Both are very much weatherworn, but the western one is the more perfect. Between them is the 12th-century south doorway which was moved out from the south wall of the nave on the erection of the aisle; it has a semicircular arch of two moulded orders, a plain tympanum with strapwork border, and two engaged shafts in the jambs, with capitals which have evidently been carved, but no bases; all is very much decayed and the outer order of the arch has been partly broken away. The tower remains intact only in the lower stage. There is an original 12th-century round-headed light in the south wall, but above this the wall has been cut away to follow the slope of the roof which now covers in the remaining portion of the tower. On the west side is the lower part of a similar window, the arch of which with the wall above has gone, while the outer stonework of the jambs has been defaced. Below this window is a blocked doorway. The north wall remains up to the second stage of the tower. There is a double-chamfered string-course at the level of the window sills of the first stage, the lower chamfer of which on the north side is relieved with checker ornament. The chancel is covered by a trussed oak roof of the late 14th century, with foiled wind-braces and principals having collars and spandrel pieces. The aisle has a lean-to plaster ceiling. The east window is filled with early 19th-century heraldic glass, and in the south window of the chancel is a shield, Gules five wings saltirewise argent, for Porter, quartering Argent three helmets sable for Miniett, and Barry argent and sable three cotton hanks or, for Haywood. There is an 18th-century oak chest in the chapel. The eastern part of the chapel is screened off by a good 18th-century iron screen with plain vertical bars. On the south wall of the chancel is a marble monument, with two inscribed tablets, divided and flanked by Ionic columns resting on consoles and supporting an entablature crowned by a segmental pediment. The first tablet is to Elizabeth, wife of William Walshe and daughter of Sir George Blount of Sodington, who died in 1645, and above it is a shield charged with the fesse and martlets of Walshe impaling the barry wavy of Blount. The other tablet is to Ann, wife of George Walshe and daughter of John Collins of Suffolk, who died in 1679. The shield above bears the arms of Walshe impaling a griffon for Collins; the shields in both cases are uncoloured. Near the chancel arch, on the south wall, is a small oval monument, much worn, to John Chapman, rector, who died in 1690, and at the west end of the chancel is a slate tablet to John Brasier, who died in 1683. On the north wall of the chapel are monuments to Thomas Bury, who died in 1769, and Ann his wife, who died in 1761, and to Thomas Severn, who died in 1780, while on the south wall is a monument to Thomas Bury, who died in 1778. There are several 18th-century floor slabs in the chapel to the Walshe family, and one to Stephen Marsh, 'coroner of this county,' who died in 1705. Standing detached on the sill of one of the north windows in the chancel is a diminutive recumbent effigy of a knight in armour of circa 1400. The little figure is of a light sandstone, and measures 9 2/8 in. by 2¼ in. The head rests upon a horse's head and the feet upon a dog, and the hands are in the attitude of prayer; the lower part of the right leg, the left foot, and the right elbow are broken away. There is one old bell, cast at York, which is now cracked and placed on a wood frame in the chapel. It dates from the 15th century, and was probably the tenor, and is inscribed 'Ave Gracia Plena Dominus Tecum.' The initials are crowned, and the maker's stamp, three bells on a shield, is four times repeated. The plate consists of a silver stand paten of 1714, given by Elizabeth Walshe in 1715, and a modern chalice and cover paten and flagon. The registers before 1812 are as follows: (i) baptisms and burials 1559 to 1804, marriages 1559 to 1754; (ii) containing marriages 1754 to 1792 is missing; (iii) baptisms 1805 to 1813, burials 1805 to 1836, marriages 1792 to 1813.

The memorial to those from Abberley who died in the war can be found in the porch entrance of St Mary’s Church and names 13 men who died during World War One. The first fatality was Private Albert George Pound of the 2nd Worcestershire Yeomanry who died on 24 March 1916 of bronchitis whilst home on leave and was buried in Abberley churchyard. Also buried there is the vicar’s son, Lieutenant Owen H. Dampier-Bennett, of the Royal Air Force, who was killed on 26 April 1918 whilst flying over England on non-operational duties.  As both men died on active service, their graves are marked with the distinctive headstones of the Commonwealth War Graves Commission. Village school head master, Arthur Warren, an ‘old’ man at 33, joined the Royal Field Artillery on 6 May 1916, leaving behind his wife, Olive.  In his absence, Miss Stevens was appointed as the first head mistress.  Bombardier Warren was killed at Passchendaele on 16 October 1917 and buried at La Clytte, Belgium. The last village fatality was Private Peter Bradley, of 3rd Bn Worcestershire Regiment, who died of his wounds near Cambrai on 6 November 1918 and is buried at Awoingt, France.  Before the war, Peter was the stationary engine driver for Beehive Colliery.

Parish church. 1850-52 by J J Cole, rebuilt with alterations after a fire in 1876, also by Cole. Ashlar, slate roofs now tarred. In a late C13 style and consisting of south-west tower, nave, north and south aisles, south porch, chancel, south and north chapels and vestry. A little to the north, across the Green (developed as a Millennium project) from the village, is the large Victorian St. Mary's church, built between 1850 and 1852. It was designed by John Jenkins Cole and enlarged by the same architect in 1877 following a fire in January 1873. It was built to replace St. Michael's church when the latter fell into disrepair, though the chancel of St. Michael's was later restored and is still used for some services. Tower of 3 stages with setback buttresses and plain, broached spire; two single light windows to bell chamber, single light to second stage and 2-light south, either plain lancets or plain Geometrical style. Projecting gabled south porch with setback buttresses, outer doorway of 2 orders with stiff-leaf capitals, arch enriched with clusters of fleur-de-lys. 5 bay south and north aisles (2 bay of south-aisle obscured by tower and porch), of 2-light Geometrical style windows, with buttresses between; square bell tower projects towards west end of north aisle. Chancel 5-light Geometrical style east window with cusped circles above. Interior Polished circular columns with stiff-leaf capitals to the arcades. 2-bay open screen to south chapel with cusped tracery on slender shafts. Double chamfered chancel arch, the inner arch resting on triple polished shafts, all with leaf capitals. Pulpit and pews of 1870s. Hexagonal stone font. (BoE, 1968).

This 16th century inn was the main coaching house on the route from London to the North. The name commemorates the escape of Charles II after the battle of Worcester when he hid in an oak tree.

There is the unusual Round Market, (which is actually oval in shape) built by James Cranston in 1858 near the junction of Market Street and Church Street. Originally called the Butter Market it was built to enable farmers’ wives to sell their butter and poultry inside, with walls to keep out the winds and rain.