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마지막 업데이트: 4월 8, 2026
하이라이트 • 다리
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하이라이트 • 종교적 장소
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In the 1st century A.D., two long aqueducts were built to supply the city with water. The first, known as Aqua Augusta, was fed by the Gaià river and was approximately 50 km long. The second was fed by the Francolí river and was some 15 km long. The most spectacular surviving stretch belongs to the second aqueduct and consists of a 217-metre segment that stands 26 metres tall at its highest point and bridges a ravine. It was built from large ashlars stacked without mortar to form two tiers of arches. It is popularly known as the Pont del Diable (Devil’s Bridge) or the “Les Ferreres” Aqueduct.
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It is worth stopping to see it and walk around and over it.
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The aqueduct can be easily visited from a motorway parking lot
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Good ramps with good pavement. It climbs well and is worth it.
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The Selva Castle was for centuries the stately residence of the prefects of Tarragona and the archbishops of the metropolis. It belonged to the Papordia of the archbishop of Tarragona, and was probably built at the end of the 12th century. It was a residence very frequented by the paborde, but it mainly served as a storehouse for nuts and tithes. In 1411 Pope Benedict XIII decreed the abolition of the pabordia and the Castle was administered directly by the Archbishop of Tarragona and in the s. In the 16th century, the building was expanded with residential buildings and an upper floor accessed by a staircase. The action of the Constituent Courts during the Biennium of 1822 ended, in fact, with the lordships. This work was complemented by the confiscation laws of the middle of the 19th century, and thus the Selva Castle would become the property or usufruct of the Town Council. Passing through various users after the ecclesiastical confiscation, the Castle, the town's largest heritage building had become a ruin that the Selvatans have lived with for decades. Finally, in a municipal economic boom, the City Council, entering the new millennium, decided to carry out an ambitious project such as that of restoring the monument and giving it a function of public use in accordance with its identity , a first-rate cultural facility.
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