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The Mother of God depicted and venerated here is the Virgin Mary of Lourdes. This well-known Marian pilgrimage site is located in the French Pyrenees and is visited annually by large numbers of people, including many sick people hoping for healing. The devotional image of the Mother of God has become widespread – not only in France – with believers building Lourdes chapels and grottos everywhere. The church feast day of "Our Lady of Lourdes" is February 11th, the anniversary of the Marian apparition (1858), when the Mother of God appeared to 14-year-old Bernadette Soubirous in a rock grotto very close to Lourdes. Bernadette later became a nun and died at the age of just 35. On December 8th (the Feast of the Immaculate Conception of Mary), 1933, she was canonized by Pope Pius XI. The commemoration of the Madonna of Lourdes is also World Day of the Sick.

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On May 15, 2004, a commemorative plaque was placed under the title of the silenced bombs of Vic in memory of the bombings suffered by the city in 1938-1939.

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Very curious temple due to its proportions. It has preserved its entire structure in its primitive elements. The only tagline made in the course of its history was the belfry on the wall opposite the apse. Rectangular plan with a single nave crowned to the east by a semicircular apse. It is covered with a barrel vault reinforced by a single main arch. The covers were non-existent; that of the nave has been resolved with Arab tiles while that of the apse is with stone slabs very well cut and jointed. Below this cover there is a course of very regular rectangular stones placed in the restoration as a cornice. The closing wall of the nave at the eastern corner rises above the roof level. The apparatus is made of limestone ashlars, squared and of very irregular sizes, arranged in irregular courses held with lime mortar. The entrance door opens at noon, resolved with a semicircular arch made of well-cut voussoirs. In this same corner there is a semicircular window and another equal to the west corner that, with the one in the back of the apse, completes the lighting of the church.

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currently being restored (Feb 2024)

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You have to take a lot of time for the old town of Vic.

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However, the largest expansion occurred between 1781 and 1803, a period in which the temple was remodeled by Josep Moretó i Codina, who gave it its current neoclassical character. The current façade of the cathedral dates from this stage. In 1891, the Episcopal Museum of Vic opened its doors, right in front of the cathedral and above its previous cloister, which included some works initially located in the cathedral. Already in the 20th century, the mural paintings inside by Josep Maria Sert stand out. In 1931 the cathedral was declared a Historic-Artistic Monument, but shortly after, in the first years of the Spanish civil war, the cathedral suffered a fire, which caused part of the building to collapse, and it was restored shortly after.

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The Cathedral of San Pedro de Vic, officially Cathedral of San Pedro Apostle, is located in the province of Barcelona (Spain). It is a religious temple and headquarters of the diocese of the town of the same name. It is characterized because it covers a large part of European architectural history in its different styles, from the Romanesque to the Neoclassical, passing through the full Gothic, the late and the Baroque. The initial cathedral was built during the episcopate of Abbot Oliba, bishop of Vic (1018 and 1046) in Romanesque style, being consecrated in 1038 by Archbishop Wifred of Narbonne. The bell tower and the crypt are preserved from this stage, whose capitals belong to a previous temple. The cloister dates back to the 14th century, highlighting the columns and capitals, in a marked Gothic style. The main altarpiece also belongs to this style, although it is later Gothic, dating from the 15th century. Already in the baroque the chapel of San Bernardo is included.

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Despite the multiple uses that the place had, the condition of the temple is outstanding. The columned portico rises above the podium, where it is accessed by a front staircase. The columns are smooth, with the Corinthian capitals and entablature crowning the cella. The building is a historicist reconstruction from the 19th century, idealized in the model of the only two remains that remained of the original: a Corinthian capital and a column shaft, as well as the walls of the cella that survived as part of the old Montcada palace. .

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