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The Parish Church of Santa María de la Purificación, due to its volumetric force and its location in an elevated part of the town, becomes the most representative architectural landmark. Despite being initially located away from the urban center, it is a remarkable example of a Sevillian church, in which the Mudejar and Baroque styles converge, following a very characteristic approach to 18th-century construction practice in the area. Built according to Mudejar principles in its original construction, which appears to date from the 15th century, it would later be practically rebuilt after the damage caused by the 1755 earthquake, conforming to the Baroque guidelines prevailing in the second half of the 17th century. A reconstruction in which Pedro de Silva, Antonio Matías de Figueroa, and José Álvarez participated. Among them, Antonio Matías de Figueroa stands out for the significance of his intervention in the complex. His work on the Manzanilla church can therefore be considered one of the last examples of this family's distinctive style—the so-called triumphal baroque—and one of the first signs of the change of direction demanded by the changing times, in their preference for the primacy of Rococo lines over Baroque masses. The appearance of neoclassical elements (the Gospel nave portal), derived from the presence of José Alvarez (1782–1783) as director of the works, also speaks to the formal evolution of the style toward the last quarter of the century. Finally, the tower (1760-1779) stands out, attributed to Lucas Cintora and Francisco Díaz Pinto, and one of the most beautiful examples in the province. It perfectly fits one of the two characteristic typologies of 18th-century Andalusia, originating from the Giralda in Seville. It forms part of a unique group of towers in Huelva, along with that of the Temple of San Pedro in Huelva and that of the Church of San Juan Bautista (La Palma del Condado), all of which follow a very similar model. This building represents another example of the intense religious construction activity that characterized 18th-century Huelva architecture, motivated by a fortunate combination of economic, demographic, and natural circumstances (earthquakes), and which has come to be known as its Golden Age.

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This recreational area is located next to the Las Doblas bridge in the municipality of Sanlúcar la Mayor. In this place, an artificial lagoon has been created in what was an old gravel pit, whose surroundings can be explored through a wooden walkway.

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Path that is close to the riverbed of the Río Guadiamar and where you can find animals and different species associated with the river! Quiet road to walk on!

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It is an old Roman bridge that was in use until 1917. Currently the riverbed goes the other way and the bridge has been located surrounded by a lush and beautiful area of trees.

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A Roman bridge which is where the river used to flow. I would like to know if there is a catalog of all the ancient Roman bridges in Spain.

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Located in the highest part of the town, it has been renovated not many years ago and is like new. Many people say that it is the most beautiful tower in the entire region.

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The Mirador de la Cárcava also called Balcón del Guadiamar is an old landfill that has been transformed into a viewpoint. It has views of the Guadiamar river, olive groves and the rest of the region: municipalities of Pilas, Torre Guadiamar, Caño de la Teja, Huévar del Aljarafe etc.

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But apart from bridges... what have the Romans given us?

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