20의 타라조나 드 라 만차가지 명소 & 주요 장소

The path closest to the river is flatter and calmer. If you want trails, ramps and more technical roads, there are plenty in the area.

Park in homage to Amalio Fernández García who was a Spanish painter and theatrical set designer. He was born in the Albacete town of La Gineta.

Although La Gineta is an eminently agricultural town, in the second half of the 20th century the manufacturing of chairs was developed, currently production has diversified, including more elaborate furniture. In La Gineta, the parish of San Martín stands out, a construction from the early years of the 16th century. The temple is Gothic in style, with a single nave and square head.

The church of San Martín de Tours is the most important and significant building in the town, which also has good mansions, with bars and balconies of artistic value. As in most towns in the region, the church tower marks the most characteristic point of the La Mancha landscape. With a height of more than 46 meters that make it visible from 10 kilometers around, it is a magnificent ashlar tower very different from others in the region, topped with a Renaissance lantern with decorative buttresses of Italian inspiration and crowned by a weathervane of wrought iron. Its interior is traversed by a steep spiral staircase that reaches the bells. The church, late Gothic, with Renaissance elements from the 16th century, with a single nave with striking helical pillars and complicated rib vaults. The main cover, work of Jerónimo Quijano. Other critics attribute it to the great architect Andrés de Vandelvira. It is in the Renaissance style, very simple, with straight lines, with semi-recessed Doric columns.

Although La Gineta is an eminently agricultural population, in the second half of the 20th century the manufacture of chairs was developed, currently production has diversified, including more elaborate furniture. In La Gineta, the parish church of San Martín stands out, built in the early years of the 16th century. The temple is in the Gothic style, with a single nave and a square head.

Park in homage to Amalio Fernández García who was a Spanish painter and stage designer. He was born in the Albacete town of La Gineta.

The church of San Martín de Tours is the most important and significant building in the town, which also has good mansions, with bars and balconies of artistic value. As in most of the towns in the region, the church tower marks the most characteristic point of the Manchego landscape. With a height of more than 46 meters that make it visible from 10 kilometers in all directions, it is a magnificent masonry tower very different from others in the region, topped with a Renaissance lantern with decorative Italianate-inspired buttresses and crowned by a weathervane of wrought iron. Its interior is crossed by a steep spiral staircase that reaches the bells. The church, late Gothic, with Renaissance elements from the 16th century, with a single nave with striking helicoidal pillars and complicated ribbed vaults. The main cover, the work of Jerónimo Quijano. Other critics attribute it to the great architect Andrés de Vandelvira. It is in the Renaissance style, very simple, with straight lines, with semi-recessed Doric columns.

The church of San Martín de Tours is the most important and significant building in the town, which also has good mansions, with bars and balconies of artistic value. As in most of the towns in the region, the church tower marks the most characteristic point of the Manchego landscape. With a height of more than 46 meters that make it visible from 10 kilometers in all directions, it is a magnificent masonry tower very different from others in the region, topped with a Renaissance lantern with decorative Italianate-inspired buttresses and crowned by a weathervane of wrought iron. Its interior is crossed by a steep spiral staircase that reaches the bells. The church, late Gothic, with Renaissance elements from the 16th century, with a single nave with striking helicoidal pillars and complicated ribbed vaults. The main cover, the work of Jerónimo Quijano. Other critics attribute it to the great architect Andrés de Vandelvira. It is in the Renaissance style, very simple, with straight lines, with semi-recessed Doric columns.