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It is a three-aisled and four-aisled Gothic church with chapels between buttresses, a triforium, and a polygonal apse covered by ribbed vaults. At the base is a 14th-century portal with three archivolts, above which stands the Virgin and Child, adored by two angels. The south portal, the tomb of Cesare Borgia, features ornamentation characteristic of Mannerism and focuses the temple's greatest interest on its external appearance.

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Mythical 1,000m sector with painted marks on the ground every 100m and that runs next to the bike path.

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The church of Santa María has traces of a cathedral and is in the Gothic and Renaissance styles.

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We pass the Church of the Mother of God Maria on the 7th stage of the Camino Frances (counting according to "Rother"), coming from Torres del Rio a few kilometers before the day's destination Logrono.

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"Straight" 1 km long with marks every 100m. Perfect for series

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Special and richly decorated church from around 1500 with a statue of St Jacob inside plus an image of Santiago Matamoros. The south portal with its far overhanging Renaissance-style roof is very special.

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It is a three-aisled, four-bay Gothic church with chapels between buttresses, a triforium and a polygonal choir covered by ribbed vaults. At the foot of the church is a 14th-century portal with three archivolts above which stand the Virgin and Child adored by two angels. In the 16th century the tower was raised and a large portal was built on the epistle side, commissioned by Juan de Goyaz in 1549. It shows a complex iconographic program presided over by the Virgin Mary, as well as other scenes from the life of Christ, the Church Fathers and the Evangelists. In the 17th and 18th centuries the cloister was added and the chapter house, the sacristy and the chapel of San Juan del Ramo were built. The latter was decorated between 1784 and 1787 by the important painter Luis Paret y Alcázar. The tempera decoration of the dome and the hanging spandrels of the chapel with scenes from the life of John the Baptist as well as the paintings The Annunciation of the Angel to Zechariah (1786) and The Visitation (1787) are Paret's greatest pictorial works. In all of these paintings, which form the last great decorative ensemble of Spanish Rococo painting, Paret reaches the pinnacle of his art (Wikipedia).

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